[ad_1]
The company Weinstein
Quentin Tarantino is a filmmaker who understands the importance of quickly attracting the attention of his audience. Who could ever forget "Pumpkin" and "Honey Bunny" of pulp Fiction? Or the argument of dinner in Reserve dogs in which Mr. Pink (Steve Buscemi) explains why he does not give up and Mr. Brown (Tarantino) pontificates the true meaning of the song "Like a Virgin". Not to mention the clbadic opening sequence with nine strokes of Jackie Brown.
While all these opening scenes are certainly amazing, QT's biggest opening may have come from his 2009 World War II epic, Basterds without glory, celebrating 10 years this week and brimming with tension and intrigue from the start.
& # 39; Inglourious Basterds & # 39; (2009)
In an idyllic French countryside, dairy farmer Perrier LaPadite (Denis Ménochet) cuts a stump when his daughter Julie (Lena Frierich) suddenly shouts "Daddy!" While a caravan carrying Nazi soldiers and Colonel SS Hans Landa ( Christoph Waltz) is approaching. Landa, also known as the "Jewish hunter", is invited to the LaPadite cottage and casually questions the Frenchman as his soldiers and three daughters wait outside.
LaPadite, in order to protect his family, finally admits that he is harboring a Jewish family of local farmers in his parquets. Landa then orders his Nazi soldiers to kill the family with machine guns.
This scene is so effective for many reasons. On the one hand, you can feel the absolute and pure evil that flows from Landa. By definition, a Nazi is diabolical. However, Tarantino makes Landa appear as the most evil villain. It's almost as if LaPadite was treating himself with the devil.
Second, Tarantino waits nearly twelve minutes to reveal that there is indeed a local Jewish family under the floor. It allows the tension to accumulate and then further increases the stakes with this revelation. Not only is the Jewish family in grave danger, but it also means that Mr. LaPadite and his three daughters are also in danger.
Finally, once Landa knows that the family is hiding under him, it is revealed, Colonel SS remains calm and has them mbadacred.
However, a member escapes. Shoshanna Dreyfus escaped through the French countryside. His escape is an excellent omen for what will happen later in history.
In fact, the opening in Basterds without glory is so good that it's not just the best opening of Tarantino, but one of the biggest opening scenes in the film's history.
In addition to the rising tension, there are so many elements in the opening that make a good story. Good against evil, intrigue, mystery and tragedy.
After celebrating the 10th anniversary of Basterds Released on August 21, 2009, here are 10 more scenes among the biggest opening scenes in the history of cinema:
& # 39; Jaws & # 39; (1976)
Like Tarantino, Steven Spielberg is an absolute master to captivate his audience from the beginning. For Save Private Ryanhe has successfully recreated one of the most famous battles in history. The first scene of Jurbadic Park was exciting because it demonstrated the destructive power of a Velociraptor. The opening of The adventurers of the lost arch is so good, it really does not need any explanation.
The iconic scene of JawsHowever, it is probably the most famous opening film offered by Spielberg.
In addition to the John Williams score, which is worrisome, the shark's first-person POV, a common trope used in slasher movies, has made the scene even more terrifying and memorable.
The company has also had a tremendous impact on society by making a generation fear to go to the neighborhood pool.
"Dazed and Confused" (1993)
Richard Linklater's tribute to his own high school years immediately catches your eye with the 1970s Kevin Tracy's (1970) Pontiac GTO idle (Shawn Andrews) cruising the parking lot, while his girlfriend Michelle (Milla Jovovich) points out articulation emphasized by that of Aerosmith. Sweet emotion. "
This is just the first reference to smoking pot in the intro barely a minute and a half. "Slater" (Rory Cochrane) also smokes a joint with friends while wearing a giant pot-sheet t-shirt and Pickford and Randall "Pink" Floyd (Jason London) share an elaborate high and mimic flushes of seal.
As a result, you have a pretty good idea of what is one of the major themes of the film. The opening credit sequence of Stunned and confused also does a great job of quick and fun introduction to all the main characters Fast Times at Ridgemont High.
"Trainspotting" (1996)
As Stunned and confused, Trainspotting is a school case of using popular music to set the tone of a movie. We see Mark Renton (Ewan McGregor) and Daniel "Spud" Murphy (Ewen Bremmer) fleeing the police in a full sprint and we hear "Lust for Life" from Iggy Pop.
Then, again, we receive presentations from all the main actors of the film. It's a motley crew since we also meet Tommy (Kevin McKidd), "Sick Boy" (Jonny Lee Miller) and Begbie (Robert Carlyle) while the boys play and are outclbaded in a local football competition.
Meanwhile, Renton's famous "Choose Life" speech recovers the scene.
& # 39; Goodfellas & # 39; (1990)
A car winds on an isolated road while we see a title card that reads "New York, 1970".
We enter the car to meet the main actors. There is Henry Hill (Ray Liota) driving, Jimmy Conway (Robert De Niro) sitting, his shotgun, while Tommy DeVito (Joe Pesci) sits silently in the back.
The crew is disturbed by a shock coming from the car. Did they hit an animal? Is it a flat tire?
Henry stops the car as director Martin Scorsese advances slowly before revealing a bloody body that is still alive in the trunk. Without hesitation, Tommy stabs the man repeatedly while Jimmy places four bullets in the body.
They are really violent people with whom we are dealing here. Henry is established as the main character with this line "As far as I can remember, I've always wanted to be a gangster", before the credits started to roll.
The player (1992)
The players An impressive intro is a continuous tracking plan that takes place in a studio lasting more than eight minutes and the audience receives many leading brands in Hollywood. One of them is the omnipresence of land launches at that time: Ghost meets The Manchu candidate. "
Robert Altman also sneaks up on a postcard that reads "you're dead" while we hear various conversations from a large sample of the studio's staff. In the midst of these conversations, we hear a very relevant plot point. The job of Griffin Dunne (Tim Robbins) may be in jeopardy.
The postcard "You're Dead" ends up being handed over to Dunne, whose back page reads: "I hate your damned crazy!" Could Griffin lose his job? His life could also be in danger.
"The brilliant" (1980)
The introduction of Stanley Kubrick and the adaptation of Stephen King's novel are so simple, yet so memorable.
As Jawsthe opening music and score are as important to setting the tone of the film as the film itself.
The premonitory score and music composed by Wendy Carlos and Rachel Elkind created an absolute sense of terror, isolation and insignificance as Jack Torrance walks the Rockies with his family in their tiny yellow Volkswagen Bug heading for the hotel Overlook.
& # 39; Donnie Darko & # 39; (2001)
Another beautiful opening with the perfect song. Donnie Darko (Jake Gyllenhaal) is pictured waking up at dusk and cycling through the Carpathian Ridge on his way home. Meanwhile, Echo and Bunnymen's "The Killing Moon" set the perfect mood in the background.
The song is mysterious, beautiful and hopeful, much like the movie itself, and gives that feel to the suburbs once Donnie is back in town.
Once in town, screenwriter and director Richard Kelly makes a beautiful foreshadowing by informing the public that it's just before Halloween. Donnie also pbades in front of a red Trans Am (important point of the plot later in the story) while Donnie's mother reads Stephen King's text. he as he roams the house.
& # 39; The social network & # 39; (2010)
Aaron Sorkin's rapid-fire dialogue reveals so much about Mark Zuckerberg (Jesse Eisenberg) at the opening of the The social network.
Zuckerberg has an inferiority complex despite a perfect score on his SAT. He is obsessed with admission to one of the last elitist clubs in Harvard. He blames his girlfriend for asking innocuous questions and thinks that the reason Teddy Roosevelt became president is that he had been a member of the Porcellian Club.
He later insinuates that they went into the bar because he mistakenly presumed that his girlfriend slept with the guy at the door and insulted him to go to the bar. Boston University.
During the first five minutes, the audience receives a fairly definitive overview of the character of the protagonist of the film.
& # 39; Apocalypse Now & # 39; (1979)
The first scene of Apocalypse Now illustrates the pure and simple destruction of war from a planetary and humanitarian point of view. The audience hears the whistling of a helicopter while the camera shows the profanation of what appears to be an entire forest.
The face of Captain Benjamin Willard (Martin Sheen) is superimposed, but on the other side, facing the devastation while Jim Morrison sings "This is the end, my only friend. The end. This is a reality where any kind of normality does not apply.
Willard reflects the folly of Vietnam by drinking a lot and inexplicably Tai Chi in his hotel room. We hear his thoughts by voice over while he makes statements of the type: "Every minute I stay in this room, I become weaker. And, every minute, Charlie squats in the bush, he gets stronger. "
Scream (1996)
A title card indicating SCREAM changes from white to blood red when the phone rings.
Casey Becker (Drew Barrymore), a cute girl, tells the unknown caller that she makes popcorn and is going to watch a scary movie.
She is trained little by little in the conversation until the caller asks her how she calls and says the reason, saying, "I want to know who I am looking at." The scene gets worse when his stalker ends up saying, "You hang up … I'm going to eject like a fish!
The scene becomes more and more terrifying as the stalker continues to play cat and mouse until her boyfriend and her are killed by a mysteriously masked stealth murderer – in the most spectacular of fashions.
[ad_2]
Source link
