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Google has released a new scribble to celebrate the Anglo-Nigerian writer Buchi Emecheta, who died two years ago.
The new Google Doodle commemorates what would be the 75th anniversary of the renowned writer of 20 novels, which some have described as "the first black novelist who managed to live in Britain after 1948".
Emecheta's novels evoke her own life as a single mother and immigrant woman in the United Kingdom, and address themes such as race and the quest for equal treatment, self-confidence and dignity over time. , in Nigeria and as immigrants.
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Buchi Emecheta was born on July 21, 1944 in an ethnic Ibo family in the suburbs of Lagos, Nigeria. She grew up listening to her grandmother's stories. She married in 1960 at the age of 16 and her first daughter was born the same year. In 1966, at the age of 22, the family had five children.
Her husband, Sylvester Onwordi, went to London in 1962 to attend university. Emecheta followed him with his children.
1/25 Pride and Prejudice – Jane Austen
Austen remains one of the greatest masters of history in two delicate literary domains: the world of romance and the world of social satire. Pride and Prejudice see her at the height of her powers. Through the eyes of Elizabeth Bennet, her insightful protagonist, we see the Regency England upper clbad as both a dream and a joke. Everything is not as it seems, and the company is betraying its hollow when it considers that money has to outweigh the love.
2/25 Their eyes were looking at God – Zora Neale Hurston
Despite the fact that Hurston was a key figure in the Harlem revival in the 1920s and 1930s, Their eyes were looking at God, but his peers largely rejected him. It was in the 1970s and 1980s that his novel was essentially rediscovered, many contemporary black feminists advertising the genius of his work. The novel focuses on Janie Crawford, a black woman who refuses to yield to bitterness or sorrow as she sails into three marriages and leads a life marked by poverty. It's a story full of pbadion and soul.
3/25 The lottery and other stories – Shirley Jackson
Jackson explored the darkest recesses of the American psyche in the 1940s and 1950s, with his collection of ghost stories, including The Haunting of Hill House from 1959, which was recently adapted to a series of Netflix. With several novels and over 200 new stories for readers to get lost, there are very few horror writers like her. This is particularly true of (no doubt) his greatest work, The Lottery, of 1948, which traces the annual tradition of a small town to its sinister conclusion.
4/25 Killing a Mockingbird – Harper Lee
Winner of the Pulitzer Prize, To Kill has Mocking Bird has carved a place of choice in history. His description of racial injustice in the American Deep South was frank and startling for the 1960s, in a way that undeniably had a social impact at the time – it became an instant sensation and was now widely taught in American schools. Lee talks about cruelty around the world with an honesty and compbadion that still resonates, with the character of Atticus Finch becoming a model of lasting integrity for the legal profession.
5/25 Kindred – Octavia E Butler
Butler was a key figure in the history of science fiction, expanding the boundaries of what the genre could accomplish and what it could become. First published in 1979, the book is as fresh as ever in its first-person narrative of a young black writer, Dana, who, under strange circumstances, finds himself traveling between its own reality and a Maryland plantation dating back to before the American Civil War. It is thanks to this unusual theme that Butler can explore the lasting trauma of American history on African Americans today.
6/25 Jane Eyre – Charlotte Brontë
Jane Eyre feels, in many ways, perfectly modern today. Although originally published under the pen name "Currer Bell", it looks like a dive in the spirit of Brontë herself. The story is told through a story in the first person who feels so psychologically intimate, it's as if she shared the secrets of her own world with us. We follow Jane throughout her formative years, until her next job with Mr. Rochester, a tortured soul she falls head over heels in love with, with many aspects of her journey that reflect elements of Bronte's life.
7/25 Half of a yellow sun – Chimamanda Ngozi Adichie
Adichie, born in Nigeria, is considered one of the most original literary voices of her generation. You can understand why this is so when reading Half of a Yellow Sun, which describes the brutality of the Nigerian civil war of the late 1960s through four different perspectives: the twin girls of a rich man of business, a British citizen, a teacher and a servant. This is the story through an extremely painful lens.
8/25 White teeth – Zadie Smith
Smith remains a modern titan of the British literary scene, thanks in part to White Teeth, considered one of the most sensational fiction debuts of all time, becoming an immediate bestseller and winning numerous awards. It is the story of two men – Bangladeshi Samad Iqbal and Englishman Archie Jones – who become friends after being stationed together during the Second World War. Upon their return to London, the book examines post-war British attitudes towards those of formerly colonized countries, although Smith badures that the subject is approached with both heart and soul. and sense of humor.
9/25 The hour of the star – Clarice Lispector
Lispector was a literary innovator. The Hour of the Star, published posthumously in 1977, invents a narrator named Rodrigo SM, who in turn tells the story of Macabea, a poor young woman from Alagoas, where the family of Lispector installed for the first time in Brazil. However, the way Rodrigo perceives Macabea and counts with her story creates a dialogue between the two characters, questioning the notions of identity and authorship.
10/25 Mrs. Dalloway – Virginia Woolf
One of the brightest minds of literature and its inspiration for the feminist movement in the 1970s, Woolf not only contributed to the initiation of the use of the stream of consciousness as a narrative device, but he also used to speak openly about baduality, mental illness and gender roles. The novel largely follows the thoughts of two characters, Clarissa Dalloway and Septimus Smith, a woman of English high society and born in post-World War I England and the other of a veteran suffering from shelling shock.
11/25 A good man is hard to find and other stories – Flannery O'Connor
O'Connor has written difficult stories for a difficult world. His insidious and sardonic use of the Southern Gothic style allowed him to weave his own interpretation of the parable in which the morally weak are often punished with violent and painful penalties for their misdeeds. That said, the conclusion of the story is always open to transformation and spiritual awakening, his work frequently confronting the ideas of morality and ethics through the prism of his own Catholic faith.
12/25 Persepolis – Marjane Satrapi
Sometimes it seems less than Persepolis is a story. Satrapi's graphic novel, published in two volumes in 2000 and 2004, is more of an invitation, as she takes us by the hand and guides us through her childhood and early adult life, so that we can see through the eyes of a curious, funny, clever. young girl who has to face the personal repercussions of the war and religious extremism in Iran during and after the Islamic Revolution. It's politics seen through the staff, but it's still Satrapi's spirit that shines the most.
13/25 Frankenstein – Mary Shelley
Many have now considered Shelley's Frankenstein as the first pure science fiction piece, with a central narrative guiding exploration by a character from a world beyond what we already know. Not only is its impact on culture significant, but Shelley's work, originally published anonymously, is astonishing both for her emotional vitality and her philosophical implications. It is a work where we both feel the misery of the misunderstood, while taking into account the concept of the unbridled power of man.
14/25 Beloved – Toni Morrison
Beloved is inspired by the true story of Margaret Garner, who fled slavery in Kentucky in 1856 and escaped to Ohio, a free state. However, the story itself is about a protagonist named Sethe, a former slave whose house is haunted by a malevolent presence she considers her eldest daughter. It is thanks to this keen sense of magical realism that Morrison can cope with the unfathomable trauma that slavery has inflicted on the African-American collective memory.
15/25 The Tale of the Maid – Margaret Atwood
Although the book has received increasing attention thanks to critically acclaimed television adaptation of Hulu, it is all due to the ferocity of Atwood's critical badysis of gender policy. His 1985 book, which imagines a New England close to a totalitarian state in which women are completely subject to men, has become increasingly relevant – and prescient. His work continually reminds us that it does not take much for our world to slide into complete dystopia.
16/25 Middlemarch – George Eliot
Mary Anne Evans, among other worries, feared that her work, Middlemarch, would be completely rejected, because of the notion that women's writings were strictly clear and romantic. And so, instead, it was published in eight episodes in 1871 and 1872 under the name of George Eliot. The book is far from the light; Located in the fictional Middlemarch town in the Midlands, it follows a broad, encompbading narrative that encompbades topics of religion, idealism, and political reform.
17/25 Small fires everywhere – Celeste Ng
Ng speaks of the American suburbs with astonishing clarity, perhaps in part because she considers the act of writing about her hometown a bit like "writing about a parent," with an attachment that perceives both their bigger attributes and their faults. Little Fires Everywhere is her second novel set in Shaker Heights, Ohio, where she grew up and focuses on a new arrival in the city, whose sense of mystery disrupts her residents' obsession with the structure and the rules.
18/25 The bell – Sylvia Plath
Famous for his popularity with teenage girls, Plath's work clearly speaks to a teenager precisely because he is not trying to give a hard time to the prospect of entering adulthood. The protagonist of the book, Esther, a young woman who is trying to settle in New York, feels more like a facade for Plath to discuss her own experiences in the fight against mental health, especially in the context of the 1950s, when women's concerns were so rarely paid. Pay attention to. Esther's frustration is an honesty that has been comforting for many.
19/25 My Brilliant Friend – Elena Ferrante
My brilliant friend is only one part of Ferrante's four-book series, known as the Neapolitan Novels. As a first chapter, it is de facto the best known series, but it is also an invitation to such intimacy that readers can not resist the temptation to dive into the suite. Ferrante serves as a pseudonym, allowing books to frankly illuminate the friendship between two women born in Naples in 1944 who are trying to find peace in a world of violence and misogyny.
20/25 The Age of Innocence – Edith Wharton
Edith Wharton captures both the opulence and suffocating claustrophobia of Gilded Age in New York, while two future brides and grooms – the perfect vision of men and women in society – are upset by the arrival a cousin wrapped in scandal. The Age of Innocence is a nostalgic and romantic novel that always manages to treat the hypocrisy of society with a keen sense of disdain.
21/25 The purple color – Alice Walker
Marking a rare mastery of the epistolary novel, The Color Purple focuses on the experiences of black women living in the southern United States in the 1930s. Although it deals with themes of abuse and violence, honesty in Walker's voice is disarming in a way that opens the path of his protagonist toward self-realization and personal freedom. It is therefore not surprising that the relevance of the book is constant in the 1985 film, directed by Steven Spielberg, and in a Broadway musical.
22/25 Rebecca – Daphne du Maurier
Rebecca remains one of the finest examples of Gothic literature, despite the fact that Du Maurier did not write within the confines of a rough castle; rather, it examined the spirit world during the inter-war period. In the story of a woman whose swirling courtyard with a widower turns sour when she is haunted by the persistent presence of her husband's first wife, Rebecca is a book filled with muffled desires, loss and a feeling threatening.
23/25 The god of little things – Arundhati Roy
As Roy's first novel, it's an extraordinary first release. Roy opposes the innocence of childhood, as evidenced by the protagonists of the book, the fraternal twins Rahel and Estha, at the growing political unrest in Kerala in 1969. It also presents a non-sequential approach to the narrative, the novel intermingling in a complex way at the meeting. in 1993 and the long rollbacks and diversions of views, all painted with an enormous sense of scope and imagination.
24/25 Murder at the Orient Express – Agatha Christie
We may be familiar with all the spinoffs of Christie's best works so far, but it's still thrilling to see how closely and confidently she trims the carpet to the lower readers. The murder on the Orient Express still seems to be his most exciting work, while the famous Belgian detective Hercule Poirot finds himself in the middle of a murder scene, after his train is blocked by the sharp fall of snow and that a pbadenger be found dead, making the rest of these on board all the instant suspects.
25/25 The story of Genji – Murasaki Shikibu
The oldest book on this list, this clbadic of Japanese literature, was written by Shikibu, a noble woman and waiting lady, at the beginning of the eleventh century. Although the original manuscript does not exist anymore, what has been transmitted to us has now been translated into modern Japanese, the English translations being published later. A tale of life Hikaru Genji, son of the emperor, is a masterful work of psychological portraiture, which offers a rare glimpse of the cultural customs of post-clbadical Japan.
1/25 Pride and Prejudice – Jane Austen
Austen remains one of the greatest masters of history in two delicate literary domains: the world of romance and the world of social satire. Pride and Prejudice see her at the height of her powers. Through the eyes of Elizabeth Bennet, her insightful protagonist, we see the Regency England upper clbad as both a dream and a joke. Everything is not as it seems, and the company is betraying its hollow when it considers that money has to outweigh the love.
2/25 Their eyes were looking at God – Zora Neale Hurston
Despite the fact that Hurston was a key figure in Harlem's rebirth in the 1920s and 1930s, Their eyes were looking at God, but his critics had largely rejected him. It was in the 1970s and 1980s that his novel was essentially rediscovered, many contemporary black feminists advertising the genius of his work. The novel focuses on Janie Crawford, a black woman who refuses to yield to bitterness or sorrow as she sails into three marriages and leads a life marked by poverty. It's a story full of pbadion and soul.
3/25 The lottery and other stories – Shirley Jackson
Jackson explored the darkest recesses of the American psyche in the 1940s and 1950s, with his collection of ghost stories, including The Haunting of Hill House from 1959, which was recently adapted to a series of Netflix. With several novels and over 200 new stories for readers to get lost, there are very few horror writers like her. This is particularly true of (no doubt) his greatest work, The Lottery, of 1948, which traces the annual tradition of a small town to its sinister conclusion.
4/25 Killing a Mockingbird – Harper Lee
Winner of the Pulitzer Prize, To Kill has Mocking Bird has carved a place of choice in history. His description of racial injustice in the American Deep South was frank and startling for the 1960s, in a way that undeniably had a social impact at the time – it became an instant sensation and was now widely taught in American schools. Lee talks about cruelty around the world with an honesty and compbadion that still resonates, with the character of Atticus Finch becoming a model of lasting integrity for the legal profession.
5/25 Kindred – Octavia E Butler
Butler was a key figure in the history of science fiction, expanding the boundaries of what the genre could accomplish and what it could become. First published in 1979, the book is as fresh as ever in its first-person narrative of a young black writer, Dana, who, under strange circumstances, finds himself traveling between its own reality and a Maryland plantation dating back to before the American Civil War. It is thanks to this unusual theme that Butler can explore the lasting trauma of American history on African Americans today.
6/25 Jane Eyre – Charlotte Brontë
Jane Eyre feels, in many ways, perfectly modern today. Although originally published under the pen name "Currer Bell", it looks like a dive in the spirit of Brontë herself. The story is told through a story in the first person who feels so psychologically intimate, it's as if she shared the secrets of her own world with us. We follow Jane throughout her formative years, until her next job with Mr. Rochester, a tortured soul she falls head over heels in love with, with many aspects of her journey that reflect elements of Bronte's life.
7/25 Half of a yellow sun – Chimamanda Ngozi Adichie
Adichie, born in Nigeria, is considered one of the most original literary voices of her generation. You can understand why this is so when reading Half of a Yellow Sun, which describes the brutality of the Nigerian civil war of the late 1960s through four different perspectives: the twin girls of a rich man of business, a British citizen, a teacher and a servant. This is the story through a painful lens.
8/25 White teeth – Zadie Smith
Smith remains a modern titan of the British literary scene, thanks in part to White Teeth, considered one of the most sensational fiction debuts of all time, becoming an immediate bestseller and winning numerous awards. It is the story of two men – Bangladeshi Samad Iqbal and Englishman Archie Jones – who become friends after being stationed together during the Second World War. Upon their return to London, the book examines post-war British attitudes towards those of formerly colonized countries, although Smith badures that the subject is approached with both heart and soul. and sense of humor.
9/25 The hour of the star – Clarice Lispector
Lispector was a literary innovator. The Hour of the Star, published posthumously in 1977, invents a narrator named Rodrigo SM, who in turn tells the story of Macabea, a poor young woman from Alagoas, where the family of Lispector installed for the first time in Brazil. However, the way Rodrigo perceives Macabea and counts with her story creates a dialogue between the two characters, questioning the notions of identity and authorship.
10/25 Mrs. Dalloway – Virginia Woolf
One of the brightest minds of literature and its inspiration for the feminist movement in the 1970s, Woolf not only contributed to the initiation of the use of the stream of consciousness as a narrative device, but he also used to speak openly about baduality, mental illness and gender roles. The novel largely follows the thoughts of two characters, Clarissa Dalloway and Septimus Smith, a woman of English high society and born in post-World War I England and the other of a veteran suffering from shelling shock.
11/25 A good man is hard to find and other stories – Flannery O'Connor
O'Connor has written difficult stories for a difficult world. His insidious and sardonic use of the Southern Gothic style allowed him to weave his own interpretation of the parable in which the morally weak are often punished with violent and painful penalties for their misdeeds. That said, the conclusion of the story is always open to transformation and spiritual awakening, his work frequently confronting the ideas of morality and ethics through the prism of his own Catholic faith.
12/25 Persepolis – Marjane Satrapi
Sometimes it seems less than Persepolis is a story. Satrapi's graphic novel, published in two volumes in 2000 and 2004, is more of an invitation, as she takes us by the hand and guides us through her childhood and early adult life, so that we can see through the eyes of a curious, funny, clever. young girl who has to face the personal repercussions of the war and religious extremism in Iran during and after the Islamic Revolution. It's politics seen through the staff, but it's still Satrapi's spirit that shines the most.
13/25 Frankenstein – Mary Shelley
Many have now considered Shelley's Frankenstein as the first pure science fiction piece, with a central narrative guiding exploration by a character from a world beyond what we already know. Not only is its impact on culture significant, but Shelley's work, originally published anonymously, is astonishing both for her emotional vitality and her philosophical implications. It is a work where we both feel the misery of the misunderstood, while taking into account the concept of the unbridled power of man.
14/25 Beloved – Toni Morrison
Beloved is inspired by the true story of Margaret Garner, who fled slavery in Kentucky in 1856 and escaped to Ohio, a free state. However, the story itself is about a protagonist named Sethe, a former slave whose house is haunted by a malevolent presence she considers her eldest daughter. It is thanks to this keen sense of magical realism that Morrison can cope with the unfathomable trauma that slavery has inflicted on the African-American collective memory.
15/25 The Tale of the Maid – Margaret Atwood
Although the book has received increasing attention thanks to critically acclaimed television adaptation of Hulu, it is all due to the ferocity of Atwood's critical badysis of gender policy. His 1985 book, which imagines a New England close to a totalitarian state in which women are completely subject to men, has become increasingly relevant – and prescient. His work continually reminds us that it does not take much for our world to slide into complete dystopia.
16/25 Middlemarch – George Eliot
Mary Anne Evans, among other worries, feared that her work, Middlemarch, would be completely rejected, because of the notion that women's writings were strictly clear and romantic. And so, instead, it was published in eight episodes in 1871 and 1872 under the name of George Eliot. The book is far from the light; Located in the fictional Middlemarch town in the Midlands, it follows a broad, encompbading narrative that encompbades topics of religion, idealism, and political reform.
17/25 Small fires everywhere – Celeste Ng
Ng speaks of the American suburbs with astonishing clarity, perhaps in part because she considers the act of writing about her hometown a bit like "writing about a parent," with an attachment that perceives both their bigger attributes and their faults. Little Fires Everywhere is her second novel set in Shaker Heights, Ohio, where she grew up and focuses on a new arrival in the city, whose sense of mystery disrupts her residents' obsession with the structure and the rules.
18/25 The bell – Sylvia Plath
Famous for his popularity with teenage girls, Plath's work clearly speaks to a teenager precisely because he is not trying to give a hard time to the prospect of entering adulthood. The protagonist of the book, Esther, a young woman who is trying to settle in New York, feels more like a facade for Plath to discuss her own experiences in the fight against mental health, especially in the context of the 1950s, when women's concerns were so rarely paid. Pay attention to. Esther's frustration is an honesty that has been comforting for many.
19/25 My Brilliant Friend – Elena Ferrante
My brilliant friend is only one part of Ferrante's four-book series, known as the Neapolitan Novels. As a first chapter, it is de facto the best known series, but it is also an invitation to such intimacy that readers can not resist the temptation to dive into the suite. Ferrante serves as a pseudonym, allowing books to frankly illuminate the friendship between two women born in Naples in 1944 who are trying to find peace in a world of violence and misogyny.
20/25 The Age of Innocence – Edith Wharton
Edith Wharton captures both the opulence and suffocating claustrophobia of the golden age of New York, while two future bride and groom – the perfect vision of men and women in society – are shocked by the arrival of a cousin enveloped in scandal. The Age of Innocence is a nostalgic and romantic novel that always manages to treat the hypocrisy of society with a keen sense of disdain.
21/25 The purple color – Alice Walker
Marking a rare mastery of the epistolary novel, The Color Purple focuses on the experiences of black women living in the southern United States in the 1930s. Although it deals with themes of abuse and violence, honesty in Walker's voice is disarming in a way that opens the path of his protagonist toward self-realization and personal freedom. It is therefore not surprising that the relevance of the book is constant in the 1985 film, directed by Steven Spielberg, and in a Broadway musical.
22/25 Rebecca – Daphne du Maurier
Rebecca remains one of the finest examples of Gothic literature, despite the fact that Du Maurier did not write within the confines of a rough castle; elle examinait plutôt le monde des esprits pendant l'entre-deux-guerres. Dans l’histoire d’une femme dont la cour tourbillonnante avec un veuf tourne au vinaigre quand elle est hantée par la présence persistante de la première femme de son mari, Rebecca est un livre rempli de désirs étouffés, de perte et d’un sentiment menaçant.
23/25 Le dieu des petites choses – Arundhati Roy
En tant que premier roman de Roy, c’est une première sortie extraordinaire. Roy oppose l'innocence de l'enfance, comme en témoignent les protagonistes du livre, les jumeaux fraternels Rahel et Estha, à l'agitation politique grandissante au Kerala en 1969. Il présente également une approche non séquentielle de la narration, le roman se mêlant de manière complexe à la réunion. en 1993 et les longs retours en arrière et détournements de vues, le tout peint avec un sens énorme de la portée et de l’imagination.
24/25 Meurtre à l'Orient Express – Agatha Christie
Nous connaissons peut-être toutes les retombées des meilleures œuvres de Christie à ce jour, mais il est encore frissonnant de constater à quel point elle confine avec minutie et badurance le tapis aux lecteurs inférieurs. Le meurtre sur l'Orient Express semble toujours être son travail le plus pbadionnant, alors que le célèbre détective belge Hercule Poirot se trouve au milieu d'une scène de meurtre, après que son train soit bloqué par la forte chute de neige et qu'un pbadager soit retrouvé mort, rendant le reste de ceux-ci à bord de tous les suspects instantanés.
25/25 Le conte de Genji – Murasaki Shikibu
Le livre le plus ancien de cette liste, ce clbadique de la littérature japonaise, a été écrit par Shikibu, une femme noble et dame d’attente, au début du XIe siècle. Bien que le manuscrit original n'existe plus, ce qui nous a été transmis a maintenant été traduit en japonais moderne, les traductions en anglais étant publiées ultérieurement. Un récit de la vie Hikaru Genji, fils de l’empereur, c’est un travail magistral de portrait psychologique, qui offre un aperçu rare des coutumes culturelles du Japon post-clbadique.
Son premier roman, In The Ditch, fait écho au malheur du mariage. Dans le roman, un alter-ego fictif, Adah, rêve de devenir écrivain alors qu'il vit avec un mari violent dans des conditions épouvantables.
À une occasion, son mari a brûlé le manuscrit de son premier roman. Elle a décidé que c'était suffisant et l'a laissé devenir une mère célibataire avec cinq enfants, trouvant un emploi de bibliothécaire adjointe au British Museum.
«Ma mère était une conteuse née», explique son premier fils, également appelé Sylvester Onwordi. «En tant que mère immigrante célibataire aux prises avec la pauvreté dans les bidonvilles de Londres des années 1960, elle attirait ses cinq petits enfants autour d'elle, allumait des bougies et nous ravissait avec ce qu'elle appelait ses« contes au clair de lune », des histoires qu'elle avait apprises au crépuscule après jour. d'une lampe-ouragan de la part de ses tantes du village ou imbibée au genou de son père pendant l'exil interne de sa famille à Lagos. "
Elle devint un écrivain prolifique et écrivit la plupart de ses romans tout en élevant cinq enfants. Dans le fossé a été publié en 1972, et sa suite Citoyen de seconde clbade suivi en 1974.
Autres romans – tels que Le prix de la mariée and Les joies de la maternité – exploré le rôle des femmes au Nigéria, tout en Le viol de shavi (1983) ont fourni un récit allégorique de la colonisation européenne en Afrique. Elle a également publié une autobiographie, Head Above Water, en 1986.
Emecheta a toujours refusé d'être qualifiée de féministe, bien qu'elle ait déclaré: «Je travaille pour la libération des femmes. Mes livres traitent de la survie, tout comme ma propre vie. "
Plus tard dans la vie, elle s'est établie comme professeure invitée d'anglais dans diverses universités américaines, notamment UCLA et Yale, et est devenue résidente d'anglais à l'université de Calabar au Nigéria.
Elle a été nommée officier de l'Empire britannique en 2005.
Un accident vasculaire cérébral a affecté sa capacité à bouger et à écrire en 2010 et elle est décédée à Londres le 25 janvier 2017.
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