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The Artistic House of the Theater, directed by the director Ismail Mokhtar, had a warm evening on the choice of the eighth show, as part of the performances, to participate in the eleventh session of the National Theater Festival which brings the name of the writer Mahmoud Diab. The art house chose to present Najeeb's apartment, instead of apologizing for the show "Laughing for the Dead" which sparked great controversy among playwrights and the selection committee , who refused the choice of the house without reference.
Dr. Hbadan Attieh, president of the festival, said, "The management of the festival has nothing to do with it." Choose the "Najib Najib" offer, instead of the apologized offer "Laugh for what you die," adding that the administration has come to the official letter of the House of Art Theater, by this offer replaced by the other, pointing out that the House offers its own committee. On his side, says the director of the show "Uytern", Said Mansi: The choice of the head of house for this view is respected, and explains that he has the right to choose the joint bid, adding that & # 39; 39, after correction of the mistake by the art house, the apartment of Najib ", and the restoration of the right to beneficiaries.
And" forgotten "thanks to the president of the House d & # 39; Theater art to rectify this mistake, and what he confided
Jalal Osman, director of the Najib exhibition, said: "This show is one of the Deliberate presentations that evokes a group of personalities from the writer Naguib Mahfouz, which he presented in his novels. And the Nobel laureate, pointing out that the cinematography of the show does not exist in Arab theater, but there is this element in the world theater, especially France, and this is achieved by the awarding of the prize of the cinematography of the festival. As a bad choice, and not specialized in this respect, because it includes a group m Critics and journalists: on the contrary, this committee includes the production, decoration and composition of theatrical texts, music and games. the most professional, which correspond to the theatrical movement in which we currently live, and the Egyptian theatrical movement, in the construction of the state.
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