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Darius Rucker, “My masterpiece”
With “Beers and Sunshine” sitting atop the Country Airplay chart, Rucker delves deeper into his next album with this sweet, rippling ode to lasting love. As he states, he may not be Picasso or never paint something as large as Michelangelo’s Sistine Chapel, but his “masterpiece” is to elevate his partner’s love to a art form.
Jack ingram, Miranda Lambert and Jon Randall, “Tin Man”
Like the May 7 version of Marfa bands – a collection of songs written by the three singer-songwriters – approaching, they reveal a raw version of the heartbreaker “Tin Man,” the ACM song of the year winner from Lambert’s 2016 album, “The Weight of These Wings ”. The song, stripped to its bare essence with just Lambert’s vocals and an acoustic guitar, remains as poignant as it was when it was first released – as Lambert reminds The Wizard of Oz’s Tin Man that he really doesn’t want a heart. , after all. , because it will only end up breaking like hers. They keep the mics open after Lambert is done, unsure if she delivered a solid interpretation. Ingram and Randall assure him that she, indeed, nailed him.
Lady A, “Like a Lady”
The trio are releasing a catchy new song, featuring Lady A’s Hillary Scott declaring that she’s ready to go out, do whatever she wants and have some fun. Violins collide with pop melody and rock guitars on this energetic track, which will have you tapping on your toes from the first note. It’s also worth hearing Charles Kelley and Dave Haywood in “I feel like a lady»In the choirs.
Ingrid Andress, “Lady Like”
Andress’s colorful Grammy-nominated video for “Lady Like” unfolds like a high-end fashion shoot. From the clothes to the landscapes to the beautiful photographs, the clip is a visual feast, never distracting from the playful and stimulating lyrics.
Sean Stemaly, “Hello, are you up?”
Regrets? Stemaly has a few. This classic story of drowning in a bottle after breaking up is updated here – as Stemaly texts her ex to check it out, even though she told him she needed a break. Stemaly’s resonant baritone is reminiscent of Luke Bryan, on what seems like a sure-fire hit for this burgeoning talent.
A promising new singer-songwriter signed with Nicolle Galyon’s publishing house, Tiera’s self-published EP is a sunny collection of upbeat tunes devoted to love. Her sweet voice floats above the bouncy opening cut, “Found It In You,” and espouses the joy of a Netflix night and chilling out to the R&B tinged with “Laid Back.” She also shows off her fiery side on the pop-country anthem “Not Your Girl”, and makes a perfect duet partner with her newcomer mate Breland on “Miles”, who likens their beautiful love to a beautiful car. Ignore at your own risk.
Leslie Jordan feat. Chris and Morgane Stapleton, “Further”
Hello, dear comrades. Everyone’s Favorite Pandemic Buddy, Character Actor Jordan, became an Instagram star during COVID-19, in part thanks to his weekly Sunday Gospel posts with Travis Howard. Now he has taken his passion and his fame to make a gospel album. The first track, the classic anthem “Farther Along”, is a great entry point – with Jordan acting as singer (he performs well), preacher, and congregation as he cheers Morgana who takes the glorious leadership. here, and Chris, who breaks out with just the right amount of just moans at the end. The arrangements, with full horns, are superb. Dolly Parton, Brandi Carlile and Eddie Vedder are among her duo partners on the April 2 release.
Caroline Jones, “Come in (but don’t get comfortable)”
Jones warns the bad boys with the sprfully “Come In (But Don’t Make Yourself Comfortable),” a song that wouldn’t have sounded out of place on Shania Twain come here album. Jones is holding all the cards here, making it clear that she has full control and reminds potential suitors, “I’m going to support you, but you don’t go in my pants.” Consider yourself warned.
Joey Hendricks, Between the clouds
Songwriter-turned-artist Hendricks debut EP opens with sexy mid-tempo charmer “Yours or Mine” about a couple’s first (perhaps the only) night before turning to ‘Hollywood’, a slow burner of a song about the intoxicating effect of a woman that’s stronger than all the drugs in LA. Two tracks explore nostalgia – caused by looking in the ‘Top Drawer’ of her dresser. bedroom and the bittersweet feel of where he grew up on “Going Home”. On slinky “Drifter,” Hendricks makes no apologies for his reluctance to settle down – in one place or with one person – despite his better instincts. Hendricks has a laid back, unwavering quality to his delivery that gives the songs space to breathe and invites the listener to lean in and join him on the journey.
Triston Marez feat. Ronnie Dunn, “Where the Neon Lies”
Marez, whose debut album is out next month, makes an auspicious debut with this twangy song, starring Brooks & Dunn’s Ronnie Dunn. The mid-tempo track sounds straight out of a mid-90s Brooks & Dunn album (and may remind some of a milder “Neon Moon”). While Dunn, as always, looks amazing, he doesn’t distract from Marez’s stellar country performance.
Mallory Johnson and Twin Kennedy, “wise woman”
Johnson may sing in a delicate voice, but her lyrics, written with the Twin Kennedy siblings, carry the strength of decades of women who fought to stand up and be seen. “Girl power shouldn’t come at a price,” Johnson sings in this beautiful story of vulnerability and brotherhood that strikes just the right note. Sometimes a hymn can come from the quietest in the room.
David Lee Murphy talks about his collaboration with Kenny Chesney at the 2018 CMA Awards | Billboard
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