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Although the franchise Ant-Man was, in some ways, the little guy from the Marvel film universe – his first $ 130 million film was the cheapest and the most expensive. one of the most mediocre Marvel films to date. The following is taking shape to make the story of Marvel. Not because it's tracking to do more than a movie of the Avengers or that it has a better VFX: Ant-Man and The Wasp offer equal billing to a female superhero and . Of course, this is not quite the superheroine that many Marvel fans have been waiting for (that will come with the Captain Marvel of March), but that's a minimum of progress
. Known as the hardest survivor of a plane crash, Kate, on the cult ABC show, ABC Lost . Lilly does not go out for any role these days, having briefly retired from the industry, published a series of children's books, developed more writing projects and founded a family since Lost completed. She is demanding: The Hobbit Series where she played Tauriel, gave her the chance to be a wood elf who could compete with Legolas by wielding a bow and arrow. Ant-Man offered him the opportunity to become a superheroine. In her sequel, she fulfills this promise by donning a costume and demonstrating her fighting ability (apart from the only training sequence of Ant-Man .)
Even after receiving the same bill, the actress fought to empower her character scene by scene. As Lilly described to The Hollywood Reporter in an interview, his character Hope van Dyne had the potential to "marm-ish school"; Lilly wanted to make sure that she could be competent and make a joke, too. Read the full conversation below.
Marvel fans have been calling for a female superhero movie for years. How much did you know in your casting that you would go into costume and fight?
When they even threw me into the first Ant-Man I knew that if the first cinema was a box office hit, then that would mean that I could put a suit. So there was probably no one more invested in the box office of Ant-Man than me. Once the movie was sufficiently successful to warrant a second, and I knew it was going, I still did not know that Wasp would get equal billing with Ant-Man . That surprised me later: I received a surprise email with nothing but a JPEG card title. And that 's how it? S they told me. Quite cool.
You have already said that you do not think that female power in entertainment comes "to kiss or copy violent men". How did you bring this perspective to this movie?
Even for the first film, it was very important to me that Hope was an extremely empathetic and compbadionate person. And I've always done it by having this stereotype or archetype of femininity to be nurturing, compbadionate, empathic. Men can, of course, be compbadionate or feminine, but femininity is at the heart of what is disrespectful in patriarchy, so it was important for me to always bring out feminine qualities when faced with situations – how it reacts. emotionally [for instance]
In her fight scenes, as trivial as it sounds, I really pushed and fought for her to fight with elegance, grace and femininity. She moves differently from a man. I wanted her to have a signature style that little girls, as I was when I was a feminine and girly little girl, would be able to fall in love with their own movements, to imitate them and to bring them back
Ant-Man I had to study a few fights of Muay Thai and MMA style. And the MMA style fight is definitely masculine, it has a very masculine posture and a very masculine attack, and it's been so difficult for me because I do not move naturally that way. I really wanted to change that in this movie. I wanted to move the way my body wants to move, like a more graceful and feminine woman.
There was a viral interview in which you said that your suit was more comfortable than the men had suggested.
This became so viral that it was sent back by people I know. I have friends, agents, everyone sends me this interview.
Were there other times when you felt that you needed to offer a perspective of your kind that had not been offered before? [19659002] I think I've always tried to offer a perspective of my kind that may not have been offered as much because I live in worlds that are boys' clubs. In the world of science fiction and Hollywood fantasy, it's even more masculine than in some other dramatic spaces, so I've always tried to try it. to be that voice in the room.
But also, it must be confessed, something I really challenged myself, it's very easy for me to say to myself, "You know what, let the boys be boys, let them tell their stories, let them play with their toys, do not get in your way. perspective, because you're just annoying. "Because I think there's an unconscious message for little girls and women that when you challenge men to do something juvenile or fun, then you're a heavy, a killjoy, a ball and a chain and all my life, I grew up thinking, "I swear I will not be like that, I'm going to be cool, I'm going to entertain myself, I'm going to be the girl who can s & rsquo; To hang on to the guys, and I really challenged myself on this film to exclude all those critical voices, and the pressures of men to conform and really stand up and be a female voice in this world. I have not always been successful, I always feel this fear of being that kind of irritating schoolchildren 's stuff
But one of the things I' ve views when I watched the movie, it's that they really and really listened to me and honored my demands.Because I did not want Hope to be in the fi It would be so easy with his nature, his personality, and his desire to get his mother to become the mother figure who constantly scolds the juvenile boys, saying, "Now boys, let's focus, let's stop doing foolery. I was just terrified by the idea of this female superhero who is supposed to represent a modern woman being a kind of horrible stereotype of "mom". So, I really talked a lot about and every scene where there was potential for that, I ran into that and I said, "Let's pay attention to this. Let's make sure to represent a woman who can also smile and have a little fun, can understand that there may be lightness at the moment of severity, it's a joke, it's not not heavy. "Because I think you often see female characters – especially in the world of superheroes – being super serious characters, and boys can have fun in. And I felt really heard, and I've the impression that when you see the movie, you'll see that and I think it's really cool and really fun to see a woman who knows how to take a joke and ride with things, but also do
The viewers have not seen you in a ton of such major roles since Lost although you have been in several movies, what kind of pieces have you been offered after the show – because this show had such a cultural shadow – and how did it work with your professional goals?
I do not know if you're familiar with my trip with the game, but it was unique it is not your typical story. Basically, by chance, my first role in film or television was Lost and so I was instantly launched into international fame, and it was really uncomfortable for me. I immediately balked, I did not know how to cope with it and I felt very uncomfortable after this situation. I ended up deciding to retire after finishing Lost . I made a film titled Real Steel with Hugh Jackman, and then I left. I said, "I'm done, I'll never do it again." I had a baby, I wrote scripts, I had a quiet little life, and two years later – and I mean, during those two years, I had no contact with Hollywood – I've received a secret call from Peter Jackson, who I knew through my relationship with Dom [inic Monaghan] back in the day, and he said, "No one in Hollywood seems to be able to & # 39; 39 reach Evangeline, but we want to catch it because we want to put it in this movie. "And I was so ripped up because I had really retired, I thought I was done, but I really wanted to do the movie." The 13-year-old girl in me was like " I become a wood elf? What? "
I made a decision and I decided to go make the film.I had a great time making this movie: One. the highlight of my life was living in New Zealand that year and being part of this family, which opened the eyes to the fact that, okay, this work can be a joy, It's just a question of how you approach it, and what you do with it, how much I put myself in there, and to some extent, how much I work. And while I was finishing the Press for The Hobbit It was then that I received the call from Marvel, and I thought: "I just have to draw a very firm line in the sand and say that I have finished, or I just have to make peace with the thing, find a way to be happy and do it in a way that makes me comfortable and satisfied. "So this That's what I ended up deciding. I just thought, "Well, I'm a smart woman, I can understand that, I'll find a way to do it and be happy. And I am, I am very happy, I had a wonderful time promoting this movie, and I had a wonderful time talking to people about things that interest me because this film raises so many problems.
It is difficult to find many other women who leave to have children and who can then reintegrate into the industry even if they want it. Is this something you think you can talk about then?
First of all, I want to be very open and honest about the difficulty of finding a balance. I do not think it's easy for a working mother. And I've thought a lot about this: Is it harder for women to work and be a mother than for fathers to work and be fathers? I do not know, but that certainly seems to be the case in my observation. I do not know if it's because we manage children for nine months and we have a maternal connection, I do not know if it's because we are socialized to be the primary caregiver, or [something else] but it is difficult. I do not pretend that it is easy.
And then it's hard to find work after children. Honestly, I do not know why I am so lucky and I just count my blessings and I thank my lucky stars and I also always have in the back of my mind the idea that I am 40 years old. next year. I mean, the roles will become less and less available to me. I will no longer be able to do the roles that are traditionally done, and potentially my career will look very different or slow down. But I'm fine with that, I'm really comfortable. I do not need to work for my identity, it is not my source of joy. I work to live, I do not live to work.
Have you ever heard of a potential Ant-Man 3 and if you will be there, or anything at this point?
At this point, I understand that we need to have butts in the theater seats if we want to have another film. So, if everyone goes out and looks, I guess we'll have another one. I hope we will have another one, because I really want to do it again, but I do not know for the moment.
Where do you want to go next with your career?
My first pbadion is writing. And I started publishing a series of children's books that I'm currently relaunching: I've published a prequel series to see how that would be received. This has been well received, so now I launch the complete series.
But I've had this TV show in my sleeve for a long time, long time I'm interested in producing and maybe working as a writer on and playing, and I think it's going to be the next thing I really devotes a lot of time to. I have a film project that is going on and we are only waiting for funding, so I can not really say what it's up to but what is real, but I will work with wonderful and talented people, and that means a lot to me.
One of the reasons I have such peace with my age and where I am in my career is that what I really want to do is create my own content. I have a lot of things that I want to say. I was this little girl who dreamed my life, and I still live in imaginary worlds in my mind all the time. The first thing I asked my manager when I hired him seven years ago was, "How can I take these worlds out of my head and put them on paper or on paper?" screen?" That's what I want to do.
This interview was modified for length and clarity.
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