[ad_1]
You are now entering the waking dimension, and Jordan Peele's "The Twilight Zone" is your gateway. According to the Hollywood Reporter, it did not take more than two episodes for the revived series to revolve around its creed of social justice, and not the Rod-Serling-Cold War-Dualism method, but rather with the Al-Sharpton police. Man-Bad Way.
The episode, entitled "Replay", features a mother named Nina (Sanaa Lathan) who drives her son, Dorian (Damson Idris) to college, while they are being pursued by (well sure) a racist white policeman (Glenn Fleshler). Finally, the mother falls on a magic camera able to go back in time, which she uses again and again to repel the tormented policeman. However, no matter how many times she repays time to employ a different tactic against her oppressor, the racist policeman always takes over. As noted by THR, it is when the episode reaches its third act that it becomes complete SJW:
As the episode enters its third act, the inevitable happens: Nina finally loses control and loses her son to the murderer. At first, it looks like she may not save Dorian, but after getting her hands on the camera, Nina tries one more time. At this point, the writers are trying to add a message saying do not lose sight of where you come from, because Nina must return to her hometown.
Finally, with the help of his brother, Nina and Dorian, they go to his historically black college, where, along with his classmates, they publicly confront and humiliate the violent man who was chasing them. But in a very blurred area years later, while Nina, Dorian and her daughter enjoy the company of their son, the prodigal son is about to race and never comes back because he is killed by the police. As Peele reminds us, you can not escape fate (or institutional oppression), even The twilight zone.
Since the beginning of "Get Out", Jordan Peele has become the calling card that has brought out the lack of nuance and salvation for awakened politics. She represented wealthy white liberals as parasites enjoying the bodies of black men and women. Peele then followed "Get Out" with the "We", rather apolitical, about a wealthy black family who was terrorized by idiots.
However, unlike "Get Out" and "Us", Peele's re-launch of Rod Serling's classic did not elicit the same critical acclaim from critics. Currently, The Twilight Zone has a mediocre average of 76% on rotten tomatoes and an even lower median of 6.7 on IMDB.
Jordan Peele recently made the headlines by publicly avoiding entrusting a white man the lead role. "I do not see myself entrusting the lead role in my film to a white man," Peele said during an appearance at the Upright Citizens Brigade Theater in Hollywood, according to the Hollywood Reporter. "It's not that I do not like white guys, but I've seen this movie."
Peele characterized his position as a kind of rebirth for a Hollywood performance. "It's really one of the best pieces of this story, we feel like we are in that era, a rebirth has taken place and there is evidence that myths about representation in the industry are wrong." , did he declare.
[ad_2]
Source link