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TV ratingAll our TV reports in one place. Well, say this for "Leap" – the answers were not lacking.
It's the best thing to say about this episode of the bottle that contains extremely clichéd information, especially revealing that, yes, we did not see Izel's latest in last week's episode . Her ability to do body-hop allowed her to put away her ship before Joco blew it up. After first using Davis to enter the lighthouse, it is she, in May 's body, who shot Sarge. bunch of times at the end of the episode last week.
It seems that this is what Izel did, knowing full well that the bullets would not kill him and that their contradictory relations plunged into a new confusion at the moment his body healed and he escapes from the mortuary, tracking him down. to confront it. But when she confronts him with a ton of stories about their past life as non-corporeal beings, he remains stunned, as she retakes the body of Yo-Yo, and she (Mack, a volunteer hostage) leaving the Lighthouse. This is a victory for the wicked, because Izel owns the graviton, which contains the energy of the three destroyed monoliths, as well as a ship and Mack as a hostage. But S.H.I.E.L.D. has a way of bouncing.
After several weeks of solving the mysteries surrounding the relationship between Izel and Sarge, it's nice to have at least some idea of what's going on (baduming Izel is not lying, of course). But the part of Izel's hand-to-hand episode (and the non-owned SHIELD agents taking the time to find out exactly what's going on) is that Karolina Wydra is not not a bad actor, but far beyond "Darling" and "my dear" a lot, Izel as a character has very little definition. This meant that all the actors were struggling to find a way to make them understand that they were possessed, especially after Izel was no longer trying to hide from them. Jeff Ward probably did his best to show the change, while being strangled by Mack, but we're really noticing a curve here.
This is entirely due to the fact that writing does not confer on Izel sufficient personality to be clear. When shows like Doctor Who and Doll house played with this idea, they were much more successful because the invading personality was always so distinct. In addition, it is also a sequence that takes much too much time – a good third of the episode, if not more, is simply devoted to the understanding of each. Well-informed viewers have already seen a version of this trope several times before; heck, they might have figured out by watching the trailer for this week's episode, what would happen.
A cool part of it all is the scene in which some secrets are shared to prove everyone's identity, including the fact that Daisy sent money all the time to his dead boyfriend's sister , Lincoln (oh those innocent and innocent days of season three) and that Davis stole a space pen. But it's her last really fun time before she dies to prove how seriously Izel is using her abilities to get what she wants, even though at first it seemed like Davis might be able to survive this mess once Izel reportedly left his body. to anyone who has felt a red shirt situation getting closer).
Then it's time for Izel and Sarge to talk a bit, because she explains that it's not that he hates her, but that they are related. There is much to badyze in Izel's and Fitz's explanation, but the short version seems to be this: thanks to the explosion of the three monoliths, a copy of the body of Coulson was created, then pushed into space and time, ending up in the realm of Izel (unnamed), where an unnatural spirit named Pachakutik took over, although Coulson left enough time to create the character of "Sarge". The first of the season, and by Wikipedia – as well as Kate Kulzick's own AV Club – is a Quechuan concept that refers to a mbadive change.
If Izel says the whole truth and if there is still much to reveal, he is almost completely overwhelmed by the amount of exposure needed to explain it. Wydra and Clark Gregg are performing as well as possible (and Gregg's emotional confusion just hits the right notes, given the situation), but that's a problem. lot. And we still have a lot to understand.
Observations lost:
- "Nobody says anything that makes it more scary." Rest in peace, Davis. We will miss you.
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APPRECIATION OF FITZSIMMONS WITHOUT SHAMELESS: There is nothing new to mention, really, since Fitz and Simmons are separated for most of the episode while she watches over Sarge and points to her sophisticated monolithic diagram. But when Mack asks Fitz if he remembers where Simmons went underground, it's a poignant reminder of this separation, and it's certainly a question to which the real Fitz will never forget how to answer.
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Fitz dropping a pretty glaring mention of Ghost Rider in the last minutes is a good deal with a not so vague tweet by Gabriel Luna, posted in April. The importance of the role that Ghost Rider ultimately plays in the remaining episodes is of course unknown at this stage, but if it can help Sarge deal with his non-bodily problems, that's a good thing.
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It's now official this season seven of SHIELD. will be the last. Although this is sad news (it was impressive, how much this show seemed almost impossible to kill for years), it will be exciting to see how crazy things can become once they enter the final? Am I allowed to call it like this? Probably not.
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