Marcus Samuelsson explores immigrant communities through food on "No Passport Required" – Quartzy



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"It's like a three-star Michelin dish, that one, I think about that, the preparation, the texture of the tortilla, we take it for granted because it's affordable" says Chief Marcus Samuelsson. a taco in a bodega, butcher, bar and taqueria combination in one of Chicago's Mexican neighborhoods. "Do you know how bad it is?"

Like any travel show of food, everything looks delicious. Unlike the vast majority of food television, Samuelsson's new PBS program No Pbadport Required focuses on the immigrant experience in the United States in a way that exceeds bao and

As a guest of No Pbadport Required which begins on July 10, Samuelsson travels the United States United, exploring immigrant communities through food. He eats maqluba a chicken, eggplant and rice dish with Syrian refugees in Detroit, and carnitas with a Mexican restaurateur in Chicago. Samuelsson, born in Ethiopia, adopted by Swedish parents, then emigrated to the United States to be a chef, promotes a pastiche of color and pattern, punctuated with daring props, and is one of the few modern humans to really be able to get out of it. a tie.

This is a handsome man who stands out in almost every background. And this charming outsider, combined with her personal history of global migration, seems to open her eyes – like the mother and her adult son (a restaurant drink director) who tell how they crossed the Mexican border when There were very few whites on the screen

Eater, the food website that produced the show in partnership with PBS, was at the center of conversations about cultural appropriation, badual harbadment and immigration into the world of food, and this fluidity shines through here. It's a show that truly reflects the current conversation about representation in food and media. Samuelssson spends time with recent immigrants and cooks who have been in the United States for decades. He visits upscale restaurants and shops and restaurants. He speaks to men and women to the same extent. The context is provided by historians who document their own communities, not university leaders. There are very few white people on the screen. Intersectionality is everywhere

At the same time, No Pbadport ensures to make everyone aware, explaining that not all Arabs are Muslims and that not all Muslims are not Arabs actually; to define the difference between refugees and immigrants; describing how DACA works. It's not just a question of diversity, it's a layered and nuanced picture of how communities evolve over decades as waves of newcomers join more established enclaves.

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