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Directed by Oscar-winning filmmaker Alfonso Cuaron, who has sumptuously filmed it in black and white, the film takes place in the 1970s in the neighborhood of Mexico where he grew up, La Roma, today # 39; hui an attraction pole for c modern version in color.
The Cuaron neighborhood is described as a bastion of the upper middle clbad consisting of huge art deco houses and fancy chrome finish cars that have experienced a difficult period after being devastated by an earthquake that killed more than 10,000 people in Mexico City.
But its central location and green streets helped bring it back. Today, it is a trendy paradise for bars, cafes, restaurants and fashionable shops.
One of these streets in particular has attracted an unprecedented flow of tourists since the exit of "Roma", according to locals: Tepeji Street, where Cuaron grew up and meticulously reconstructed his youth home for the film.
Apart from number 22, Tepeji, a newly installed metal plate informs visitors: "It's here that" Roma "was filmed, 2016-2017."
"We loved the film, it captivated us from the first moment and we decided to come and see the house in person," said Esteban Alvarez, a Costa Rican musician who was on a pilgrimage with his girlfriend.
They joined a stream of tourists and reporters looking for places where the highly autobiographical film was shot – Tlaxcala Street, the bustling intersection of Insurgents and Baja California, the Garden of Africa. children where Cuaron went to school.
"It was like:" Oh, look! We saw this place in the movie! Is it really the same? " Alvarez told AFP.
There is even a guidebook for those who are trying to retrace the steps of the film, while Conde Nast Traveler has published an article this week to help tourists find "Airbnbs in Mexico City that could have been in Rome."
Art imitating life
"Roma" is an intimate portrait of the two women who raised Cuaron: her nanny, performed by indigenous star Breakout Yalitza Aparicio, and her mother, performed by actress Marina de Tavira, both nominated for Oscars.
The fans will be aware that number 22, Tepeji, is not the house where Cuaron grew up. His family lived on the street at number 21.
The identical buildings were built in the 1930s. But the house of Cuaron was redeveloped by the following owners, so he opted for the one opposite.
Cuaron said that the production designer Eugenio Caballero had recreated his childhood home so well that his family felt like they were in the middle of reality.
While visitors had gathered in front of number 22 on a recent afternoon, Paulina Cruz slipped past number 21 to walk the dog.
Cruz is a housekeeper employed by the family who lives in the old house of Cuaron.
"I am the nanny of the children who live here now," she says with a smile.
With her dark sunglbades and jeans, she was unlike Cleo, the sweet nanny of "Roma". But she said that she liked the movie.
"I was happy to see them badign an important role to domestic workers," she said.
"As in the film, we really get closer to the families we work for, especially children, and by spending every day with them, they start to feel like family."
Living in the house where Cuaron grew up, she added, "is very cool."
& # 39; A party & # 39;
The owner of the house where the film was shot is Gloria Monreal, who said with a smiling smile that leaving her house on the production team for several months was "a party".
Far from feeling the flow of tourists outside her door, she said that she was "very happy" to chat with them and pose for photos. She even invites them to sign a gold book.
"I thought it would be nice if all these adorable people write about what the film represents for them and hand it to Alfonso," said Monreal, who knew Cuaron as a child.
Nearby is Tlaxcala Street, where Cuaron frequented the Condesa Children's Garden as a child.
"I'm keeping such beautiful memories that I want it to be in my film," said the director to Professor Victoria Pantoja, the granddaughter of the school's founder, during her visit.
The production team spent more than a month recreating the red facade of the 1970s, the slide and the rest of the playing field.
Pantoja, 32, hopes that Cuaron will come back. When he came to shoot the film, the teachers were so struck by the show that "no one remembered asking for a picture with him," she laughed.
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