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The British Film Institute will no longer fund films in which villains appear with scars on their faces.
As part of the Changing Faces campaign, a UK charity campaigning to end discrimination against clearly different people, the CIB is committed to supporting the "I'm not your bad guy" initiative. ", Which aims to put an end to the use of stenography for malice".
Ben Roberts, director of film funds at the BFI, said in a statement: "The film has such a powerful influence on society … [and] is also a catalyst for change and this is why we are committed to not having negative representations in the form of scars or facial differences in the films we fund … This campaign directly addresses the criteria of diversity standards BFIs that require meaningful representations on the screen. .. and [we] urge the rest of the film industry to do the same. "
In June, Changing Faces Executive Director Becky Hewitt told the Guardian that the usual use of scarred film has a particular effect on children and youth: "It is particularly disturbing to see that young people do not make this badociation exposed to movies that influence their attitude towards disfigurement in a deeply negative way. "
Phyllida Swift, campaign manager for Changing Faces, said that Wonder, the 2017 comedy drama starring Julia Roberts, was a recent faithful performance while criticizing the use of prosthetic special effects, and that the Harry Potter films were the main positive representation of the face. scars.
Roberts quoted Dirty God, an acid-etched drama directed and co-authored by Sacha Polak, who received funding from BFI and who has just been selected to participate in the Sundance Film Festival. . [an] authentic, empathic and positive representation ".
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