Operation Overlord: Mirror game about the eternal monsters

Operation Overlord (United States / 2018).
Address: Julius Avery.
Scenario
: Billy Ray, Mark L. Smith.
Photography: Laurie Rose, Fabian Wagner.
Edition: Matt Evans.
Interpretation: Jovan Adepo, Wyatt Russell, Mathilde Olivier, Pilou Asbaek, John Magaro.
Duration: 109 minutes.
Distributor: UIP.
Rating: Suitable for over 16 years with reservations.
Our review: good

If anything showed J. J. Abrams the success of
Lost are his great story-making talents, his devotion to the Hollywood clbadic and his myths and insistent penchant for intrigues in a Chinese infinite box game.
The Overlord operation is chaired by the Bad Robot label and Abrams' place as a producer is palpable in the design of the firm – almost unbreakable – of the vertigo of editing, particularly in the initial aerial scene. and in the insistent use of music.

On the eve of the landing in Normandy and located in a small French town that becomes the echo of the entire war, the spirit of the film badumes that the Nazi monstrosity is in effect, imperishable It sometimes seems that we are in the 40s and the desperate call of the screen reappears.
Hitchbad Foreign Correspondent, or the disturbing presence of
The trapped man, Fritz Lang. There, the predictable continues to be effective and the story makes it a lived experience.

Over the minutes, the film slides trenches and shots from war films on dark territories. of terror, located in a church that is the target of a mission, but also a refuge of aberrant ideals. In this game with the
gore as the ultimate exposure of Evil, something becomes excessive, as if our imagination was better than any possible discovery. Part of what happened in
Lost : In the end, black smoke and sounds of the island were better than any transcendental revelation.