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Chapter 13 of this series published by Neflix and Telemundo, entitled "You Can not Leave Me Like This", focused much of the plot on the mysterious disappearance of the singer's mother, Marcela Basteri
Few minutes before the start of the show, Twitter was a hotbed of people who were wondering about the time of departure and anxiously waiting for the episode.
In Mexico, the series, already signed for a second season, garnered so much popularity that in the same night of Sunday and Monday it was usual for the media to take advantage of the opportunity to recall with articles the singer's life.
In social networks, hundreds of comments have been read demonstrating that a horde of followers, of all ages, had become fans of the series and the vicissitudes of the singer, most secretive with his life private.
The Reforma newspaper today produced a telephone survey of 401 people over 16 years of age interested in shows, which scored with an 8.5 out of 10 series.
From the Distribution, Anna Favella the actress who plays the missing mother of the artist, Marcela Basteri, gets 8.8 for her performance [19659004] Diego Boneta, as Luis Miguel, 8.7, and the Spanish Oscar Jaenada, as Luis Rey, 8.6.
Asked about the controversial figure of the artist's father, 73% think his influence was "for the better" in the artist's career, but 56% said that she had a negative impact on the personal life of the Mexican sun.
47% think the series "revived" the career of the 48-year-old singer, who recently released a record after a dark period with legal problems and criticism of his image.
65% said that thanks to the bioseries, now the artist of songs like "The hardcore" will have "more fans", while 10% with he saw that he will lose fans and 16% said that he will have the same followers.
16% of viewers in the series downloaded a song or bought an album from the singer after watching an episode
He pbaded, and long, the Mexican borders. And in much of Latin America and the United States has been so overwhelming.
This Sunday, for example, a press article of the Argentine newspaper Clarín reported that in some institutions the tickets were charged to see on the big screen the end of the first season, in an evening called Luismifest. EFE
mqb / cmm
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