Best songs of Lana Del Rey: 20 songs for which you were born

One of the most exciting musical artists to emerge in recent decades, Lana Del Ray left his mark with a new sound that no one had heard on the radio. Her cinematographic songs, interpreted with the deep and deep voice that makes her famous, make her go from niche artist to a public star in 2012, thanks to the title 'Video Games'. Since then, she has delivered variations of her brand style – from darker titles to psychedelic hues to lighter love songs – without ever losing sight of her roots. With such a wealth of work, we have completely rebuilt Del Rey's production to offer you the best 20 pieces of Lana Del Rey of all time.

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Listen to Lana Del Rey's best songs on Apple Music and Spotify, then scroll down to read our 20 best Lana Del Rey songs.

Best songs of Lana Del Rey: 20 songs for which you were born

20: "Beautiful People Beautiful Problems" (Thirst for life, 2017)

An extremely sparse song, built from a simple piano chord sequence, with a chord arrangement entering before the chorus, "Beautiful People Beautiful Problems" finds Lana working with none other than Stevie Nicks. "When I had ideas from women who could really add something to the recording, she kept coming back," Del Rey said. Flaunt magazine. The highlight of the song is the distinctive song of the singer of Fleetwood Mac.

19: 'Young And Beautiful' (Gatsby the magnificent soundtrack, 2013)

Writes for the 2013 film adaptation of F Scott Fitzgerald's novel, the epic of the jazz age, produced by Baz Luhrmann Gatsby the magnificentYoung and Beautiful took a different approach from most of Lana's other works. Usually she sings toxic relationships and an unrequited love, but tapping into the romance of Gatsby the magnificent, she delivers here a beautiful message about knowing that her partner will always love her, even when she is no longer "young and beautiful". Getting the opportunity to work on a blockbuster early in his career, just a year after the release of his first album, is proof of Del Rey's talent.

18: "13 beaches" (Thirst for life, 2017)

Recognized for recording her voice live, with a hand-held microphone, in just a few takes, Lana tackled "13 tracks" differently. "It took a long time to do it," she said. NME. "The atmosphere I had to convey was better than what I was doing. I knew it was important that I come straight as an arrow with that one. The result was an autobiographical song that referred to his efforts to escape the paparazzi, "stopping at 13 beaches on a hot day to find one where no one was." Opening by a monologue of the 1962 horror film Carnival Of Souls ("I do not belong to the world, but that's what it is, something separates me from the others, wherever I turn, something blocks my escape"), the song suggests that Lana does not does not always feel comfortable with his glory.

17: 'Summer Bummer' (Thirst for life, 2017)

Thirst for life marks the first time that Lana collaborates with other artists on an album. "Summer Bummer" contains A $ AP Rocky (also featured on "Groupie Love" of the same album) and Playboi Carti. It starts with a melody played softly on a piano, with the trap beat going into the chorus, and presents some of the best productions from the album. Lana told the BBC that she was working with A $ AP Rocky "to add a little fire, a little energy to the record".

16: "On the road to the races" (Born to die, 2012)

Unlike all other Lana songs, 'Off To The Races' finds her using a typing technique rather than singing on the track. This is probably due to the fact that Lana's long-time producer, Emile Haynie, also shares the production tasks with Patrik Berger, who had not worked on any other song in the series. Born to die album.

15: 'Doin' Time '(2019)

The clearest and brightest album Lana has released so far, 'Doin' Time 'is a cover of a song by ska Sublime. Despite her unusually brilliant sound, the lyrics are still dark, with phrases such as "I'd like to hold my head underwater," describing the singer's desire to torture her lover. Many musicians would change gender to reflect their own badual orientation; One of the best things about Lana's version, though, is the fact that she retains the original point of view: "Me and my daughter, we had this relationship / I love her so badly, but she treats me as if I was not. "

14: "The darkest day" (Honeymoon2015)

A slow ballad, influenced by rock with a drum sound, "The Blackest Day" is the longest song of its kind. Honeymoon album, recording more than six minutes. Referring jazz singer Billie Holiday in the lyrics, Del Rey nods to jazz's love influence on a song that addresses the fallout of a broken relationship: "Since my baby's gone / it's the the darkest day. " & # 39; The Blackest Day & # 39; is a fan favorite.

13: 'Shades Of Cool' (Ultraviolence, 2014)

You can hear Dan Auerbach's influence on "Shades Of Cool" (and most Ultraviolence album; The main man of the Black Keys contributed to the disc with guitar and production work. Lana sings at a higher pitch than usual on this song, even though she delivers her best voice so far, while the guitar solo on the bridge provides the most powerful moment of the track.

12: "I went back to the top" (Ultraviolence, 2014)

Ironic in the same way as Ultraviolence"Money Power Glory" is, "F__ked My Way Up To The Top" finds Lana addressing her critics, essentially saying that she knows what they think of her – and that she's plugged in. This is a new collaboration with Dan Heath, who also co-wrote "Blue Jeans".

11: "High By The Beach" (Honeymoon2015)

The first single of his fourth studio album, Honeymoon"High By The Beach" is one of Lana's rare songs directed by a synthesizer rather than a guitar or strings. With hip-hop percussion and an almost monotonous melody, which Lana sings on the chorus, it's also the most pop song of all her songs. Written for Display panelJason Lipshutz said it was "perhaps the most suitable song for [Dey Rey’s] the whole career. "The video, shot with a portable camera, with little editing, was made by British director Jake Nava, who also worked on the video of" Shades Of Cool ".

10: "In my feelings" (Thirst for life, 2017)

Focusing on the after-effects of a relationship rather than being in a relationship, "In My Feelings" find Lana "Sobbin" in my coffee cup / Because I've fallen for another loser, "before exclaiming," You want to make the change / my guest, baby. The lyrics reflect one of his guilty pleasures: coffee. As she said Complex magazine: "I have to take 13 cups a day". Many fans have claimed that the "loser" she is referring to is the rapper G-Eazy, whom Lana would have attended (she waved the "G" sign before making her song debut at Spotify's launch party for Thirst for life). The same year, G-Eazy released a song called "Nothing Wrong" in which he says, "Lana thinks I'm crazy and maybe me too."

9: "Heroin" (Thirst for life, 2017)

"Heroin" refers to many characters badociated with California, including the metal band Motley Crue and the convicted murderer Charles Manson ("Topanga is hot today / Manson is in the air). Presenting some of Lana's darkest and most graphic images ("Writing in the blood on my walls and on s__t" is a lyrical that is recycled in "hope is a dangerous thing for a woman like me, but I l 'ai'), in truth. Like Lana, the song gives little importance to the radio play and lasts almost six minutes.

8: "video games" (Born to die, 2012)

This list of Lana Del Rey's best songs would not be complete without a reference to her first big-name song, which propelled her into the mainstream, mainly because of the viral transformation of her video clip. The clip was shot and edited by Lana on her own webcam and shows her singing with pinched lips interspersed with LA archive footage. She had written the song in London while watching her play so World of Warcraft. It was "about this guy I saw and how our relationship was at the time," she said. NME. "It was a moment in my life when I gave up my personal career ambitions and just loved being with him at home."

7: 'Ultraviolet' (Ultraviolence, 2014)

The title track of Lana's third album has angered the audience with subject lyrics such as "You are my cult leader / I love you forever". Like many of Lana's songs, there is an element of truth behind the words: she said The New York Times that it was once part of a cult, following a guru who "believed in the destruction of your body to rebuild you". "It sounds weird," she admitted, "but that's what it's all about and romantic feelings related to the idea of ​​letting oneself be led, to let go and surrender. "Apart from the slightly taboo lyrics, the song itself is among the best on the Ultraviolence album, with a sequence of basic piano chords, heavy strings and light percussion behind Lana's soft, breathless voice.

6: "Summer sadness" (Born to die, 2012)

Summertime Sadness is another song centered on Lana's romanticism. EDM dominated the charts in the early 2000s; a remix of the French DJ Cedric Gervais' song was well programmed, probably becoming a bigger hit than the original while taking Lana to a new audience. The video directed by Kyle Newman was designed to resemble a domestic film sequence of Lana and a girlfriend (played by Newman's wife, actress Jaime King) before committing suicide.

5: "Cola" (paradise, 2012)

Centered around a sugar daddy (a recurring theme in Lana's work), the opening phrase of this song may have gained more pressure than the music itself: "My pu__y has the taste of pepsi cola". Years after the release of the song, following accusations that producer Harvey Weinstein had badually badaulted women in the industry, the words "Harvey in the sky with diamonds and he driving me crazy" were examined from close. Lana told MTV News: "When I wrote this song, I guess I had in mind a guy like Harvey Weinstein / Harry Winston."

4: "Ride" (paradise, 2012)

The lead track of the paradise EP was co-written with Justin Parker (who also co-wrote 'Video Games' and 'Born To Die') and produced by Rick Rubin, who worked with everyone from Frank Ocean to Shakira. He came up with another controversial video, this time showing Lana with multiple love interests, including bikers and older men dressed in bandanas. Directed by Anthony Mandler, whom Lana described as his director's soul mate, the video was, according to the singer, a faithful representation of his life. Admit to The Guardian that she could "lift a feminist eyebrow," she told Electronicbeats.net, "I believe in free love and that's how I feel. It's just my experience of being with different types of men and of being born without preference for a certain type of person. For me, it's my story of finding love in many people, and it's the second influence on my music. "

3: "west coast" (Ultraviolence, 2014)

One of Lana's most rock-influenced songs, 'West Coast' is unique in that it does not contain its trademark strings and uses two different tempos, suddenly slowing the chorus. Lana, who has been sober since the age of 18, told the Australian radio station Triple J that the song had been started at an evening at the beach and that a guy had told her says, "They have a saying: if you're you do not drink, so you're not playing, "a phrase that gave him the theme of the song.

2: "Blue Jeans" (Born to die, 2012)

Centered around a distinctive guitar line, hard-hitting strings and a hip-hop rhythm, 'Blue Jeans' focuses again on Lana's desire to love (though the feeling is not reciprocal). "I will love you until the end of time / I would wait a million years" sums up pretty much his point of view on the purpose of life: to be in love. It's a return to the 50s mentality that is also reflected in his frequent references to vintage cars and the Hollywood Honor Age.

1: 'Born To Die'Born to die, 2012)

In the clbadic style of Lana Del Rey, 'Born To Die' takes up the sad and dark lyrics that are evoked in the title. Third single from his album of the same name, he had a higher video budget than his predecessors – and it shows. Shot by Yoann Lemoine, the video shows Lana sitting on a throne at the Palace of Fontainebleau, France, flanked by two Bengal tigers. It remains one of his most breathtaking visuals.