Analysis Review – CINEMABLEND

There was a time when the big studios, in the middle of the traditional summer season at the box office, released a film or two supposed to be a thrill filled with horror. It's something we have not seen much in the modern era, and when that happens, it's usually a small independent studio that's trying to capture a wave of buzz.

All of this is about to change, Crawl has the support of a large studio like Paramount, but acts as one of those indies that people love to ravish. And people should absolutely be delighted, because the director Alexandre Aja is back in the horror genre with a movie so thin and so bad that he could be part of the group of alligators he uses as a villain.

Crawl is preparing around Haley (Kaya Scodelario), a woman who decides to go to her family's former home, in a Category 5 hurricane. She does this to make sure that her father (Barry Pepper), who is his brother is safe after failing to answer his sister's phone calls.

Before she could say "chomp", she found herself in a dangerous situation, trapped under the family home, injured alongside her father and trying to escape the deadly threat of an alligator who was in this same space.

If the description of Crawl It seems a little spartan, it is that the film has a duration of 87 minutes. What this means in relation to the way the film is presented to its audience is that instead of a movie that has its traditional rock and show, Crawl is stripped and built for speed.

At the same time, Alexander Aja's instructions from the screenplay written by Michael and Shawn Rbadmussen contain enough background details to get into the film's story, without having an ounce of fat that has no place.

Every moment has its place and every aspect of Crawl the whole is drawn with a meticulous eye that some would not expect from a movie with a logline like this one. This is partly what makes this film one of the biggest surprises of this summer, because it distorts the expectations and proves that it is the product of the fierce direction of Alexandre Aja and the talent of Sam Raimi in terms of making such films avant-garde filmmakers.

With this in mind, the public should be ready to see a lot of Barry Pepper and Kaya Scodelario, as Crawl is mainly composed of their performances, with CGI gators and a very real dog to accompany them. Their dynamic as a father and daughter in the cinema is really to see, because the relationship is one where two strong people trust each other in the worst scenario.

Haley will save her father because she really cares about him, and in turn, he pushes her to do his best because he knows that she is capable. Neither party enters an overly sentimental territory, but both are allowed to be simultaneously vulnerable and able to survive.

Let the two members know Crawl the family on the screen must fight against alligators in a fierce and bloody fight. Scodelario and Pepper, in their individual confrontations with their natural predators, are sifted; and the result is not always guaranteed to be enjoyable.

Their characters really need that strength that they display in the world of CrawlThe creatures they face, as well as the natural disaster they occupy throughout the film, are both relentless and vicious. Horror fans and natural disaster lovers will love the rhythms of this movie.

The blood blushes in clear and murky waters, and the animal and the man suffer rather unpleasant damage over the years. Crawl visceral journey through the storm. It must be remembered that this film is so tightly wrapped that frights and attacks are never free.

The summer box office always needs fun and entertaining rides, as Crawl. It is a film that plays a tight game, marveling his audience with a quick and nasty electric shock, which puts him in danger, and this, without striking a blow. If you are in the mood for excitement and adventure, while taking a break from the relatively safe crowd of similar similar blockbusters, Crawl is the cinematic wake-up call you need to start your summer.