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"We try to make a dialogue where there is no more artistic movement European and the rest, but where things dialogue as equal and wide open", said Villa Efe in the # 39; act. opening of the exhibition, which in turn was the reopening of the renovated center of art located in the district of San Telmo in Buenos Aires
T anto Villa as l & # 39; German Klaus Görner and the director of MAMBA, Victoria Noorthoorn, the three curators of the exhibition, operate at the maximum 4,000 square meters that the center now offers, almost double what it was few months ago.
Four floors and nine exhibits, the more than 500 works of 100 different artists tell a new vision of the history of the last century that ends with the idea that Latin art American completes the others. Europeans have seen (19459004] art Latin American as exotic things or second-line pop movements, "said Villa, an artist who pointed out that in the first stop of the show, in Frankfurt (Germany ), he did not see the obligatory conversation South America had with them.
Although it was after many years, the works of both, as well as those of the North American authors of the twentieth century, are placed face to face in Buenos Aires after the first step of the Museum für Moderne Kunst of Frankfurt (MMK), with which the MAMBA collaborated to make an appointment.
And see Klein, Flávio de Carvalho, Andy Warhol and Alberto Greco are some of the artists of this almost endless dialogue that covers several disciplines and will trap visitors for several hours in the corridors of the Moderno.
Precisely the work of an Argentine Greek is l & # 39; a compulsory stations of the exhibition, according to Villa: a graphic novel made in 1965, a few months before the author commits suicide and which served as "emotional and conceptual liberation", with collages in which he told his story of homobadual indifference between cooking recipes, Hollywood movies and erotic images
"And now this work was acquired by the MoMA (Museum of Arte of Modern New York), so we do not know if we'll see him again, "he said. the rest of the halls, avant-garde as the concrete Latin-American art of the 1940s is with European artistic pieces that, in those same years, told war stories of the Second World War
. a change of paintings, appears after the art Latin American political during the military dictatorships of several countries on this side of the globe, at a time when the rest of the world has regained color.
P ] ero, beware, in the exhibition there is room to "disarm" the idea that the " art conceptual Latin American is completely political", since many designers have worked "from plasticity, from a formal place".
new layers of paint on the walls, the MAMBA g annealed with its remodeling a new space for educational activities, a new sculptural staircase and a coffee shop located at the entrance of l & # 39; space.
can really finish the building, having a sample like this is a pride for the workers of art ", said Villa, while he considered that Buenos Aires should have had a space like this "before" but that, if there was not, it was because there was no "political capacity." [19659013] The re-inauguration was attended by prominent Argentinian culture artists like the conceptual artist Marta Minujín, who told Efe that "the country I needed this wonderful museum."
The politicians attended the event, as the Argentine Minister of Culture Pablo Avelluto who pointed out to Efe that since Thursday, "Buenos Aires is to the cultural offer" of which they had the content ", but not always the places to show them. "EFE
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