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The best of Gilberto Santa Rosa's concert, apart from his contagious music that justified the fantasy and power of salsa, was the opportunity to watch the eyes of dozens of Cubans who were retreating after the discharge of the salsa. adrenaline that lived with the songs of the Puerto Rican. They all exuded the sweat, the joy and the comforting feeling of who could ease the routine on a night when the Puerto Rican singer and songwriter celebrated the place of respect that he occupies in popular music. "I had heard and danced all those songs, but I did not know who they were. It's true that the guy is a terrific musician, "commented a young couple who had put on this face facing the songs that set fire to his feet for so many years.
Like they, there was a growing wave of people, calculated in tens of thousands, who could take advantage of one of their main singers and, without knowing it, show the physiognomy of a diverse Cuban society. remote city that has waited so many years to see many of their musical idols, whatever their genre, and at least tonight they filled Santa Rosa and Santa Rosa, which certainly matches, filled them. [19659002] And he did with a concert in which instead of a stock salsero seemed a high performance athlete.This did not matter that sweat ran down his body like a downpour of May and he had to go to the corner to get him out of his eyes, his face, his forehead, like a willing boxer.
Gilberto would enter the songs with the energy of those who go on to conquer the title and brought them back with that sonorous pbadion that lies in the very origins of salsa, a movement that was born as a form of music. Expression of the most popular layers and which has become a universal language It has exported Latin America to the world and has had a perfect launching pad and hybridization on the New York scene, when many of the leading representatives of this genre have settled in the United States, which has undergone rhythmic transformations and the surge of other urban styles. that after the turn of the century they forced the salseros to fight or reinvent themselves.
The Gilberto Santa Rosa show is the first division. Impeccable He is accompanied by his group of musicians, all virtuoso musicians who, with an accurate rhythmic display, enhance the reach of the voice and songs of the Puerto Rican that they have danced around the world.
It was not a surprise It happened when the Puerto Rican arrived on the scene to become the owner of the evening when he greeted the audience and thanked Issac Delgado for the time he was there. invitation to sing in Cuba
The musician has remembered Polo Montañez with his quick version of went to Lluvia of his friend, Adalberto Álvarez, made clapboard d & rsquo; Eye to the popular song Until the Malecón by Jacob Forever, was dried up and went on some refrains Issac Delgado remained stuck in the history of the Cuban dance scene.
He was also grateful to know during this trip Giraldo Piloto, the charismatic leader of the Klimax orchestra which he had only heard about his work. It's another friend I already have in Cuba, said the Puerto Rican.
"The Caballero of Salsa" did not let the audience breathe. He linked one subject after another as if the word rest was not in his dictionary. He played the pailas as an expert, badisted in the first moments to Let yourself be loved by Cuban Donato Poveda – one of the great troubadours of the country – and followed the consumption of the dancing ritual with I do not ask you and Consciousness. But when their clbadics arrived, the public was an erupting volcano. "Gilberto we love you" they threw it from the middle of a river of people who have not stopped giving the body to the rhythm of My love does not go Live without it I do not want na regalao and Forgive me .
The high performance athlete after almost two hours had for more. And he finished the last section with the strength of Usain Bolt. I caught it with the booming band, it was one of the last things that Gilberto warmed up with on an already hot night and exploded the thermometer of Cuban expectations.
Addition and subtraction they asked him down and the musician knew that he could not miss the repertoire. The song that he recorded with the Miami-based reggaeton El Micha, ignites the charts in the United States and Puerto Rico and has over two million views on the internet, and of course, quite a few Cubans l & rsquo; Danced to fatigue that's why he used another of his successes in a concert that showed how the Puerto Rican took salsa as a vital element and how that genre continues to document life in the cities in detail.
The concert was high from the beginning and did not come down even when the Puerto Rican made a hole to give himself the pleasure of teaching his love for the boleros. At night, he would continually wink at Cuban music until Isac Delgado burst on stage to duet with Gilberto and follow him into the Lluvia chorus, which showed the perfect communication between the two. singers. "I went up to tell Gilbertico that we Cubans, we love," said Issac and the Puerto Rican knew that to get rid of the emotion he had to keep singing and making the scene hot. That is why a choreography was set up with several of his musicians who came out of the shadows to accompany it and complete another of the moments that enraged the audience.
Gilberto Santa Rosa is an artist who moves between tradition and modernity salsa He came to Cuba with his 40th tour and account, but his performance was that of a musician who is in great shape and has acquired the status of A clbadic of Latin folk music. The Puerto Rican did not suffer from the phase of decline of a part of the salsa scene in the mid-90s, marked by the pbadage of the music industry to genres that then began to take of strength as a reggaeton, a time relegated the career of several artists who defended salsa, son and romantic music.
Santa Rosa surpbaded this milestone with a strengthened race to crown its name with legends such as the Puerto Rico Gran Combo or La Sonera Ponceña. Indeed, the Puerto Rican did not come to Havana to relive old glories, but at one point in his career where he continues to explode in many parts of the world. And for a better proof, just ask some of the Cubans who enjoyed this concert because only you can live this music made with elegance, arrest and energy that overflows.
Santa Rosa finished with an anthological theme of Cuban Music, Canto a La Habana while the public immortalized the concert on their mobile phones, because that night too, many wanted to continue the party at the house with Gilberto Santa Rosa.
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