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Torben Ulrich was the best Danish player of the 60s. When he participated in the circuit, he was accompanied by his family. This happened two to three months a year. In July 1969, while they were in London, their grandson, Lars, flipped through the newspaper and was surprised to see a picture of a group of young men with long, quarrelsome hair. He asked his mother who they were and she answered: The Rolling Stones. The woman told him that they were musicians and that they would play free at Hyde Park. Lars asked his father to attend and this show, at the beginning of his five years, was indelible: from that day on, he wanted to become a musician.
To Nacer, Crecer, Metallica, Die. Volume I (Malpaso), music journalists Ian Winwood and Paul Brannigan – having professional experience in media such as The Guardian and Rolling Stone – detail the San Francisco group's origins until the release of the "Black Album" (1991) and deepen in the opposite characteristics of the two leaders. On one side, Ulrich, the outgoing Danish, whose fate was tennis, like his father, but who has the disillusionment after spending a few months training at Nick Bollettieri's ranch – "I I felt in a prison, "he said – and decided to devote himself to music after listening to the first Iron Maiden album. On the other hand, James Hetfield, the singer of Metallica, an introspective man, who had to deal with the untimely death of his mother and the removal of his father and who took refuge in Aerosmith, Motörhead and Black Sabbath records to communicate with the world.
Without a great expertise in drums, Ulrich is the born diplomat. The genre can follow idols from city to city like Motörhead's Lemmy, understand his way of working and developing his music and negotiating concerts in different places. With Hetfield, they try artists until they find the right ones. At first, they added guitarist Dave Mustaine, later Megadeth's chief, who was fired for his incessant overflows: he generates problems with other metal bands in joint shows, he is drunk permanently and does not not show me his professionalism. When they send it back, it's humiliating: they give him a bus ticket for a 40-hour trip from New York to San Francisco, without any weight. He is replaced by former exodus Kirk Hammett
According to the authors, Cliff Burton is the best musician. Supported by his family since his teenage years with his bbadist idea, Burton has treated more genres than his peers. His favorite bands were Pink Floyd, Velvet Underground, Rush and Black Sabbath. This musical amplitude enriched it and provoked the respect of his peers. Each arrangement presented by Burton – who studied at the same school of actor Tom Hanks – in Metallica provides an enigmatic sound, capable of giving a more lively look to an accelerated and enraged music.
Like all emerging groups, the beginnings of Metallica went to pure enthusiasm. They themselves promoted their concerts with black and white photocopies, played in front of four people and never played on the radio. For years, his songs have been dumped by magazines such as Rolling Stone. Although they did not do much to touch the mbades either: when they were invited to the famous show Saturday night, they gave up their participation and until the appearance of the clbadic One of .. And Justice for All (1988) did not want to publish singles because "that's what Led Zeppelin did," according to Hetfield
As fans of the band grow up and the group acquires a bigger artistic autonomy, tragedy occurs. On September 26, 1986, Burton granted an interview to a Swedish magazine, stating that the band "should play as much as possible to make themselves known because it was the success of Judas Priest and Iron Maiden". The next day, the bus that drove them from Stockholm to Copenhagen was overturned after the driver fell asleep and the bbadist was crushed by a wheel of the vehicle. The group took a few months of mourning and replaced Burton with Jason Newsted, who was being cruelly treated by Ulrich-Hetfield and was hardly heard in … and justice.
Revered as metal stars, they were vilified by their fans. his next and the most popular album to work with producer Bob Rock, who has participated in the albums of Bon Jovi and Mötley Crüe. It was his most pop job, but also the most scary: without his physical presence, they released their new songs in a total sold at Madison Square Garden in 1991 – including members of Nirvana -. When he saw the rows of people, Hetfield felt that he had filled his self-pity: being as big as Led Zeppelin
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