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Based on a true story, the PBS miniseries features Ruth Wilson as her own grandmother, a widow who discovers that her husband was married to several women simultaneously.
What could be more excruciating, more heartbreaking, than your beloved wife dying suddenly and leaving you with children to finish raising? One possibility: immediately discovering your marriage for over twenty years was a sham and you are the third of a lineage of women that your husband has engaged, impregnated and abandoned for the next. (All without a divorce, of course.)
The miniseries dedicated to the serious and zigzagging of PBS Mrs. Wilson – which was born on BBC One in the UK – is deeply rooted in the agony of loss, secrets, mystery and betrayal. Inspired by a true story, the three-part series features Ruth Wilson in the role of her own grandmother, Alison Wilson, a young Briton who fell in love with an MI6 agent and d & # 39; 39, a spy novelist clever enough to deceive so as to simultaneously attract several women. (For example, it is convenient to be a government intelligence officer when you have to forge divorce papers.)
Mrs. Wilson cleverly, the lies follow one another, revealing the infinite depths of betrayal to the poor widow Wilson: other women, additional children and falsified career, among other fabrications. However, instead of just emptying the audience with each shocking disclosure, Mrs. Wilson finally questions that is more complicit: the unscrupulous liar or the naive who is mistaken who follows him?
The mini-series slips between the British suburbs of the 1960s, where Alec Wilson (Iain Glen) collapses at home and dies of a heart attack, and London, in the 1940s, where a young Alison begins to occupy a post of secretary with the Secret Intelligence Service during the Second World War. seduced by this dapper (and obviously married) gentleman. A few days after her husband's death, a grizzled older woman knocks on her door and softly asks if Alison was the owner of Alec, a presumption that immediately makes the widow's claws blink. The woman says that she is his wife and is here to claim his body. "What, his ex-wife?" Alison growls. Angry, she slams the door in the face of the stunned woman. It begins Alison's psychological spiral that examines her husband's story and descends into the labyrinthine labyrinth of his reprehensible acts.
Alison's sorrow following Alec's death suddenly turns into sorrow for her endless duplicates. The emotional stages are similar: denial, anger, bargaining, sadness and acceptance – mixed with contrition, humiliation, abrupt irritability, rugged rigidity, religious fidelity, fierce protection for his children adults and the remaining love for the flawed man who created everything. this chaos to start.
Wilson is disarming in this role, delicately moving from the little girl spirit of a young, educated, fraud-loving and solemnly educated middle-aged woman who has spent two decades in poverty while raising two sons do not-do-well. Alison's reserve anchors history as the truth becomes the solvent that destroys her comforting memories.
The convincing scenario of Anna Symon skillfully structures Alison's investigation into three parts, making each additional betrayal even more shocking and painful than the previous one. (The story ends on a particularly dark note for poor Alison.) You begin to see that she's always been her own unreliable narrator, her shading hiding in plain sight while she's vouched for him and his excuses, ignoring arrest for wearing uniforms under false pretenses, disappearances for long periods and structural inability to support the financial needs of their family. Even his own mother questions his character from the beginning of their relationship.
It's the triumph of Wilson's actor, having lived through the saga of his grandparents when his father and his brothers discovered the truth in the early 2000s, but other actresses also shine. Fiona Shaw, as the manager of Alec's MI6, has an omniscient air, and Keeley Hawes, as one of the other Mrs. Wilsons, has a haughty bitterness about how Alec dismissed her with her young son.
If you have ever known a pathological liar, you will recognize here that it is not just the lies of a person that can destroy your self-confidence, but also the implications of their lies. How little they respected you and could easily ignore you; how their voracious ego triumphed over anyone whom they claimed to love. Lies thieve your dignity, daring eviscerates your resolve. Their deceptions become your own deceptions every time you oppose your instincts about that person. Mrs. Wilson Do not just ask yourself if you know the people you love, but also if you know each other well.
Actors: Ruth Wilson, Iain Glen, Fiona Shaw, Keeley Hawes, Anupam Kher, Otto Farrant, Calam Lynch, Patrick Kennedy, Ian McElhinney.
Executive Producers: Neil Blair, Rebecca Eaton, Ruth Kenley-Letts, Lucy Richer, Ruth Wilson
First: Sunday, 9 pm ET / PT (PBS)
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