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Jeter: Rajinikanth, Akshay Kumar, Amy Jackson
Director: S Shankar
Evaluation: 2 stars (out of 5)
He is back. This time, Chitti is reloaded and ready to face a force to eliminate mobile phones and mobile phone towers from Tamil Nadu. The battle between good and evil, between nature and technology takes place over two and a half hours in an area where all the lines of demarcation are unclear. But as the narrative is well robotic, frenetic action sequences rarely reach the heights achieved by flying mobiles.
Rajinikanth in 2.0
Eight years old is long in the life of a movie star. But for Rajinikanth, any hiatus is just a flash. 2.0, director and co-writer S Shankar, followed by 2010 Enthiran (Robot in Hindi), it is materialized after the supernova of Tamil cinema used the truce to appear in four films ( Kochadaiiyaan, Lingaa, Kabali and Kaala). It's been longer than it took Dr. Vaseegaran to evoke Chitti, the thinking robot, and the movie and its starry show signs of wear.
The actor plunges with all his might into the universe of two pivotal characters. However, his enthusiasm for the project or his confidence in him is visible. Fans sold on Rajinikanth's relentless starry-coldness might therefore have reason to feel aggrieved.
With Akshay Kumar, on his very first foray into the south of the country, exuding both the power of the stars and emotional energy in the second half, posing as an aging ornithologist, livid with the rapid decline in numbers birds, 2.0 would have been considered an improved and stronger version of his predecessor if the plot had been a little more convincing. Bunkum is a bunkum, no matter the size of its budget.
Akshay Kumar in 2.0
Amy Jackson in the costume of a robot and all the protagonists are deftly mechanical, but is doing just enough to not be overwhelmed by this sci-fi action film designed primarily for Rajinikanth, a mainstream movie that delight the crowds. .
So, the most expensive Indian film ever mounted is not it all the money spent on it? It seems and sounds good for most regions. It whistles thanks to the breathless action and the dazzling VFX. 2.0, however, would have been a bigger film if the script had dared to go beyond the known tricks of the genre.
A force is in place to eliminate cell phones from the surface of the earth. Mobile towers are being uprooted and handsets are flying into the hands of their owners. A city is plagued by complete chaos. The good scientist is committed to ending the imminent calamity. He advises to bring Chitti back from his moribund state. This is, he says, the only way to combat the new threat.
The good and bad gods who 2.0 They are trivial, but the battle at the heart of the film – it opposes a distorted model if the need to preserve ecology is countered in an unlimited fantasy – has both stimulating and entertaining moments. But even for Rajinikanth, getting out of this erratic epic is not a good deal.
(This is a short review, please check again in a while for full review)
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