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Halfway to 'The Last of the Starks', the episode very memorable episode of Game of thrones, the forces deployed against Cersei gather at Winterfell to prepare for their attack on King's Landing and his besieged queen. "We are going to hit her hard," Daenerys says. "We will tear it off, root and stem."
Her advisors try to belittle her. Tyrion reminds him that indiscriminate tearing of roots without worrying about collateral damage is more of a crazy king's gesture. Varys notes that Cersei's allies are already shrinking. Jon suggests a seat. And Sansa observes that the survivors of the Battle of Winterfell could enjoy a break before heading south to take part in Miguel Sapochnik's second play. "Do you want to throw them into a war that they are not ready to fight?" Asks Sansa.
Dany reluctantly accesses the office, but she does not want to wait to get the plan going. "We won the great war," she says. "Now we will win the last war."
With two episodes of 80 minutes left in his last season, Game of thrones is in a similar situation. The show won the war of ratings, rave reviews and cultural cachet. Now he wants to win the war for a satisfying final, offering fans a satisfying win that will not tarnish the reputation of the series. But as much as Missandei, Rhaegal and Dany's fleet paid the price for the impatience of their leader on Sunday, Game of thrones seems to feel the same desire to achieve his goal. Even more so than in Season 7, David Benioff and DB Weiss play the role of Daenerys, so obsessed with the finish line that they do not seem to care about the number of reduced main story lines or the number of story lines. minors killed in the carnage.
The confusing part of The Thrones'Rushing out of our screens is that almost no one was looking for a quick resolution. Viewers do not want it to end. The media do not want this to end. HBO does not want that to end. Only the showrunners are ready to conclude. In an interview published before the last creation, D & D made it clear that it was they who insisted on stopping eight seasons and limiting the last two to a total of 13 episodes. "[HBO] said, "We will give you the resources to do what it needs," Weiss said. Benioff added, "HBO would have been pleased that the series continues to have more episodes in the last season." But the audience refused. "We always thought it was about 73 hours and it will be pretty much that," continued Benioff. "Even though they wanted more, they understood that it is here that the story ends."
It is always tempting to keep up the momentum, and many profitable franchises have welcomed their welcome too well, whether it is a reluctance to give up the stage or a desire to make more money. If the showrunners were right on the natural lifespan of the series, their decision to leave would be commendable. But the last two seasons strongly suggest that they retire prematurely, putting an end to everything while the story still had a fulfilling life.
It's not just how the show summarily eliminated Night King after more than seven seasons spent building it like the so-called Big Bad. The audacity of this decision is almost admirable; in a sense, the death of the king of the night was as staggering as the dagger of the established hero Robb Stark. The difference is that we do not really have know the king of the night. Because the show never let us into his horned head, his death was a disappointment, a too brutal abandonment of a story that could have taken more depth.
Suppose, however, that the king of the night was unknowable and that Weiss was right when he declared in 2016 that the leader of the White Walkers was "just a force of destruction" and that "everything he would say would be anticlimactic" . the existence was never anything but a way to bring together other characters whose mouth actually moves, the decision to give him the floor was defensible. In theory, less time spent on the Night King means more time on Lannisters, Starks and Targaryen.
In practice, however, the series accelerates so quickly to its conclusion that the characters that we hold dear are also treated superficially. Jon and Ghost do not speak. (Narrator's voice: Their separation has made do not play "much more powerfully this way.") Bran's mystical metamorphosis has made him a character more than a fascinating character endowed with stimulating powers. Tyrion's intelligence fluctuates from week to week. In one episode, Jaime goes from the good guy to the backpack – certainly not for the first time – giving up a suddenly crazy Brienne of boys. The crucial scenes are entirely omitted: in "The Last of the Starks", the camera cut off the challenge that Jon and Dany had taken to Dany by telling his supposed sisters that he was actually their cousin Aegon. and Sansa pouring the same tea to Tyrion.
Admittedly, we can deduce what was said in these two scenes. Therefore, if D & D tried to strip the script of its bases to save time, these exchanges constituted logical cuts. But why, when they receive a blank check and an expiry-free creative license, do they give greater priority to reducing runtime rather than presenting two moments? emotional, memorable and long lasting? And why, in the face of these self-imposed constraints, would they choose to spread some of the screen time in such a frivolous way? If there is room for a quartet and scream of Ed Sheeran, is there no room to see Sansa and Arya react to the revelation of Jon's sonship? and to the claim of the throne?
If the characteristics of the show were the only victim of his sprint until its completion, a tight course could still save the season. But as the pace is so fast, many turns are cut. The characters come and go without purpose or preamble. (Hi, Bronn Bye, Bronn) The gold company, which could play a crucial role in the fight for King's Landing, has barely been seen. The world of Westeros, which once seemed so vast, has become a pinnacle: Yara takes over the iron islands (and is likely learning about Theon's disappearance), other updates on the political situation arrive via little effort Lines like "The new prince of Dorne is committed to supporting him" and the citizens that Varys is committed to protect are an abstract and faceless forage for the ambitions of queens in battle.
Euron seems to have equal opportunities on many occasions, carrying weapons we did not know existed (except in a effective form). Dany "forgot about"Her fleet, on which she was warned in the previous scene. (We have ample evidence that Jon, although brave and adept at swordplay, is legitimately bad at fighting strategy, but Someone & # 39; a It should be better.) These legendary dragons are easy fodder for projectiles, and Dany does not stop his machine-gun race until dark, nor does he simply circle the stern. Cersei, who has never been decently bound, misses a chance to shoot Dany (or at least his hand) instead of decapitating the dragon queen personal assistant. And Euron does not react when Tyrion announces that he is aware of the baby that Euron believes to be his son.
Sometimes season 8 was too dark to be seen. at other times, it's like watching a strobe light, as the apparent teleportation that started last season sent the characters into the realm through sudden jumps in time and place. "We are used to having a whole season to come to a point," said recently actor Nikolaj Coster-Waldau, who would play Jaime Lannister. "Suddenly, a lot of things happen very quickly." We know the world well. So it may be logical that the series advance quickly or that yadda yadda Dorne seeks to maintain the excitement at the approach of the climax. . But excising these slow moments always has a cost. Although the fate of the main characters is almost certain, the events unfold without much time for reflection. The Thrones is in danger of not being sure no matter what. Perhaps the message is that it's easier to speak about breaking the wheel than doing it when the throne is really achievable. But with the advent of another large-scale conflict, we are running out of time to see our future leaders struggling with their inner needs and desires.
It's been clear for a long time that D & D is less fascinated by the fantastic elements of the series than by many fans who have fallen in love with books, but lately they have slipped to places where we hope to see them excel. If we can not rely on complex characters or a satisfactory narrative, we have few battles left, with the exception of mandatory battles, death scenes with box verification and computer-generated shows ( provided that they are not involved). The anachronic cup of coffee that infiltrated the Sunday episode would have turned all the circumstances, but the timing has made it a metaphor. Although it may have been unfair – it was not the first time the series had swept a detail of the production, and this oversight did not necessarily indicate other evils – the cut seemed to symbolize the negligence that characterized the rest of the season. And unlike the coffee cup, a frustrating writing can not be erased after the broadcast of the episode.
Yes The Thrones loses his last war because his stewards wanted their watch to be finished, we remember the hasty end of the series as one of the non-attributable errors of all time television. Shepherd The Thrones is an exhausting responsibility, and D & D can not be held responsible for wanting to do anything different after working on The Thrones for over 12 years (although they can be blamed for Confederate). Transmitting the series that they started at someone else would have been a difficult decision, but this one could have been the best if their hearts and minds were far, far away. Pushing to end a series earlier than the network and the public has dictated is not always a worrying sign, but the only winner will be George R.R. Martin if the results in this case are closer to reality. LostIs that breaking BadS
There is still time to avoid a Lostas an inheritance. And even in abbreviated form, The Thrones remains fascinating because of the investment that viewers have made in his characters. But this deep identification is reminiscent of greater betrayal when these characters act in ways we do not recognize – especially when such deviations occur because viewers are apparently more eager to get out of this world than us. Asked before the first on his plans for the final, Benioff said EW"I expect to be very drunk and very far from the Internet." Given the reactions to Sunday's episode, this bender could start earlier than expected.
In his recent place on 60 minutesMartin said that to be true to his books, the show should last five seasons. It may be a little heavy (not that we would not watch), but the abbreviated end of the show made it more mobile in its choices as to what to avoid. We would forgive the series for eluding this prophecy or failing to keep up. after all, Martin will never finish the books (though he swears to do so), while D & D delivers at least some resolution. But based on what we've seen so far, the last season of the series may leave fans looking for a compromise between never finishing and finishing too early.
Disclosure: HBO is an initial investor in The ring.
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