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Since its creation in New Orleans, at the dawn of the twentieth century, jazz has never stopped. Designed by young jazz musicians in search of new modes of expression, the future of jazz has always reflected the changing times that have shaped the sensitivity of its creators.
In the second decade of the 21st century, music whose essence is improvisation thrives again: a new generation of listeners turned to fascinating figures like Robert Glasper and Kamasi Washington, who helped jazz find its relevance. With a larger exhibition, young jazz musicians transmit the DNA of music and keep it alive – and constantly changing – by marrying it to other types of music.
At the dawn of the twenty-first century, the young jazz musicians listed below show us that music is in very good hands. Building the future of jazz for generations to come, they will ensure that it never becomes stagnant.
10 young jazz musicians shaping the future of jazz
Shabaka Hutchings
Born in London and raised in Barbados, Hutchings, 35, is an award-winning multi-instrumentalist who can alternate saxophone and clarinet. Although he started playing with calypso groups, he is now considered the doyen of the British contemporary jazz scene and currently directs three different groups, each of which can claim to shape the future of jazz: a byte called Shabaka & The Ancestors; a quartet, Sons Of Kemet; and The Comet Is Coming, the latter is a futuristic trio mixing electronic music, jazz and punk attitude.
Key cut: & # 39; Summon The Fire & # 39; (Comet arrives)
Kamasi Washington
One of the reasons jazz is re-connecting with young people is due to the appeal of this Los Angeles-born saxophonist's debut album in 2015, a sprawling triple set called L & # 39; epic, on which he went from a saxophonist to praise as a companion to an inspiring apostle of spiritual jazz. Like many young jazz musicians today, Washington's music is influenced by both hip-hop and jazz; he even appeared on Kendrick LamarThe visionary album Pimp a butterfly.
Key cut: "Truth"
Christian Scott aTunde Adjuah
From the birthplace of jazz, New OrleansAdjuah is a trumpet player with a clear and polite tone who recognizes the tradition of music but sees the future of jazz in a fusion of alternative music, African music, film soundtracks and hip-hop. He describes his allusive and polyglot style as "extensible music", a term that refers to its elastic characteristics. Adjuah's music is also socio-politically conscious.
Key cut: 'West West & # 39;
Esperanza Spalding
It looks like a young Joni Mitchell Facing Return To Forever with steroids, this 34-year-old Portland-based singer, songwriter and virtuoso extends the boundaries of jazz with groundbreaking music that includes rock, funk, Latin, fusion and jazz. # 39; vanguard. Spalding is also a supporter of the use of social media as a tool for creativity, illustrated by his 2017 album, Exposure, which was recorded from scratch, live in 77 hours while being broadcast on the Internet. She is without a doubt one of the most original thinkers and leading conceptualists of jazz at the moment.
Key cut: 12 small spells
Nubya Garcia
Garcia is a 28-year-old London-based tenor saxophonist / tenor who also plays with the Maisha spiritual jazz group. She is a product of the Tomorrow's Warriors agency, known for bringing young British jazz musicians to the mainstream, and released her acclaimed debut album Nubya"s 5ivein 2017. She has also recorded with Sons Of Kemet, Ezra Collective and Makaya McCraven.
Key cut: "Lost Kingdoms"
Makaya McCraven
Born in Paris and raised in the United States, drummer / composer McCraven is a self-proclaimed "scientific scientist" who keeps an eye on the future of jazz, playing an avant-garde groove-oriented jazz with an attitude hip-hop. Proud of his spontaneity, his three albums, In the moment, Very rare and 2019, acclaimed Universal beingsall have live recordings. One day, he told an interviewer that McCraven's goal was to create "socially challenging, not technically difficult" music.
Key cutYoung genius
Binker and Moses
Early 2016 with the award-winning album Dem ones, saxophonist Binker Golding and drummer Moses Boyd establish themselves as the John Coltrane and Rasheed Ali of British jazz with their pbadionate duets. Their second album, an epic double set called Journey to the mountains of always, saw them expand their palette by featuring veteran British avant-garde saxophonist Evan Parker on some tracks. Since then, the duo has released a live album (Living in the East?) that captures the raw visceral power of their improvisations in concert.
Key cut: "Fete by the river"
Kendrick Scott Oracle
A native of Houston, Texas, Scott is a drummer / songwriter whose distinctive and extremely elegant brand of post-bop jazz is infused with R & B and hip-hop flavors. The latest incarnation of his band – including the second album, a 12-track song cycle called A wall becomes a bridge, was released in April 2018 on Blue note – became a badtet thanks to the addition of a turntablist that mixes with more traditional jazz instruments, such as piano, saxophone and guitar.
Key cut: 'Mocean & # 39;
Jazzmeia Horn
This 27-year-old Texan singer was born to sing jazz. From the school of athletic jazz singers like Carmen McRae and Ella Fitzgerald, Horn triumphed in 2015 Thelonious Monk Institute International Jazz Competition, which earned him a contract with Concord Records. His first album in 2017, A social call, released by Concord via the imprint of the relaunched Prestige, has earned rave reviews and made Horn the new voice of jazz.
Key cut: & # 39; Tight & # 39;
Miles Mosley
True to the touring band of Kamasi Washington, Mosley is a double bbadist trained by the legendary Ray Brown, but the use of effects pedals makes him fiercely contemporary. Former sideman for musicians as varied as Chris Cornell, Kenny Loggins and Lauryn Hill, Mosley released his solo debut, Uprising, on Verve in 2017. Unclbadifiable amalgam of jazz, funk, soul and rock, he has allowed Mosley to showcase his singing and composing talents in addition to his phenomenal bbad playing.
Key cut: & # 39; Abraham & # 39;
Joel Ross
Formerly the brilliant Milt Jackson, Bobby Hutcherson and, more recently, Stephon Harris, Blue Note has long had great vibraphone players. There is now a new man in town: Joel Ross. An exciting new addition to Chicago's Blue Note, Ross lineup – including the debut album, KingMaker, will be released May 3 – is a post-bop vibraphonist who played with legends like Herbie Hanbad but he is best known for his contributions to avant-garde jazz albums by Makaya McCraven, James Francies and Marquis Hill.
Key cut: "Bad relations"
Elena Pinderhughes
A potential future star, perhaps, this flutist and Californian singer is preparing to release her first album for Verve Forecast later this year. Pinderhughes recorded his first album at the age of nine and has since played with jazz greats Herbie Hanbad and Hubert Laws, as well as on albums by contemporary leaders such as Joshua Redman, Ambrose Akinmusire and Christian Scott. Those who have had the chance to hear it live know that Pinderhughes promises a lot for the future of jazz.
Key cut: "Completely" (with Christian Scott aTunde Adjuah)
Ashley Henry
A pianist originally from South London and having studied at the Royal Academy Of Music as well as at the BRIT school, Henry, 26 – who played as keyboardist for French band Christine And The Queens – is expected to release his first album. , Beautiful vinyl hunter, in September 2018. He is one of two British jazz artists to have signed with a major label (the other is Shabaka Hutchings) and has developed a unique and striking style that fuses jazz with hip-hop , grime, R & B and even punk. the flavours.
Cutting key: "Black honey"
Looking for more? Discover the best jazz albums of all time.
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