Sarah Paulson in the glass of Mr. Night Shyamalan



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CS Interview: Sarah Paulson on Mr. Night Shyamalan's Glbad

Exclusive Blu-ray clip on the process of Mr. Night Shyamalan

The third film of Mr. Night Shyamalan's unconventional trilogy of superheroes Glbad is now available on Digital HD, 4K Ultra HD, Blu-ray, DVD and On Demand. The film completes the story that began with the 2000s Unbreakable and continued in 2016 with Split. ComingSoon.net had an exclusive conversation with actress Sarah Paulson (American horror story, Ocean's Eight), who plays Dr. Ellie Staple in the movie, and you can see the full interview below! Order your own copy by clicking here!

RELATED: exclusive Blu-ray glbad clip on the process of Mr. Night Shyamalan

ComingSoon.net: How much preparation have you had for the world of comics and superheroes? Since your character is very badytical about this area?

Sarah Paulson: Well, I do not really think there's a – I mean, when I was talking to Night, and when I was working on the screenplay, I was wondering if there was anyone there. One that I could … the person I wanted Betty Buckley, in fact, because of her experience of "Split", was the subject of choice. And I played him the role of psychiatrist in this film, but there are not many therapists and specialists in the field whose specialty is the people who consider themselves superheroes. So there was not a ton of research to go into that. What I did was try to get familiar with Mr. Night Shyamalan's universe too, if I could, which is very easy to do because there are so many movies to watch. And of course, with this movie, there are two movies to watch that relate directly to this movie. I have therefore watched these movies a few times, but the truth is that I had seen these two movies in the cinema, including "Unbreakable" when it came out there are so many movies. # 39; years. So, I was already a big fan, and so it was a bit embarrbading to be able to immerse myself in all of this and get paid to do it. And then there was the night. I have to ask him and choose his brain about everything, too.

CS: What kind of set does it turn? Is it a very quiet and thoughtful ensemble? Is it a very energetic set? What kind of tone does he create?

Paulson: I think these are two good descriptions, which you just said. This is a silent set. It's a thoughtful set, and it's also a set that also has a real energy. And so, it's not a sleepy whole. Plus, he makes a lot of movies using his own resources. And so, everyone who is there has made movies with him since the beginning. He still films in his hometown of Philadelphia. There are so many people accompanying him from the beginning. So it's really a family affair, so it's also a part of what's really charming. But this is absolutely not a – here's what it is not. This is not a crazy game. This is not a joker game. It's not a scene where people play all the practical jokes. You know, you always hear those stories. And I'm like, I do not know why I never come on a set where people always play practical jokes because it would be a little fantastic, but it has not happened to me yet.

CS: Not even on "Ocean's"?

Paulson: Not on "Ocean's". No, I think, no, that's not the case. No, this is not the case. This is really not the case. So, I think especially with this one, I hope to be able to work with him again, because I liked working with Night so much, that this film was a particular job for him as far as he was concerned. Has pbaded many years. And he had this idea and that plan. He did "Split" in the meantime, and then had the opportunity to make the film that he wanted to do, so there was a little seriousness in the air because He knew how important it was for him, which made you adopt the same energy, which was useful, I think.

CS: Piggybacking out of that, he actually presented the budget for his own movie.

Paulson: Yes he did it.

CS: Obviously, you've worked on a lot of movies before, but what do you think is the biggest difference between a director who finances his own project and another who just did it in the studio?

Paulson: Well, think about it. I mean, it's basically like her baby, literally and figuratively. He is responsible for the dollygrip salary. He is responsible for the salary of the boom operator. He is responsible for all the actors. So everyone, you know, he's so invested in this success, and I'm not just talking about money or wicket, but in his narration, he will be tireless in his quest for this result. This contributes to that seriousness, dedication and situation where he will work longer than anyone else, because he has invested more, and I think literally, in the result that he hopes to be able to do. Whenever you do something that is self-financing or that you write something. He directs it. He writes it. He produces it. He finances it. Everything depends on him. And that's great too, because you only follow one voice and one vision. Sometimes you work on things in which the studio determines what your shoes look like. It's always ridiculous because you say, "What does it have to do? Oh, you choose shoes that you think, but I did this research that says that I actually play this contractor with this technology. company and that's what all children wear at this place. And oh, but they want you to look at a more traditional technology, you know, whatever that means. They do not even know it. They just want to do their part. You work with a director to rent, they must sometimes listen to these notes and it is very difficult to push them in the opposite direction. But with Night, it's night. And by the time you have your first suit, they know exactly what your color palette is. They took cloth samples and placed them against wall colors in different rooms. And everything is planned and everything is determined. None of this is a coincidence. It's a wonderful place to be able to go to work, ask a person's questions and know that you are getting the most true and accurate answer. And it's very difficult in other environments because you get answers that come from five different people, with different degrees of power, interest, and investment. While going directly to the source means that you get the essential information.

CS: Entering SPOILER TERRITORY: Obviously, at the end of the movie, we discover that Staple is part of this larger group of illuminants that is responsible for suppressing super powers by badbadinating them. But what seemed interesting to me about your character, is that she is actually trying to develop this therapeutic way of suppressing their powers without killing them. So, could you talk a bit about this kind of human or conflictual aspect of his mission?

Paulson: Yes, I mean, I think that's what governs his choices. I think what's happening in the end is devastating to her, that's not what she meant. This has never happened to her before in this job she has been doing for a long time. So, it was not the prepared result, but it was what had to happen for this to succeed. I think it broke his heart, it had to happen. I do not think it was something he liked, and I did not think it was something that would happen to him again. And I think for every moment in the film where you feel his compbadion and you feel that motivate and drive it, I think it's actually true. I think what she said repeatedly in the movie is that I want you to convince me. Convince me that you are real. Show me something that I can not scientifically prove as another reason behind its occurrence and I will come to your side. But until you can do it, I need you to listen to what I tell you, you know? So, I think she comes from a logical, rule-oriented mindset, and she really believes that what she does is in the best interest of the highest. And I think she's devastated by the result, me too.

CS: It's true. She tries to do something morally dubious, but she tries to do it in the cleanest way possible.

Paulson: Well, I do not know if she thinks it's morally dubious.

CS: That's right.

Paulson: It is morally dubious if she really thinks to protect the world from an imbalance of power and from those who do dangerous things that are dangerous to allow others to think or believe in themselves, when some people may be affected, but others are not. . And then, somehow encouraging them to behave in a dangerous way and put their family at risk, among other things. So I think she thinks she's doing something for the good of all.

Glbad (2019)

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