Cubanas revueltas – Crítica · Cubanas. Women in the revolution



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Maria Torrellas creates Cubanas. Women in Revolution (2018), an investigative documentary that the Cuban revolution goes through in the mouths of its female protagonists.

The film opens with memory a cinematographic icon such as it is Lucía (1968), del The Cuban director Humberto Solás who tells the story of the war. Cuban independence, the 1930s under the government of Gerardo Machado and the 60s on the revolution itself, in the lives of three Cuban women named Lucia, who are fighting against their situation.

Then he continues with a reconstruction of the role of Haydée Santamaría his participation in the center of the conjuncture and its role of moral reference, interspersed with interviews with women who are currently talking about the situation. the influence of the Revolution for the development of their liberties, and as a way to equality.

With an interesting debate on the conformation of this historical process and its characteristics in the form of tribute and with that romanticism that is usually in the air of this type of films, Cubanas. Women in the revolution also presents the current challenges of a citizenship formed with tools to deal with inequalities.

Vilma Espin The section Mariana Grajales Celia Sánchez and other characters who worked in the Revolution, are related in the voice of different women today with varied participation in the community, be it artists, scientists, politicians, students and other professions.

Cubanas. Women in Revolution recognizes that history has always been, is and will be told by men, to propose a new feminine journey. The realization may not be virtuous, but because its strength is centered on what is in relation: The precious struggle of the weak bad -supposed-

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