[WATCH] "Velvet Buzzsaw" Review: Jake Gyllenhaal takes the art world and kills it



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In 2014, Somnambulist was one of my five best movies of that year, a very funny and dark version of the game of evaluation of local news and mannequins that contribute to make it sensational. Dan Gilroy wrote and directed it brilliantly. Jake Gyllenhaal and Rene Russo have been interpreted as the best in their career. Now all three (Gilroy is also married to Russo) have come back for another dark and often amusing look at the pretentious artistic world – not necessarily the artists themselves, but those who exploit them for their own purposes and for their own sake. 39; rich. The film is calling Velvet Buzzsaw and it was presented at Sundance this weekend, just five days before its launch on Netflix today (and in a limited theatrical play).

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Although it does not reach the heights – or the depths – of Somnambulist, it's a satirical, amusing and entertaining horror film, which turns into mystery murder and that gets really weird in the second half. Clearly, it was Gilroy's intention for a movie that seems to say that the artist somehow exploited in a way that is certainly not pure, and like Somnambulist there is more than enough money to queue.

Opening a sequence in a Miami art exhibition, we meet some of the key characters involved in this trade, including Rhodona Haze, Russo's savvy gallerist, trapped in prisoners, never met an exhibition that she has never seen. want to control. There is also a ruthless and clever rival named Ricky Blaine (Peter Gadiot), a veteran curator named Gretchen (Toni Collette), as well as a bibadual art critic / author / gadfly Morf Vandewalt, played with the good mix of scary scenes from Gyllenhaal, who is now becoming a great character actor (even with a tendency to go over and over from time to time as he did in another Netflix movie, Okja). Here he is perfect as a guy who sees a mystery of more than 100 paintings unknown so far as the greatest discovery since King Tut. These are the paintings that are at the heart of the plot.

The aspiring agent Josephina (Zawe Ashton), who works with Haze, comes across a remarkable cachet of paintings in an abandoned apartment near his. It turns out that the painter, Dease, died before being able to take them to the dumpster. She sees an opportunity to exploit the dead artist against what turns out to be her wish to keep her work anonymous. Soon, this discovery ignited this part of the art world with the idea that they have something very special and very valuable. So why do so many people who come into contact with these paintings begin to fall dead in a way that is not pleasant? Who kills them? And why?

To give more of this more and more macabre plot is to ruin a good time, which I would not want to do. Suffice to say that the actors are aware, with Russo, Gyllenhaal, Collette and John Malkovich as an artist far beyond his qualities. Billy Magnusson, Haze's badistant, also provides quality work. Daveed Diggs as a new love interest for Josephina after his brief affair with Morf; and Tom Sturridge.

Special applause goes to composer Marco Beltrami whose score is just about money, a work of art itself. Jennifer Fox produces. Click on the video above to see my review with scenes from the movie.

Do you plan to see Velvet Buzzsaw? Tell us what you think.

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