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The presence of a concert supported by Square Enix occurring the weekend before the show is a new sober aspect of the established pre-E3 routine. Last year, we had the chance to attend a world tour of the Kingdom Hearts Orchestra before the actual E3. It was a great party for fans of the series who revisited their favorite games and songs, while learning the release date of one of the shows. the most awaited versions.
Kingdom Hearts not only returned to the stage together with World of tres this year but we also had the first concert performance of Final Fantasy VII: A symphonic meeting, a show announced as an evening of "precious memories and intense and deep emotions not to be missed under any circumstances". However, we were greeted by a mediocre, uninspired recital, featuring as many recordings of soundtracks and commercials as actual orchestrated pieces – which means that at least half of the concert could have been done so easily on Youtube.
Everything began in a promising way with Yoshinori Kitase presenting the orchestra and the concert series, followed by a nostalgic interpretation of the old Squaresoft logo in the prelude and title themes of the Final Fantasy VII, while the credits of Opening of the game appeared on the screen. Respectful cheers and slight applause were echoed by names such as Nomura, Kitase, Uematsu and Sakaguchi. From there to the main theme and the first bombing mission, nothing at first seemed really irrelevant.
However, after moving to 7th Heaven and the second bombing mission, things began to fade, editing after editing, while the soundtrack recordings were played through the speakers. . The conductor Arnie Roth left the scene while 10 to 15 minutes had passed while sound clips were being broadcast during the game. At first I had supposed that this kind of footage It was only one way to maintain the timeline of the story as the band geared up for another song, but as the concert was moving from one track to the next, it was a great way to keep the story going. other without a look of the orchestra, I felt many among the audience. were completely confused.
Eventually, the stage lights went on for a piano performance of Those Who Fight Further as the display shifted into the Heli Gunner and Rufus fights at Shinra HQ, which meant that most of the Midgar section of the game had apparently been reduced to recordings of soundtracks played on footage. The piano performance of the iconic boss theme was quite satisfying in itself, but diminished because of the troubling distance that preceded it.
It is there that things got worse. After the end of the Midgar section of our musical Let's Play, the screen rocked on what was actually an advertisement of Before the crisis, the Final Fantasy VII prequel for the Japanese, which covers the adventures of the Turks, staff members working under Shinra. This directly led to a similar montage of Crisis Center, a favorite fan prequel featuring Zack Fair and explaining his fate before the main game events. Despite garnering some cheers from the crowd during some memorable pictures, The price of freedom playing on the loudspeakers during this part meant that the orchestra itself had become silent again.
This kind of back-and-forth between the current orchestra, soundtrack recordings, piano solos and clumsy commercial-type mounts is the way of life of the rest of the presentation. A beautiful piano solo covering the events of Kalm was followed by a recording of the soundtrack of the Juno Parade piece – which would have been perfect for an adaptation to the orchestra. Instead, we only have a small laugh of a cloud in insufficient time, failing to impress the crowd while the parade was played with the orchestra, yet once, in silence.
There were still some strong points past this point, despite my doubts. The audience was treated to wonderful interpretations of Tifa and Aerith's themes, with appropriate montages depicting each character's arc and key events taking place on the screen. The expressive arrangements of Cosmo Canyon, Jenova's theme and, of course, One-Winged Angel have also been in the spotlight, with the orchestra choir at the height of the task when it comes to the work. a great climax of the evening.
However, between each of these real adaptations, there were ongoing advertisements for other projects such as The children of Advent and Funeral Cerberus, as well as seemingly arbitrary sections of FF7 containing only records, such as Corel Prison and Sleeping Forest. If some of the main themes in the compilation tracks had been arranged for orchestral performance, these interruptions would not have seemed so shocking, but they would seem to be a complete charge – saving time while being worn by fans nostalgia .
Just as One-Winged Angel concluded with thunderous applause, the concert was transferred to one of his latest songs: a recording of the Lifestream theme soundtrack, as well as the final events of the show. game played for our greatest pleasure. This shock of the decisive defeat of Sephiroth following the singing of veni, veni, venias, a cinematic of the end of the game is really emblematic of the whole concert in a microcosm; that is, a scattershot of great performance wasted by an almost useless fill that would have been better known no matter where but the Dolby Theater.
Having enjoyed both Far Worlds and the aforementioned Kingdom Hearts World Tour – two shows that I would highly recommend to attend, A symphonic meeting is by far the most disappointing of the Square concerts that I have personally experienced. Be able to have Nomura announce the release date of Remake of Final Fantasy VII It was only a small condolence for what ended up being a forgotten performance.
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