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Yorgos Lanthimos / Twentieth Century Fox
British screenwriter Deborah Davis wrote the story partly true and partly coined from volumes of letters exchanged between Queen Anne, Sarah and Abigail.
"It really haunted me," said Dempsey. THR about the script, which she read for the first time in 1998. "Just the pbadion, the survival instincts of these women, the manipulations and what they did to survive."
The producer said that no studio was interested in continuing the screenplay because of the absence of significant male characters and the historic love triangle between three major actors. "[Studios] were like, 'Oh, wait a minute, that's [bad] the activity taking place here, "she said of the first field meetings. People were a bit ", what is the demographics of this kind of thing? I do not think we could really sell that."
The co-founder of Elite Pictures, Ed Guiney, seized the scenario a decade later. "We did not want to do another British drama," he said. "[We wanted] a story that felt contemporary, relevant and dynamic – not something of a museum. "
Guiney finally told the story to Lanthimos, who understood the potential of the project and handed the script to the Australian television set designer, Tony McNamara, to refresh it.
While the financiers began queuing in 2013, the director's other projects got in the way before they could start production on The favourite.
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