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Welcome to Morning Music, Kotakuis a permanent meeting place for lovers of video games and the cool sounds they make. Today I’m gonna gush about how amazing it is Final Fantasy VII remakeThe music of is, and in particular some of his new tracks that weren’t in the original.
It took me a while to get into Final Fantasy VII remake (Youtube / longplay / VGMdb), and even more to come to his intricate arrangements of the often incredibly simple and deeply emotional PlayStation tracks from the original. But in the end, the two convinced me. Music, like playing, is layered like sheets of sedimentary rock that take years of history and showcase it perfectly for you to enjoy, analyze, and digest in the present. Here is the new version of “Shining Beacon of CivilizationWhich first plays out when Jessie explains Midgar’s disposition to Cloud after the game’s opening bombing mission:
If you have read any of the my previous Morning The music starters you know I’m a lover of soulful tracks and “Shining Beacon” nails the techno dystopia of the original while also pulling the emotional resonance of watching the same human tragedies unfold over and over again after decades of replayability Final Fantasy VII.
But I said I was here to talk about some Final Fantasy VII remakethe original scores, and so I will. The years since the game’s release in 1997 saw Square Enix composers Masashi Hamauzu and Mitsuto Suzuki spread their wings with more projects. Their work on the Final Fantasy XIII The trilogy in particular was a highlight for the series “ The Music After the Departure of Original Series Composer Nobuo Uematsu in 2004, and both brought that same flair and increasing sophistication to Remake of Final Fantasy VII. This is Hamauzu’s “Moonlight flightWhich plays early in the game when you’re tasked with breaking into Jessie’s parents’ house to steal her father’s Shinra keycard.
It’s cold and relaxing and yet there is so much going on, from drums and maracas to harps and chimes. The remake is all about exploring the roads left hanging in the original, and “Moonlight Thievery” is a perfect table for galloping through the Midgar suburbs and seeing the other side of the corporate metropolis’ class divide. After all, there’s a reason Shinra has so much freedom to destroy the planet and turn the poor to dust: it makes many other people’s lives extremely comfortable.
Then there is “Train cemetery. I was originally discouraged because in the original “Shining Beacon” plays throughout this section. For the remake, however, Hamauzu’s new track is ideal. He shows off his superb and subtle piano work, and his penchant for picking up even the darkest pieces with shimmering harp pluckings and bells. It reminds me a lot his underrated work on Cerberus’ funeral song.
Suzuki’s contributions are a little more original and optimistic. Its jazzy touch on the “Wall market“The theme is completely different from the original, but still excellent. My favorite is “Collapsed highwayWho plays as Cloud and Aerith make their way through the tunnels connecting sectors 5 to 6. The kokyu strings start, followed by an airy ambient electronic section, the melody ending with a frenzied synthetic break that gives feels like you’re playing through the slums of an old arcade (appropriate since this is the section where Cloud has to navigate old crane-like robotic arms to help clear the way).
Okay, that’s a lot of songs, but there is one more that I have to mention before I leave you: “Reward due. “It is based on Nobuo Uematsu’s original composition for Wall Market titled”Oppressed people», With the new version arranged by Naoyuki Honzawa. It’s so different from the original that I consider it a new original piece of music, and it’s a real banger:
It’s dancing and full of mini-voice samples, with all kinds of other good stuff mixed in there as well. The regular version is a good downtempo beat to walk around Midgar’s underside, but the battle remix takes it to another level. More club music in my Final fantasys please. I’m asking for no less than a full DJ-ing minigame once the sequel takes us to the Golden Saucer.
And that’s it for Morning Music today! How did I write on a bunch of news Final Fantasy VII remake music and not to mention Uematsu “HollowThe only new song he has composed? I do not know. Shame on me. It’s excellent. This man is a master. Imagine creating one of the best video game soundtracks of all time, then going back decades later to add a completely arranged new song that is just as amazing and just as appropriate. Neither do I. And yet he did. Which Uematsu trail allows you to spend the day?
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