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Dittmer said she did not expect Martínez's long-standing vision for a women's research institute to materialize with Kulczyk's support. When she introduced them, she knew that "these two wonderful women must meet, they will have a lot to say to each other".
Martínez, who has written extensively on gender issues in the art world, said that Kulczyk and herself were immediately bound by their common concern as to how women are treated in their professional lives.
Although the link between the institute's activities and the museum's programming is not yet clear, he will use a small documentation room in the museum to install exhibitions from the institute's research. For example, the Instituto is compiling a vast database of reports, research and theories, documenting the status of women in the world and their representation in different sectors. This will be the basis of a "mobile library" and possibly a report.
Martínez wants to use the research room to present these statistics in a visual way and hopes to then go to other institutions.
"The display must be artistic, in a certain way. It must be legible, "she said.
Research on women's rights around the world would reveal a growing threat in Poland in recent years, when the ruling Law and Justice Party has systematically tried to push back women's freedoms, especially around reproductive autonomy. Kulczyk, who spends most of her time in Switzerland, where she has a house (also designed by Voellmy and Schmidlin) within 25 km of the museum, said she was not involved in any political problems in Poland and that she did not consider herself a feminist.
"I do not call myself a feminist," she said, "but I'm just fighting for equal rights for women to be recognized in all areas, including art and business, because I think they have the same talent. Men."
This conviction is not without pride for its own achievements.
"I'm happy to have done that," she said of her new museum. "That I was stubborn enough and confident enough not to give up that dream."
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