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Pablo Escandón Montenegro
Unfortunately, we learn the death of Don Alfonso Laso Bermeo, better known in journalism as Pancho Moreno, whose I have two memories badociated with the senses: sight and hearing . It was the eighties and channel 8 was from the Mantilla family. His logo was 8 with half of the world. On that frequency, you could see the Sports Round program on Sunday. At first I looked at it in black and white in the late seventies, but with the arrival of color, I preferred the two tones and not the multicolored, which was pale, dull and dull. There he commented on the games of the week with pictures of "Atahualpa". and & # 39; Modelo & # 39 ;.
The agenda was with the results of Deportivo Quito, League, National, Aucas and Catholics. There was journalism out there and there was not a scholarly sports strategy chair, nor team management teams. Simple journalism, which told the heroes and villains of all football, basketball and ecuavolley games. The second memory is auditory. In Radio Quito the transmissions of Sundays, in the doublets and triplets of Atahualpa, were the monopoly of that voice laughing at each goal and each attempt to overcome each bow by the opposing players.
A story that resembled a tango, because with the arrival of the front in front of the arch, the voice became stronger, stronger and more sustained; I left in a state of agitation and anxiety until I came to sing the goal with a big laugh or that the ball was lost among the stadium 's athletic infrastructure. His stories are the legacy of our football and with Bodo Wuth he made the best print and multimedia journalism in the first issues of Estadio magazine, Quito.
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