Albert Finney, the "angry young man" of cinema, dies at the age of 82 | Movie

Albert Finney, who forged his reputation as one of the leading actors in British New Wave cinema in the early 1960s, died at the age of 82, his family said at the age of 82 years old. In 2011, he revealed that he had kidney cancer.

A reporter told The Guardian that Finney had died of a chest infection at the Royal Marsden Hospital, specializing in cancer treatment just outside of London. His wife, Pene, and his son, Simon, were at his side.

Having taken the honor of becoming the star of Saturday Night and Sunday Morning, Finney has received five Oscar nominations, but never won and declined the knighthood.

The stars share their memories and pay tribute to the actor on Twitter.

Born in Salford in 1936, Finney became the son of a bookmaker within what he called the "lower middle clbad." Encouraged by his director at Salford High School, Finney gets a job at the Royal Academy of Dramatic Arts, where he finds himself in the same clbad as Peter O'Toole and Alan Bates. After establishing himself as a theater actor, Finney capitalized on the growing interest aroused by the "Nordic" material in the late 1950s and found himself in a leading role in the theater. film adaptation of The Entertainer by John Osborne (located in Morecambe). then as an animator in Saturday Night and Sunday Morning, as a boisterous factory worker, Arthur Seaton.

Directed by Karel Reisz and released in 1960, Saturday Night and Sunday Morning were extremely popular and played a key role in the "angry" movies of that period. As described in the British Film Guide, Finney exudes "a mixture of challenge and selfishness covered with raw baduality" and, coupled with his indisputable screen charisma, he becomes a major star almost overnight.

Finney then became the face of the international explosion of British cinema after being portrayed in the title role of Tom Jones, directed by Tony Entertainers of The Entertainer. Tom Jones, with his overflowing humor and restless atmosphere, was a hit in the United States and won four Oscars (including best film); Finney received the first of four nominations for Best Actor, but was defeated by Sidney Poitier for Lilies of the Field.

The roles followed in Karel Reisz's Night Must Fall and Stanley Donen's Two for the Road, opposite Audrey Hepburn; Finney then became director with the release of Charlie Bubbles in 1968. Written by Shelagh Delaney, the story of a successful writer returning to his hometown of Manchester was clearly very personal to Finney, even if it turns out to be his only director credit. He also used his increased weight – and his money – to support other personalities of the new British wave, supporting the radical If … of Lindsay Anderson and his successor O Lucky Man !, as well as Mike Leigh's first feature film in 1971, Bleak Moments.

Over the next decade, Finney's status as a star led to her appearing in a wide variety of films, including a public comedy (Scrooge), a low-budget crime comedy (Stephen Frears' debut feature Gumshoe). ) and comedian Star Christie's adaptation Murder at the Orient Express, in which he embodies Hercule Poirot.

In the 1980s, Alan Parker opposed him to Diane Keaton in Shoot the Moon, the 1982 study of a decaying marriage, as he played the role of "Sir" in the film The Dresser, directed by Peter Yates, for which he was nominated for the Oscars. Malcolm Lowry's adaptation of Under the Volcano, in which Finney played with ex-diplomat former diplomat Geoffrey Firmin, earned him his last Oscar nomination as best actor, despite being nominated for best supporting role in 2001 by Erin Brockovich. He has also appeared in a series of prestigious television series, including the latest works by Dennis Potter, Karaoke and Cold Lazarus, the adaptation of Angela Lambert's Rather English Marriage and Winston Churchill in The Gathering Storm in 2002, for which he has won the Bafta Award, Golden. Globe and Emmy awards. Throughout his career, Finney has appeared regularly on stage, including in 1968, Joe Egg's A Day in the Dead, Krapp's Last Tape in 1973, and the 1984 revival of Sergeant Musgrave's Dance at the Old Vic.

After the Coen brothers threw him on Miller's Crossing, in which he embodied the Irish-American gangster Leo O'Bannon, Finney began to acquire a cachet among the new generation of American filmmakers who revered his Work in the 1960s: Soderbergh threw it in Traffic and Erin Brockovich and Tim Burton in Corpse Bride and Big Fish. His last major role would be that of Kincade in the James Bond movie, Skyfall 2012.

Finney has twice refused official honors – an EPC in 1980 and a knighthood in 2000 – and revealed in 2011 that he had conquered cancer after successful treatment. He has been married three times, to actors Jane Wenham and Anouk Aimee from 1957 to 1961 and from 1970 to 1978 respectively, and to travel agent Pene Delmage in 2006. He is survived by his first marriage, Delmage and his son Simon.