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On the occasion of 500th anniversary of his death (1519-2019), can be seen in the same space for the first time in the United Kingdom the texts of the Codex Arundel – owned by the British Library -, Codex Forster and Leicester Codex, ceded this last by the The museum Albert & Victoria and businessman Bill Gates, respectively.
"Leonardo da Vinci: a spirit in motion" It introduces the visitor into a tenuous atmosphere in which only the studies and research that illuminate the genius embodied in the famous compilations of texts.
Highlight the pages in this way and link them to other excerpts from the codex, as the curator says. Steven Parkin, "Immerse yourself in the way the artist used the notebooks to capture his observations and speculate on the problems from a scientific point of view," Efe said during the presentation.
The central theme that unites the research and experiences presented in the London Library is the movement that da Vinci has tirelessly studied to understand the nature of all things.
"TheEonardo was fascinated by the movement in all its expressions and he aspired to understand it in a more general and abstract way, because he was the main agent of change, "says Parkin.
To address this universal vision of the movement, the Florentin based his studies on the observation of the flow of water, understood by it as the driving source of all nature.
"Da Vinci knew that many of the types of movements that appeared in the air also occurred in the water. The difference is that the latter was more useful for their experiments simply because it was visible, "explains the commissioner.
From the formation of the waves to the influence of the moon on the tides, the Italian devoted a part of his time to badyze the external factors which altered the circulation of the liquid.
In the sample, you can see excerpts such as "Measurement of Air and Water" (1490), "Studies of Wave Formation" (1506-1510), "Experiments from the waterfall "(1508-1510) or" Lunar Seas "(1506-1510).
The moon, in particular, was of particular interest to da Vinci, and his research led him to contradict what the Greek philosopher Aristotle concluded about his luminosity.
For the Italian, the moon was a solid, opaque body, devoid of its own light and composed of the same elements as the Earth, while for the Greek, this star was a perfect crystalline sphere with its own brightness.
Beyond an insight into the intrinsic and extrinsic properties of water, Leonardo's research also focused on practical aspects and his results had greatly helped him in his engineering work at Florence.
"His writings have been used to solve real engineering problems and illustrated, for example, the redirection of river flow, when it was necessary to build cbads or prevent flooding, "says Parkin.
From this period, the British Library exposes pages such asCalculation of the friction force » (1503-1505), "Computation of Percussion Angles" (1505-1508), "On the Winding Path of Rivers and Erosion" (1508-1510) or "Plans for a Treaty on the". water "(1506-1510)).
This quest to understand movement in all its forms was also present in the pictorial facet of the artist, dimension explained at the end of the exhibition visit under the title "Represent movement in painting".
"Da Vinci needed to understand the human body, to know why arms and legs could move at the same time, to know the anatomical measures and proportions to effectively apply their findings in his paintings," said the commissioner.
The ingenuity of Leonardo da Vinci, as a visual thinker thirsty for knowledge and able to understand the world around him, manifests itself in British Library from London until 8 September 2019. EFE
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