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An hour and a half of sincere and pbadionate dedication to the theater of Heredia has once again sealed the identity that, for almost four decades, was forged between Andy Montañez and the inhabitants of the eastern metropolis [19659002]. "Every time I come, I feel I have not left the house, because, know that Santiago de Cuba is another gateway to Puerto Rico, so familiar that we feel close. "
Montañez played tonight The most anticipated of the thirty-eighth edition of the Festival del Caribe, dedicated to Puerto Rico, and did it with the support of the Karachi Orchestra, one the most powerful convening groups in Santiago.
Since coming on the scene with his salsera version of Payaso of the Spanish Rafael Pérez Botija, which became a hit of tropical music in 1985, there were abundant samples on the scene that confirm Andy's hierarchy in Antillana music of popular music.
Aware that his career grew from the traditions of his people, he did not forget his time in the Grand Combo of Puerto Rico.
From the time of the Grand Combo he sang Julia ] in which feelings are expressed with a good dose of humor, and White sheets with which Andy achieved his first high level of popularity by recording this song by Roberto Angleró. With regard to the aforementioned subject, he commented: "I have already 76 years and 55 years of artistic life.I have not changed, I remain faithful to what seems fair to me, and I keep my voice, the only thing that "white sheets" fell on my hair. "
Incorporated into his repertoire, the dance piece by Manolito Simonet, Locos por mi Habana transmuted into the voice of Andy in one of his introductory letters among his people: In my Puertorro and although at the beginning of his journey it was part of the experience that Montañez has called salsatón, with which he wanted to attract influential reggaeton artists like Julio Voltio and Daddy Yankee, C was false, if not the opposite, to add El Narra de Santiago, a young man who eschews usual simple and coarse codes of the genre and engage to rap with meaning.
In the middle of the concert, they came to Montañez, from the hand of the president of the government in the capital of Santiago, the keys of the city. A further joy for those who attended the premiere of Multimedia Andy Pa rato by Julieta García Ríos and Adán Iglesias, with the collaboration of the singer's wife, journalist Xiomara Acuña Venezuelan, Martiana and Bolivariana
The end of the festival, with the musical direction of Pedro de Jesús, musician of Santiago de Compostela – and a form of art of the composer of Santiago Rodulfo Vaillant – raised the public of the glbades and caused a shocking patriotic demonstration of the compatriots of Andy, who came to the Caribbean Festival: the full of Florencio Morales Ramos, What a beautiful flag which for many years circulated by word of mouth and house in house, regardless of its media ban, did justice to the cause of Puerto Rican independence
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