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If that was all the Motor Synth did, it would still be pretty impressive – even if it was a little one-dimensional. The gamechanger, however, has another trick: reflective discs that rest on each engine. Patterns are painted on these discs and, when they turn under a light, black marks also absorb heat. Unpainted sections reflect this heat to a set of infrared sensors. These data are then converted into audio – sinusoidal, sawed or square signals. They sound much closer to a traditional analog synthesizer but still have a character of their own.
One of the advantages is that you can see all this happen, because there is a window in which you can see the eight engines. You can actually watch them spin and slow down in response to your game. Best of all, they are bathed in an angry red light.
Beyond that, things are starting to look a lot more like a traditional synthesizer – and that's not a bad thing. Because when you start with such an odd idea, you need something to help you make it happen. There is a standard ADSR envelope (attack, attenuation, hold, release), a multi-mode resonant filter (which can be bypassed), a control circuit to add distortion and a mod section to add tremolo or vibrato, or even affect the filter envelope. .
The only control you will not see on other synths is the acceleration button (which also serves as a brake). This changes the speed at which the engines start operating and their speed slowing down. It may sound a little strange, but it's basically a glide control.
There are also different connectivity options. There are CV ports (control voltage) for height, clock and door; a 1/4-inch output for audio at the line level; a USB port; plus a standard five-pin DIN MIDI. There is also a 1/4 inch input jack that accepts not only audio but also pitch tracking – which means you can play Motor Synth for help from a guitar, from a bass or even from your voice. That said, we can not make any promises about the effectiveness of the field monitoring because it is not yet operational.
<img alt = "Gamechanger Audio Synth Motor" data-caption = "Gamechanger Audio Synthesizer" data-credit = "Taylor Ligay" data-credit-link-back = "" data-dam-provider = "" data-local-id = "local- 2-5615394-1560446005429" data-media-id = "58292910-b9ef-46bc-8fd0-f6e65298f716" data-original-url = "https://s.yimg.com/os/creatr-uploaded- images / 2019- 06 / 6641d1f0-8dfe-11e9-9fff-60c7491dbad9 "data-title =" Synthesizer of the audio engine of the gamechanger "src =" https://o.aolcdn.com/images/dims?crop=1800%2C1013 % 2C0% 2C0% 2C0 & quality = 85 & forma- Keep your hand and keep the same as you.
Now, although you can plug in a traditional keyboard and play the synth as any synthesizer, Gamechanger players prefer to use the eight buttons located at the front. These can be set to play any range, making it easy to create a melody or bass line, even if you do not know how to play an instrument. And they can be momentary (notes stop when you release the button) or locked (notes are played until you play new notes). The latter is particularly useful when you switch from free mode to arpeggiator mode.
When using the arpeggiator, you will definitely want to put the synthesizer in mono mode or in unison to prevent things from becoming cacophonous. In unison, he uses the eight engines simultaneously to play each note. The result is bass lines and leads that are difficult to tame. It is definitely an instrument better suited to more aggressive electronic music styles such as industrial hardcore or digital. (Is it always a thing?)
If you want to use the Motor Synth in four-note polyphonic mode, it is best to connect an external keyboard. While it's fun to get stuck on the eight-button front panel, this seems to be limited when you try to play chords. Be aware that even though you can play pads, they will not look like anything you would get on other synths. They are quite rough at the edges, but not metal. They would probably make an excellent horror movie score.
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