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The moment of wonder
At the end of this month, Avengers: End of the game will carry out a ten-year Marvel experience in narration of a shared universe. To mark the occasion, The A.V. club revisits the 21 films of this mega-franchise through a unique and meaningful scene in each of them: not necessarily the best or most memorable scene, but the one that says something about the MCU as a blockbuster phenomenon In progress. It is the moment of wonder.
Given the speed (and depth) with which Marvel Cinematic Universe has abandoned Edward Norton's opposition to Bruce Banner, a tortured scientist who has become a monster of green rabies, it is probably incumbent on us to do the same when we cross the past the franchise. So, instead, let's focus on the real Louis Leterrier's modest 2008 contribution as well (and second-year MCU effort) The incredible Hulk to the global structure of his parent universe: the codification of the vaunted post-credit scene as a way of saying "Enough about these jolts; Let's build a hype for the next big deal. "
Iron Man of course, had already been addicted to this particular tactic a month earlier. (Even if it's a little strange that Nick Fury is referring to the singular "Avenger" initiative in his sinister little ending speech, no?) But it's Tony Stark's stopover in the city of Hulk. sets the pattern of bladder tension for the next 19 come movies, each ending with one – and sometimes even two – pieces of ominous omens or character comedies, will delight anyone who is willing to stay (or wait the inevitable ripping of YouTube).
PontoonThis scene has all the characteristics of post-credit success: a slow introduction, a sudden appearance of a guest star that had not appeared in the film until then, and a whole series of very vague dialogues about "teams" and "costumes." (It's still too early to talk about heavy things about brightly colored and incredibly omnipotent rocks, but hey, let them have a minute: we're currently only two movies .) On paper, it's almost painfully simple: the secondary antagonist of the movie, General Ross (William Hurt), quenchs his thirst in a bar.Tob Tony Stark comes in. They're joking. .
What's fascinating in the Pontoon So the scene is the depth with which it achieves its objectives, despite the fact that nothing that happens in it matters, or even makes sense. Despite Stark's implicit recruitment offer, Thunderbolt Ross would no longer show up in the MCU before Captain America: Civil WarEight years and eleven films later, Hurt was playing a completely different character, far from the cartoonist Javert chasing Norton's Hulk. Even Tony's status as an alleged Avenger recruiter (s?) Is for the most disconcerting, given his distance from the project at the beginning of Iron Man 2
But none of that matters, because Iron Man was in the Hulk movie, damn it! In 2008, a shared cinematic world was always an ambitious, strange and above all risky prospect for a big studio. By making Robert Downey Jr. talk – effortlessly, as always – spend an afternoon filming in a fake bar opposite William Hurt, Marvel Studios suddenly realized the long-dreamed dream of creating a great playground cinematographic to allow all his character to run a reality. And the post-credit sequences of the MCU will continue to perform this same function for a decade or more, and will serve as connective tissue to a whole larger universe, without ever letting the public forget that it was only viewing an enlarged portion of the world. a larger set, much larger. In 2019, these little mini-films now mandatory are de rigueur, even a little hokey. But they also put "the universe" in the Marvel film universe, something that started all the way here with Pontoon. His star might have been rejected, his plot ignored. But this small part of the second son, most often forgotten, of the MCU, still lives.
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