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The opera "El Barbero de Sevilla" debarked at the Teatro Independencia on Friday, June 29 with a masterly appeal from the inhabitants of Mendoza.
It is the Culture Secretariat of the Province that has drawn attention to this work and staged with an investment of more than 1.5 million pesos.
Federico Ortega, was responsible for the staging, while Mendoza Mirabelli, tenor who triumphs in Europe, and Omar Carrión, international baritone were the great figures. They were accompanied by: Omar Carrión (Figaro – Barbero); Luciano Miotto (Don Bartolo – tutor of Rosina); Griselda López Zalba (Rosina – young orphan); Ricardo Mirabelli (Count of Almaviva – noble); Daryl Figueroa (Fiorello – servant of Almaviva); Alejo Laclau (Don Basilio – music teacher) and Gloria López (Berta – servant of Don Bartolo). In addition, a set of voices will be added under the direction of Mónica Pacheco and the preparatory pianist will be Julián Salcedo.
For its part, the Province Philharmonic Orchestra – led by Maestro Gustavo Fontana – has musicalized from the pit this great work that extends for nearly three hours.
The host, Darío Asís -Director of Teatro Independencia- was surprised by the announcement and proud of the quality of production. "We proposed to bring an orchestra a year," he said, and continued to dialogue with MDZ Social.
In addition to important artistic personalities, badisted mainly by departmental mayors who amused themselves with the barber.
About the Barber of Seville
This is an opera buffa in two acts with music by Gioachino Rossini and libretto in Italian of Cesare Sterbini, based on the eponymous comedy (1775) by Pierre-Augustin de Beaumarchais. The first (under the title Almaviva, or useless precaution) took place on February 20, 1816 at the Teatro Argentina in Rome. It was one of the first Italian operas to be performed in the United States of America, premiered at the New York Park Theater on November 29, 1825. The Rossini Barber turned out to be the only one in the world. one of the great masterpieces of comedy. of music, and has been described as the opera buffa of all bufas operas. Even after two hundred years, its popularity in the modern opera scene bears witness to its grandeur. The plot tells the adventures of a loving couple composed of Count Almaviva and the young orphan Rosina. Bartolo, preceptor of the girl, tries also despite the difference of age. To avoid this, the couple uses the help of Barber Figaro, who by means of tricks deceives Bartolo and manages to unite the lovers in the marriage.
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