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Ariana Grande, Miley Cyrus and Lana Del Rey are talented performers who, despite their penchant for cultural appropriation, have all created more than their share of legitimately fantastic music. "Do not call me Angel", the new single related to the upcoming issue of Elizabeth Banks The angels of Charlie, is not a particularly brilliant point on any of their discographies.
The concepts underlying the song itself and the accompanying video clip by Hannah Lux Davis are fairly simple and consistent: three women of different styles and personalities come together to form a great team. Deadly spies that get pissed off and have fun while having fun. they're doing it.
This is the pure essence of The angels of Charlie, and you would think that between the three singers and the team of writers and producers who also wrote the song, "Do not Call Me Angel" would end up being the kind of bop at the end of the summer that would make you angry to see the movie when it will be in theaters later this fall.
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And yet … both the song and the video clip are disorienting disorientations that are surprising because you know that everyone involved here is capable of much, much more. In the lyrics, "Do not Call Me Angel" is an exploration of the declaration of its title: all women are watched by people who find them fascinating, but they are not interested in objectification. There is nothing wrong with a simple and powerful idea like that, but as each of the singers approaches the microphone for her individual verse, you get the impression that no one meets everyone to talk about how to make the voice a separate piece. a musical song.
Great, Cyrus and Del Rey are all radically different singers and the frantic pop-y bouncing beneath 'Do not Call Me Angel' does not give them much of a chance to mix their styles in an interesting way. way. Sometimes it seems like you are listening to three different demos, which is all the stranger as the music video tries to use music to tell its own music. The angels of Charlie story. The video follows each singer in different Townsend missions who present their unique approaches to spying.
Ariana is pretty good with walkie talkies and helicopter controls. Miley will fight you with his fists and bite you while wearing too many gold chains. Lana, the coldest part of the group, spends a lot of her time ludicrating and caressing her, too, with her vast collection of weapons with which she is probably very good at murdering people. It may not be the trio of the film, but it is a group of Charlie's Angels, and it is hard to believe that one of them has ever succeeded in fulfilling its mission.
Productions like this one that are linked to big films are a delicate task. When they are good, they are good, and the film has a small bright point that may or may not affect the plot. But when they are bad, it has the strange effect of making the film uncertain by association. The music video establishes that Ariana, Miley and Lana are hanging out at the Townsend Agency, but the story presented does not have much to say about the type of agents they are or about what you are supposed to escape. the music video.
Obviously, this year The angels of Charlie It will be a different film than the cult classic McG 2000, but you can not help but notice that both films were shot with great combinations of songs and videos animated, marked by stars. It's not fair to compare a trio of singers to Destiny's Child, an established group known for its epic harmonies. But the premise of "Do not call me Angel" would not really be possible if Beyoncé, Kelly and Michelle were not running the "Charlie's Angels Training Camp" in "Independent Women Pt. 1" video.
Beyond literal references to actors occurring in The angels of Charlie, what "Independent women pt. 1 "Captured in both video and song form is that while all angels can work and often work individually, they all understand how and when to work together to achieve their goals. There is no reason why the women of "Do not Call Me Angel" can not be presented as a coordinated combination of skilled spies, but the video only reinforces the underlying suggestion of the song according to which they are not synchronized with each other.
If "Do not Call Me Angel" existed in a vacuum independent of the real world The angels of Charlie exists in, that would be one thing. But the fact that Elizabeth Banks makes an appearance at the very end of the video as a real Bosley apparently responsible for this team means that it's a real team in the ### 39, universe, and at first glance, they might not be the types of spies you would like to save your ass.
The angels of Charlie will be released on November 15th.
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