[ad_1]
In order to penetrate and project the cultural roots, social problems and everyday affairs of the Korean community through art, the National Museum of Cultures of the World located in the heart of the Historical Center opens its doors at the temporary exhibition Three mirrors of Korea composed of 17 works between paintings and installations.
With pieces by artists Seahyun Lee, Jaerok Jang and Minseok Chi, the show that was staged by critic Jinmyung Lee, is supported by the National Institute of Anthropology and History ( INAH), in collaboration with the Korean Cultural Center and the Korean Embbady in Mexico
The title of the exhibition responds to three ways of interpreting the world by those mentioned artists in the world. intention that they are known and appreciated in our country, as in Asia, the works of Mexican artists such as Diego Rivera are known, transcended in the opening of
In this sense, the conservative Jinmyung Lee considers that Three mirrors of Korea, shows that in addition to being an economically strong country, their ancestral customs remain and it is demonstrated by the use of 39 ink and other techniques that distinguish Asian artistic manifestations.
For his part, Jang considers it important to represent a part of the past that has been lost in his country like forests and mountains that have become big cities. While the artist Minseok Chi embodies his Buddhist influence in his work, for him all men can be Buddha.
Seahyun Lee was born in 1967 on the island of Geoje, South Korea. He studied painting at Hongik University, as well as a postgraduate degree at the University of Chelsea in London. He has also shared his work at the Pearl Lam Gallery in Hong Kong and at the Aki Workshop in London, as well as at the Seoul Museum of Contemporary Art.
His work is characterized by the red color, with which plasma mountains, water spaces and sad faces of the Korean people that reflect the modern history of the country, just after the war in the 50s and the division of the peninsula in two. Therefore, his proposal generates a contrast between the disillusion of modern times and the beauty of the characteristic nature of his country.
Jaerok Jang graduated from the Faculty of Art of Dankook University and studied a graduate degree in Oriental Painting. at Hongik University. He was born in 1978 and positioned his artistic work in the mid to late 2000s, with painting and installation being two of his strongest lines.
His production aims to capture realistically the symbols of capitalism and luxury. the speed of life and desire for consumption, as a result of industrialization in South Korea since the 1960s. Sailboats, cars, jewelry are painted by Jang as a sophisticated and critical portrait of society current Korean. ] While Minseok Chi acquired his artistic knowledge at Sungkyunkwan University. Currently residing in Mexico, he emigrated with his wife, originally from that country and whom he met during his period of study at the university. Fact that allowed him to show his work in his new home and other Latin countries like Ecuador.
His art is strongly inspired by Buddhism, that is why his paintings and his installations take the figure of Buddha and other symbols of this philosophy born in Asia. Plastic bottles, objects that no longer have useful life and abstract features embody Buddhist images in a contemporary way, mediating between traditional value and modern society.
Some of his works were exhibited in April 2017 at the Korean Cultural Center in Mexico City. Now, with artists Seahyun Lee and Jaerok Jang, his work will be presented in the city of Havana, Cuba, after visiting the National Museum of World Cultures, where the exhibition will remain until September 30th. .
The National Museum of World Cultures is located in Calle Moneda No. 13, the historic center of Mexico City, one block from the Zócalo metro. Free entry.
ElSolDeMexico
[ad_2]
Source link
