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There are many good movies about sports and even more about show business. So you think that professional wrestling would be the perfect setting for a movie because it combines all the cinematic aspects of both. And yet, you can probably count the number of "big fight movies" that are not documentaries on a (and even less than if you're the type to stay in the mud and you do not want to count them El Santo movies as good movies – and then you may have to explain how your problem with El Santo concerns, uh … the whole Mexican nation, to start, so …)
The main problem is that even today, the fight is still a world (proudly!) Muted, closed, with its own rules and strange codes that even some of its biggest fans have voluntarily let exist at different levels of reality. and even the most "respectable" version of the current WWE (as it is) is still a tightly knit society run by a family that rigidly controls its public image: it's hard to tell true stories or fictitious stories with real emotional issues in a world where everything is about the romanticized pantomime of ironic seizure.
Fight with my family however makes a gaming effort: a WWE officially endorsed biography of Saraya Jade-Bevis, nicknamed by "Paige" fans, is your basic story of the working-clbad oppressed underscored by the general absurdity of the novelty of the fight and Paige herself (and her Anglo-Saxon family from Norwich England, also all amateur league wrestlers) being convincing and "different" in themselves. You've already heard this story – and indeed, parts of Paige's story that were actually less similar to the standard template have been simplified to fit – but you have not seen it with this specific type of female leader shifted in this strange specific spectacle of a sport.
Here, portrayed by English actress Florence Pugh, "Paige" is the youngest of an impbadable family made up of hard-to-climb lower echelons and who runs a gym and promotion club in the UK ( "The Knight Family") and dreaming of a blow to the WWE's "NXT" minor league development program. But when they start the trial, Paige is the only one of their clbad that society wants to bring to the United States, although Zack has always been the alleged golden boy of the family and has a son on the path.
So Paige travels to America to look after suspicious trainee comrades – many of whom are models with no history of wrestling with whom she is not shooting well and vice versa – while the family tries to help Zack cope to a dream of returning home. No reward for having guessed that things were happening a little more, better and with hope, than actually; or that the side of the fight is made to look more like a conventional sport than a strangely sadistic drama company so very entertaining led by a maniac that is deteriorating (for one thing, NXT in the movie is more like a a few months camp rather than making her own separate promotion that Paige dominated for two full years – but, you know, it's a movie.)
That's nice, it's charming, trading with scrambled friends and family is real and I enjoyed the unexpected nuance in the subplots about Paige's relationship evolution with the other women of NXT … it's a hard film to dislike, and I think it's going to find more than a few fans who would never have thought of loving a "fight movie" – mainly because it 's more training and backstage than action in the ring.
One of the problems encountered when making movies about sports has always been trying to sell "tension and drama", while recognizing that the matches have predetermined "fixed" results. look as if they had mutilated and / or killed themselves if they had done them completely or "for real". Fight with my family do not really * find * a complete solution to this problem, building at least one of its two dramatic match scenes around a "uh-oh, the opponent is fighting for real" gag and plays with time, dilation and cross – Cut the editing to the second to merge the drama staged the match itself with the "true" tension Paige overcoming his sense of fright.
It works as well as necessary. Again, it's a film that addresses more to a general audience than to fans of fierce fighting, condensing Paige's story and the rise of the WWE , giving way to a cameo presented by The Rock (who produced the film and directed the production after filming a 2012 documentary about The Knight Family produced for the BBC) and a surprisingly warm and unobtrusive turn by Vince Vaughn in as coach and coach. Overall, it's a good time.
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