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LOS ANGELES: If you want to be simplistic about it, the monster blockbuster “Godzilla vs Kong” is all about a fighting gorilla and lizard – but it’s so epic you’ll be glued to your seat.

“The movie is so many different things,” said director Adam Wingard, a childhood fan of giant kaiju monster movies. “It’s a futuristic sci-fi fantasy film with the greatest fight scenes of all time.”

The latest installment in the MonsterVerse franchise is fun, and for movie audiences who could use a bit of a hit show, it delivers. It doesn’t abandon the themes or environmentalist message found in previous entries from Legendary Entertainment and Warner Bros. franchise of movies, but it lets them soak up the background.

Likewise, while it still ties into the established lore of previous films with some returning characters and the giant monster of the Illuminati Monarch group, there are few complications in the form of narrative twists. The mysteries are heavily publicized, presented not to bend the audience’s mind, but rather to provide moments of anticipation before the next action scene hits like a rollercoaster fall. The show is the focus, not the plot, although when describing “Godzilla vs. Kong,” it may be more appropriate to say the plots in the plural.

“You can look at the movie as two separate stories that ultimately intersect: Team Kong and Team Godzilla,” Wingard explained.

Where previous films have drawn attention to human characters, generally focusing on their struggle to avoid or face collateral damage in battles between the monsters called Titans in the universe, “Godzilla vs Kong” positions its cast. human as a supporting characters to the two main roles of CGI.

“Every human story follows the story of the monster,” Wingard continued.

Millie Bobby Brown reprizes her role of “Godzilla: King of the Monsters” as Madison Russell, the teenage daughter of expert Godzilla scientists who suspects that the recent Godzilla attacks are caused by shady tech company Apex. She is joined by her best friend Josh (Julian Dennison) and Apex engineer turned conspiracy theorist Bernie (Brian Tyree Henry).

“In the film, they’re an incredible team. They work really well together. They complement each other so well, ”said Brown. “Offset, it’s so nice to be friends with the people you work with.”

This half of the film is about a classic “kids on the road trip” adventure, and child actors Brown and Dennison deliver their performances.

“It’s great to work with Millie. Julian is honestly just a big ball of happiness, ”said Henry. “There’s something about their essence and the way they behave in and out of their character, which is so awesome.

You can’t mention the child actors in the film without mentioning screen newcomer Kaylee Hottle, a deaf actress who plays Jia, an orphan from Skull Island who has formed a special bond with Kong and is able to communicate with him through the sign language. This relationship is reminiscent of other films starring children and their non-human friends, such as “The Iron Giant” or “ET”

“Kaylee is really, really talented. It is incredibly rewarding to work with her as an actor, ”said Rebecca Hall, lead actress for Half Kong in the film’s story. “She gives so much, and as I got to know her better, I realized that she was extremely funny and playful. She’s just a great kid. “

The human characters of Team Kong are on a separate adventure as they escort Kong to an underground subcontinent known as Hollow Earth. While the film is packed with beautiful artistic direction – special mention goes to the nightly fight of Godzilla and Kong in the neon-filled Hong Kong skyline – Hollow Earth is the film’s opportunity to present a fantastic, psychedelic feel. Another ’80s adventure sub-genre ticked the list.

The star cast brings their A-game to the film, delivering comedic beats and heartwarming family moments. And while the human characters in monster movies are usually there to give audiences someone to relate to, “Godzilla vs. Kong” gives us a glimpse into the minds and hearts of his monsters.

Kong in particular receives a wordless depth of character, thanks to the previously mentioned relationship with Jia and Terry Notary’s stellar performance. The body language of the lawyer evokes, once again, the grizzled action heroes of the 80s. It’s funny to see a 15-meter monkey dive away from an explosion as if it is playing in “Die Hard”, and it’s nice to see moments of humanity in scenes of large CGI figures bumping into each other.

As Hollywood begins to resume its activities for good, it’s a breath of fresh air to have a popcorn muncher that turns your brain off from an action movie that kicks it out of the park, that you watched it in theaters or on HBO. Max.