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Popular VTuber and Twitch streamer CodeMiko is known for his creative streams that allow viewers to get involved by influencing certain parts of the broadcast. She uses her setup and virtual character platform to interact with her audience – which averages nearly 8,000 viewers per stream – and fellow content creators through various segments and interviews.
The tech, or the developer behind Miko and the stream, takes care of all the coding, engineering, and rigging and always pushes the level of interactivity with the broadcast forward, describing it as “a quasi RPG. interactive”.
However, the nature of some interviews led Twitch to ban Miko from the platform, including two short-term suspensions in September 2020. She found herself suspended from the platform again when her account was banned on January 19 – this time for two weeks. Neither Miko nor Twitch informed the audience of the streamer’s nearly 360,000 subscribers about the cause of the ban.
Following her third ban, Miko spoke with Dot Esports about what led to the suspension, how she is approaching content creation and her future plans, including details of her expected return flow for February 5 at 2 p.m. PT.
You said you had more details as to why your channel was banned and it wasn’t because of your use of the word “simp”. What was the reason this time? How long is the ban?
Miko: It wasn’t because of the word simp. It’s a long story, but in short, I messed up when I was chatting with a friend and fellow streamer and sort of got lost in the moment.
Was it something specific that violated Twitch’s Terms of Service?
So I have this interview content and I basically introduce other streamers. During an interview, they often share things with me and send it to me for streaming. So they’ll share it and I’ll put it on the screen.
At that precise moment we were talking about female harassment online and I asked her what was the worst comment she had ever received. When I saw the email it was pretty bad and looked more like a threat than a comment. In my experience, threats hardly ever come from a user’s actual email address, but when I threw in the screenshot, that’s basically what shut me down. I violated the conditions [of service] around privacy.
Obviously my friend didn’t want this to happen, she’s very sweet, and I think we both overlooked her because we were so focused on the email threat, but I learned my lesson.
How is this ban different from the two your channel received in September?
Yeah, those were little mistakes too. It’s unfortunate, but I just have to be more careful with things like this and work to prevent them from happening in the future.
My content isn’t about that stuff, it’s about the innovation behind the live broadcast and I just want to show what I can do and the innovative side of my stream. I’m really, really excited to come back because I’ve used this time to work on new stuff and it’s been good.
The suspension is horrible, but at the same time it gave me this time to really work on my stuff and I’m really excited to show it when I get back.
How does Twitch communicate with you since your ban?
I am finding myself an account manager and I think it will help a lot when it comes to communicating with Twitch. Once I have one, I hope communication goes much easier in the future.
Are you going to approach streaming differently when you return?
I want to focus more on the innovative side of my content and really push more towards creating fun things to stimulate that live interaction, in terms of the mini-games that I can play with the chat and the guests during our interviews. I imagine it will be like my interviews but on steroids.
Basically I want to focus on adding more interactive aspects to the chat that will help the humor of interviews and situations in the interviews and just add a lot of color to the content.
I am always very excited about new things. Currently, I was only working on the content of the interviews, but now I will also be incorporating aspects of the game show. I went head on with the live interactivity part. I’m planning my return stream to have some big streamers I’ve worked with and make this a really fun event.
I am also planning my daily content and it will contain different things other than interviews.
You’ve talked about it a bit here, but with the way you worked on your content during the ban, what are your plans for your return feed?
I want this to be a great game show with my great streamer friends and I’m going to be hype! This will be something that has never been done before on Twitch, in terms of how I’m going to run my version of the content.
Twitch has made game shows before, but they’ve made them in a very 2D way with cameras and a type of overlay where it’s flat. But with my VTuber abilities in 3D space, I can get the impression that they are actually inside a studio.
In my interviews, streamers come in on a monitor and that’s how I interview them, but this way I’m going to do it giving them robot bodies, but their heads will be like the computer screen. So, they will have certain controls on how they can move their robot body and they will feel like they are more inside the space as they will have additional items that are used in game shows like a podium and there will be camera cuts on the streamer. with their face on the robot’s head. It’ll feel a lot more immersive that way.
They will be able to interact with a wheel that they are spinning, there will be animations, so when they spin their character spins the wheel, we can still see the streamer’s expression as their camera is powered on the PV screen of the robot. Stuff like that is what my game shows will be like and the cat can always throw funny things at us during the show to throw the banners or get the avatars moving. I am delighted to make his debut when I return.
Your content has increased dramatically in recent months. How were you able to develop your channel? What did you do that you think is working?
I’ve been streaming since late March early April and throughout those first few months it was just me trying new things every day. My schedule was really crazy, where I would go to sleep around 9pm, wake up at 2am, dev until 12pm, then broadcast. I would broadcast for about four or five hours, then eat and do other things, then repeat again.
During this time development was very difficult as I would quickly code things to see what would happen in the chat. It was just testing as you go, as there was no policy when it comes to this type of live content that tells you things like “the cat prefers when they can spawn random stuff, mini-games and interactions that are more in the background. I had to find out what the cat likes about this interactive space because there have been a lot of things that have worked, but a lot of things that I have built, I had to give up because in my head it was working, but when I tested it live the chat got really bored.
These first few months have been a lot of RnD and trying to figure out how I could have fun with the cat. And then I got to the point where I was doing interview content, right after a Discord call, and I noticed the cat really enjoyed just sitting around and watching me talk and interact with another person while still being able to affect the interview in various comical ways. So I took this further and created a new environment for it with the TV and the format I use and the cat really liked it.
It has worked really well so I decided to stick with it for now, but I’m still researching and developing more things that I can do. One of the biggest projects I have is I want to make an RPG world where Miko can go on an adventure and the bosses would be like big streamers, and chat and Miko have to work together to beat the boss, like Hasan [HasanAbi], it might be a giant Hasan.
It’s a process that I go through constantly and this idea might not even work. The chat may not sound like fun and in this case I’m going to scrap it and try something new, but it’s just an ongoing development process and I think that’s what I’m doing. love the most. I love doing things and seeing if they’re fun, and if they’re not fun, I give it up. If it’s fun, I keep it, and just keep it up.
Other than the chatting enjoying the content, what made you rock so hard in the live interviews? What was the idea behind it?
Before I started the interviews, I was just talking to chat the whole time, but having another person I could interview, I don’t know. I just feel like my content got funnier because I could bounce off someone, what they said, create more humor with that back and forth. It just led to some more fun times and the cat really liked the interactivity with the streamer I’m interviewing. I think it created a really fun atmosphere, sometimes chaotic, sometimes more serious.
When I interview someone I can determine where their comfort level is, what I ask them before the interview what they are comfortable sharing and not sharing and if they are ‘okay with me by stalking him every now and then on certain things, all of these things. . Some streamers I take a very laid back approach and we can be calmer or more serious to have a nice conversation, but with others I know they are all for being trolled and humor is part of it so that I get to play them a bit and it becomes a fun back and forth.
Overall the interview format was really fun and really worked with the chat, so I decided to keep going and innovate with it.
What do you think about the growing impact of VTubers and similar styles of creators that are increasingly common in streaming and content creation, especially as they start to grow more and more on? western markets?
I think it’s great! I really love the creative side of Twitch, and it’s really exciting to see different content creators trying new things and coming up with innovative new content, because it just shows that you can do some really cool things with just streaming. direct.
I feel like this makes the future of entertainment in this live and digital streaming format really exciting. So I hope that will continue to expand and that new things emerge on the creative side of Twitch.
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