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Jonathan Reverón
Santiago de Chile.- Two acclaimed concerts honoring the maestro José Antonio Abreu have left evidence that Gustavo Dudamel and El Sistema travel with the same destiny: the glory of the world.
homonymous foundation, the musician Larense helps to achieve the goal of broadly expanding the Venezuelan musical movement and its teaching method that transcends youth, sowing values and transforming lives.
An orchestral group composed of fifteen members of the Simón Bolívar Symphony Orchestra, six of the National Symphony of Youth of Venezuela; four from the Berlin Philharmonic, one from the Vienna Philharmonic, three from the Los Angeles Philharmonic; one of the Gothenburg Symphony, one of the National Symphony of Chile and fifty-one young people from the Foundation of Chilean Youth and Children's Orchestras, maintain the challenge "Himalayan" – as the said musician by recalling the expression of his teacher – by amalgamating so different cultures.
"Music breaks boundaries, removes walls, unites us like brothers", something that Dudamel repeats on every podium.
In an underground hall (distinctive of santiaguina civil engineering) the Corpartes Foundation was the host.
At 37 and with more gray hair, the composer also devotes his genius to memory, respect for technique and the ability to communicate at the same time with different human nuances through creative metaphors that he transforms into music.
This time, he chooses joyfully solemn sounds avoiding the requiem. "Three days before his death," says the director of the Los Angeles Philharmonic, "while we were talking on the phone, the professor listened to Tchaikovsky's fourth, one of his favorites."
This composition was preceded by two fencers, Wagner, with the prelude to Lohengrin; Beethoven, in his seventh symphony
"Do not find me now in Venezuela, does not mean that he's not there, boys," he said to his compatriots before a representation that brings him closer to the essence of his musical apostle.
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