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The Miami culture has often been used to foment the politics that keeps alive this activity known as the "anti-Cuban industry".
That the far right of Miami has always been separated from culture is not a secret. What can be expected from the descendants of the henchmen of a dictatorship that he abandoned in his flight – after the triumph of the Revolution on 1 January 1959 – an island with 57% of illiteracy. No government of the so-called "little cup of gold" has ever been engaged in literacy of the people, or has not mbadively promoted the culture.
Therefore, sergeants and murderers of Batista do not arrive in Miami to found schools or promote the arts. The first wave of conquered people and their descendants who today, one way or another, were taking the lead in this southern Florida city, have dedicated themselves from then on until the end of the war. to now, to live the history of their struggle against Communism: the fad enemy of the United States at the time of the Cold War.
When she was dealing with Cuba, Miami's culture has long been used to foment the politics that keeps alive this business known as the "anti-Cuban industry". So, traditionally, in Miami, have burned images of artists on the island, placed bombs on the stage, censored artists on the radio, stoned musicians and discs crushed with flatterers.
In recent years, under the most tolerant Obama administration, the cultural exchange program has been implemented. The owners of hate propaganda have never stopped politicizing "culture", especially in the media that dictate what may or may not be said in this city.
The new "contract", the alleged defenders of "freedom" and "democracy" came to allow Cuban artists to come and go, and even to reside in this city as long as they respected the "pain" of a repressive mythology, extermination camps and mbad murders
The same "tolerance" reached the point where the highest authorities in Miami were able to deliver the key from the city to the people of the area "for their success" and remove it simply because someone, with different ideas from the mainstream consensus, has appeared enjoying in a music video of that same group.
The last sample of how "culture" works in Miami is the impact it has had on this city. Ad the recent concert of Gente de Zona and Laura Pausini who held there a little more than a week in Havana. The right wing of Miami has now shouted to the skies because singer Alexander Delgado of Gente del Zona and Italian singer Laura Pausini were grateful for the presence of Cuban President Miguel Diaz-Canel at the concert.
Nuevo Herald, Alexander Delgado, said at one point of his presentation in the sporting city of Havana: "I want to say something and say hello to someone special, I think that's what it is. is something very good and I want to thank you for coming to share this moment with us, and especially with you, who are what we represent, applause for our President Diaz-Canel that he finds here, thank you for being right now in front of the city, next to the people, sharing with Gente de Zona. "
I think the last words of Alexander were the ones who hurt the recalcitrant right of Miami , the gratitude "to be in this moment in front of the city, next to the city, shares with the people of the area". And that must have done even worse than the city – more than 250 thousand people – who were stoically waiting for the heavy rain of that day to allow the concert to begin, enjoy the huge Gozadera of over two hours with Pausini and Zona Gente, nothing less than with its president.
No one is surprised that at no point do they accuse Alexander in Miami for the hundreds of people who followed Diaz-Canel into the streets during his recent visit to Granma Province.
The law is sick with failure. Hatred and rabies are their only fuels. Hatred that causes helplessness and that does not support joy.
The anti-Cuban mafia of Miami is the first person responsible for the blockade against the people it claims to defend. They want a people overwhelmed by need, sad and bitter for those who can not stand, on this side of the strait, the minimal explosion of enjoyment, or what is the same, no manifestation of the "dictatorship" of the Gozadera.
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