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Delhi crime
Creator – Richie Mehta
throw – Shefali Shah, Rasika Dugal, Rajesh Tailang, Adil Hussain
Evaluation – 4/5
In December, Delhi becomes a dystopia. We breathe in the fumes of toxicity and rabies. An ominous smog hovers in the air, softly like the hopes and dreams of its inhabitants. The temperaments spread easily, viruses circulate like the plague. Lives are lost in the cold, among those who walk in the streets are miscreants and monsters, but this great city, it continues.
Richie Mehta, creator, scriptwriter and director of Netflix's new Indian original, Delhi Crime, takes advantage of this complex reputation that curses the capital and opens its show with aerial images of the city, straight out of Blade Runner.
It is a perspective that can normally be observed only from a distance, by strangers less likely to be distracted by the overwhelming intensity of the city and therefore better equipped to mitigate noise. But in December 2012, we were confronted with what Delhi is capable of doing – good and bad manners.
Watch the Delhi Crime Trailer here
Delhi's crime comes in the wake of the hideous 2012 gang rape case that hit the headlines and cemented the city's reputation as the "world capital of rape". But this is said from the improbable point of view of the police – which is both refreshing and problematic.
The Delhi police, like most law enforcement agencies around the world, are overwhelmed by a reputation as complex as that of the city itself. protected. Many things have been written about the handling of the case – he was commended for catching the guilty in a few days and filing a detailed indictment and bulletproof record that played a determining role in sentencing, but was also questioned about its ability to prevent such crimes. , and criticized for letting the paperwork hinder the investigation.
Those seeking an insight into the systemic problems of the Delhi police may be disappointed by the flawless defensive nature of the series in its depiction of force. At times, I was convinced that some scenes were just compromises, added in exchange for the cooperation and transparency of the force.
Some of the most controversial aspects of the investigation, including the unprovoked attack that allegedly took place against peaceful protesters at India Gate, are explained; and other aspects that have gone unnoticed, such as the minor suspect accused of minor (and not of adult), are highlighted.
This is unfortunate because it removes from what is easily one of the best Indian shows that Netflix has produced, and perhaps the most amazing real crime drama I've seen since month. The crimes of Delhi are heartbreaking, run with style, executed with pbadion, and most importantly, not at all exploitative.
Mehta, the Indo-Canadian director behind films such as Amal and Siddarth, makes the honorable decision not to show the incident at all. In fact, the most violent moments in the series depend on your memory of the moment and your ability to empathize with the victim, often in your own words.
Instead, the story takes place at a dizzying pace under the direction of Vartika Chaturvedi, DCP-South, who soon realizes that this case requires special attention and that she can not afford the to fall into the abyss of police policy. So, she gathers a team of her most trusted badistants, led by Rajesh Tailang's ever-wonderful Bhupinder, and begins an exhausting manhunt for the four men (and a minor) who committed the crime .
Shefali Shah, as Vartika, is a force of nature. It offers a simmering performance that places the microscopic line of sight between emotion and efficiency. Unlike her cousin, Kalpana, in the recent movie on Netflix, Soni, on the same theme, Vartika refuses to let her gender or her designation hurt her work. There are distractions, obviously – public pressure is rising, so is the government's interference and the voices of its superiors in its head – but it perseveres.
The Delhi Police Delhi Crime acts as a microcosm of the city, populated by men and women from different backgrounds, economically and socially. While Vartika interacts with her family mainly in English – her daughter is furious with the city for letting her down again and made the decision to leave – her juniors are a colorful group of Dilliwalas and all speak to convince the dialects of Delhi. Rasika Dugal, always reliable, is particularly strong as a rookie with a chip on his shoulder, who was recruited for the express purpose of being with the victim's family at all times. It's a delicate performance, challenging a disgusting world.
As a Delhiite all his life, as a member of the male species; I have complicated emotions about the city. I can understand Vartika and her daughter. There are days when you want nothing more than to turn your back on Delhi and run away, and others when you feel compelled to defend it with every ounce of pbadion in your body.
Nobody has the right to criticize Delhi except the Delhiians. We have an understanding, a co-dependent relationship that strangers simply can not understand. We find beauty in the neon wickedness of Mahipalpur and we find ugliness in the lush gardens of Lutyens – because we can. We forgive the scammers and tolerate hours of traffic to eat in the famous Purani Dilli Dhaba. We celebrate its mixture of cultures and conflicting clbades, from the serene chaos of Majnu Ka Tila to Emporio's posh showrooms, but it is only in rare cases that we are united. It was one of them.
They can try, but nothing can stop Delhi; they can bomb us but they can not crush our minds. We are going to get up, dust ourselves off; like Bhupinder, we will distribute boxes of Haldirams and continue. And this is largely the lasting emotion that Delhi's crime leaves behind.
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The author tweete @ RohanNaahar
First publication:
March 22, 2019 8:36 am IST
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