[ad_1]
This review contains spoilers.
3.7 The final country
True Detective season three, episode seven, The final country, opens outside the three designated deadlines. It is somewhere between the reopening of the case in 1990 and the filming of the 2015 documentary. Wayne Hays (Mahershala Ali) takes his daughter to college. It's a warm scene filled only with fears of separation. We are far from the terrors he faces at work, and yet we can still distinguish the cries.
The setting of the collegiate orientation sneaks into a crime scene, disoriented by the fact that it is placed halfway up an outside metal staircase. Tom, whose last encounter with the two detectives ended with a disintegrating scream, died of what looks like a self-inflicted shot to the head. Roland West (Stephen Dorff) is already waiting on the scene, scowling at the body and seeing himself let go. Tom left an ambiguous but apologetic note that the state police can use to put an end to a case that has been an open sore for the community for a decade.
Wayne comes home to find that nothing is closed. Amelia (Carmen Ejogo) is also thinking about the community. She decided that following her book on the original case would further follow the impression that Truman Capote had captured in her novel In Cold Blood. By the time Wayne gets home, Amelia is already almost panicked because she is finally able to share the information about the dead-eyed man who showed up at the signing of her book. The public knows that he works as hard as he can, but Purple Hays is still immune in the 2015 timeline. He lies to Elisa Montgomery (Sarah Gadon), the director of the documentary "True Criminal," with an impbadive face, on not thinking about how the outcome of the 1980 and 1990 investigations ended with a well-placed dead man. No matter how many steps it took to place it there.
We see Wayne doing exactly the same observation to Roland in a flashback that he just denied to the filmmaker. His partner takes the blame on behalf of two of them. Roland is not about to forgive himself. Wayne is not the same kind of cop. Although they take their work extremely personally, Roland is prey to empathy.
Amelia has her own childcare nightmare during the trial. There are a few episodes, Wayne thought his daughter was gone while he was shopping at Wal-Mart. He was about to close the entire store when she showed up with a few samples of free snacks that were being given. Tonight, Amelia has to take the kids with her while she interrogates the bar owner that Lucy used to track down for non-eligible men. She parks the car, with the children inside, prominently by the window of the booth she is talking to. But she is distracted when she learns that the man with the big eye was seen with Lucy's cousin, Dan. While she's looking to watch the kids, she does not see them at the back. We are all afraid that something has happened to them, even after learning that both children are growing up well. The paranoia surrounding the affair is immersive for both the characters and the audience.
Like any good detective, Amelia hits the sidewalks and visits Lucy Purcell's best friend to see if she can have a track for the one-eyed man who's introduced to her book reading. The woman has books of photos and memories. She lives frozen in time on the outskirts of the city because, as she says, "someone has to remember". Memory remains a major motivator for all characters. Elisa Montgomery triggers all our collective unconscious by reading on her computer an article presenting two very familiar faces. In 2012, two former Louisiana State police detectives arrested a serial killer badociated with a kind of pedophile, Montgomery explains, while law enforcement officials are at home. center, Rust Cohle and Martin Hart.
"Despite the evidence of accomplices, the case has never been so vast," she insinuates. Montgomery thinks that a large number of Purcell case actors have disappeared, died or were silenced because larger investigations on these cases are systematically reduced. She then explains the different dolls found on different crime scenes. Dolls are used as signifiers in human trafficking, says Montgomery. She raises on her computer what looks like the blue spirals of a 1988 article on Omaha's child prostitution ring, Nebraska Franklin.
So what's going on with Arkansas Attorney General Gerald Kindt (Brett Cullen)? When he was district attorney in the West Finger area in 1980, he prevented investigators from accessing full supervision and his office leaked information about glitter dolls found on the premises. The prosecutor called for a swift conviction of Woodard and defended Alan Jones's motion to overthrow him in 1990. Is this a matter of political expediency or does he know more about Hoyt family planning than he leaves him? suppose? Tom is an easy scapegoat, but he is also a sacrificial lamb. Harris James, Hoyt Industry's safety officer, may not be the only former justice advocate to have been bought. Of course, there is no direct evidence and hearsay does not stand up in the courts.
Wayne tells Elisa that he has learned to live with ambiguity. Perhaps she has found evidence of obfuscation and forced closure of the case by superiors, but he maintains that this is part of the job. This is because he plays his cards very close to his chest. Wayne also tells him that he's tired of walking in the graveyard and that the story is over for him. We can not believe what Purple Hays has to say, except perhaps in the West, and even then maybe it's just to get what he wants.
Wayne turns out to be a master manipulator. He does the police work, and does it expertly. But he is always ready to cut corners. While Roland insists that both men unveil all the evidence that involves Harris James as the man who locked Lucy, Wayne believes that he can rationalize things by taking the man to the farm in the woods where he and his partner can beat the truth. .
Duplicity is set up beautifully. Wayne drinks a glbad at Roland's. It looks like he needs it as much as his partner. He does this within 24 hours after commenting on the fact that Roland drank early in the morning. The way Wayne pours it and empties the bottle in Roland's glbad says a lot about how he came. The pouring of the drink itself is a liaison event that Wayne composes by reminding Roland that they both owe Tom a debt in order to discover the truth.
The Hoyt family has gone through a tragedy despite the success of their business. Wayne and Roland chat with a housekeeper who raised Isobel Hoyt. She says that the troubled daughter of the patriarch of the company was taken in charge by a black man named Mr. June after driving his car through a railing. As soon as I heard that, I remembered the way Julie sometimes calls Mary July, like the summer, the month following the month of June. The housekeeper remembers that her left eye was dead, although she was not able to give the name Watts, the name Wayne received from Amelia in advance.
The Harris James interrogation scene is extremely frustrating. It has all the benefits, a beat, the promise of new information, real pain and a counter-attack, all corrected by the angry face of Stephen Dorff, Roland-West. But in the end, all is lost, made as useless as West's and Hays' career would be if they moved forward, or any aspect of the file.
We finally learn who Wayne and Roland have buried in the woods, but this is not the biggest revelation tonight. The former players prove that they are still world-clbad investigators, even when the action calls, while Wayne faces the car that was watching his house at night, while Roland takes a picture of the plate from 39, registration on his phone. The excitement is short-lived as Wayne enters a state of runaway. This brings us to the biggest thing that he is hiding from himself, as the camera catches him being burned with the clothes he wore during the interrogation on the farm. .
The final scene defeats everything that preceded it. Wayne is telling Amelia that she'd better not know certain things when he receives a call from Edward Hoyt, the patriarch of Hoyt Industries during the 1990's. He would like to discuss the events from the night before, as he understands them. Hays remains calm throughout the conversation, which involves very subtle threats to his family. Ali and Ejogo are beautiful in this scene. They communicate with each other, they hide things from children, they hide things from each other and hope to hide them from themselves. All these things are happening and they can not do anything that makes them happen.
In the 2015 edition, Wayne mentions to Roland that he has stopped pursuing the business because of an agreement with Amelia. He says it so casually, you might not even think it's so important. But like many clues in True Detective, it is hidden in a very shallow grave.
Read Tony's review of the previous episode, Hunters In The Dark, here.
Source link
