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If a qualifier does justice to Omara Portuondo is that of a diva, no matter the challenges, she is still able to overcome them, and her extended and applauded work is now the best evidence.
The Portuondo is not close to stereotypes, can start applauding in the most demanding audiences of the world, but also share the magic of his voice with his simplest followers, making every moment something of # 39; unique, memorable and emotional
the one whose every situation has his reason, won this Saturday night at his place of origin, the Havanese quarter of Key West, where the legend began 87 years ago.
The pretext was the presentation of his most recent phonogram, entitled Omara Siempre, a delivery of duets in circulation since May invented by the record company Egrem.
However, 'La novia del feeling', as the star of Buena Vista Social Club is also known, broke the co n script established in correspondence with the album and gave the audience an exquisite repertoire that in his voice has made Cuban song a universal expression.
Between jokes and memories of childhood, Portuondo began with Cuban Night, a song that bears the credit of the legendary composer Caesar Portillo de Luz, a theme that marked the time and career of its authors Orlando Fierro (lyrics) and Bobby Collazo (music).
They were followed by clbadics such as Lágrimas negras, by Miguel Matamoros; Goodbye, happiness, by Ela O 'Farrill; Ramón Espígul; Perhaps, Juan Formell; 20 years old, by Guillermina Aramburu and María Teresa; and The era is pariezo a corazón, by Silvio Rodríguez, among others.
Interestingly from the album Omara Always, the artist only played Sábanas Blancas, a song of singer-songwriter Gerardo Alfonso
The Cuban diva has shown every moment twists and turns from such a varied repertoire, also from the talent of the charisma that turned it into a universal artist.
The audience chanted each of the songs, some suggested to the artist who did not oppose the request of his most faithful followers, creating an environment of complicity, almost magical, over two hours on stage [19659003] Amigas, an icon of Cuban song composed by Alberto Vera, was the choice of the diva to end the concert, a clbadic that she first played with Elena Burke and Moraima Secada, her partners in the legendary foursome Las D & # 39; Aida.
The Omara Portuondo concert in his hometown is the first in a series directed by promoting his new album and celebrating the 500th anniversary of the founding of Havana.
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