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In 2011, director Rupert Wyatt exceeded expectations with a very human and emotionally taken on the Planet of the Apes restart with Climb of the Planet of the Apes. Primitive history of the imminent redemption by advanced intelligence primates, it took time to develop the link between the human father figure and the central chimpanzee, Caesar, while widening the gap that separates men and primates from the war. In Captive state, primates are exchanged for an alien race resembling an insect, and Wyatt replaces a deliberate rhythm for a vertiginous speed.
After a tense opening sequence in which a family of four tries to move away from a Chicago currently besieged by a terrifying alien invasion, Captive state cut to 10 years later. The extraterrestrial insect-like race has taken up residence under the earth and the city under his command. Neighborhoods that once dared to fight against their oppressors were now in ruins and citizens remained under constant vigil, not only against aliens but also their human collaborators – mostly in the form of government officials. Captive state seeks to explore both sides of the conflict; employees and those who are still seeking to rebel and recover their freedom.
Co-written with Erica SweeneyWyatt turns a microscopic lens into a growing plot of dissidents and those who seek to stop them. We are introduced to Gabriel (Ashton Sanders), one of the surviving children of the family of four children of the opening sequence. It is through him that we have an idea of what it is like to live under an oppressive regime while we follow his daily routine. But he soon finds himself caught between oppressors and dissidents when he is introduced to a group of rebels and then charged to provide information to police officer Mulligan (John Goodman). From there, the audience is immersed in the depths of a vertiginous plot under severe time constraints.
Wyatt retains the widest possible vision for most of the execution, choosing to parsimoniously share key insights as we approach the impressive number of characters and roles they must play in the great conspiracy . It is a complex plan waiting for the last act to be accomplished. Until then, Wyatt encourages players to follow at an accelerated pace as they race to complete their game plans. The extreme focus on specific dilapidated neighborhoods and the detached drive that characters need to achieve their goals is a clever way to force perspective into a context of political turmoil. It also means that there is no central character on which to hang. At best, Mulligan is the common thread between the two camps of the captive state, but his motives remain so obscure that he does not engage well with the public.
contrary to Climb of the Planet of the Apesis not at all a piece of character, but a machine motivated by a complicated network of deception and freedom. Wyatt is not just pushing the plot at breakneck speed, he uses a thrilling soundtrack to maintain the high energy needed for this thriller full of adrenaline. The extraterrestrial invasion itself takes second place to politics. We have an overview of the extraterrestrials and some intense moments of confrontation. One scene that sees larval bed bug implants in humans being kidnapped is particularly horrific. Beyond that, however, we never learn too much about them, the agenda of rebellion remaining at the center of concern.
The cast is stacked with actors who bring their game into small roles; Vera Farmiga, James Ransone, Madeline Brewer, Alan Ruck, and Ben Daniels are all remarkable despite their very limited screen time. Goodman, as always, remains a presence that holds the attention. But all their identities are shaped by their situation and difficult to root as such.
For those looking for a fast thriller that creates an exhilarating and complicated canvas, Captive state has a lot to offer. The political themes of the clbad war can be difficult, but the unique nature of this extraterrestrial race helps to soften it a bit. If the characters with satisfying bows are more your style, well, it is better to sit this one. Captive state is so opposite tone and stylistically Climb of the Planet of the ApesHowever, it will be interesting to see what Wyatt will do next.
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