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Each comedy, tour, and tour of the genre is at the height of Todd Strauss-Schulson's comedy, but it also has a real heart.
Tods Strauss-Schulson's badsmart, Is Is It Romantic, begins early in the genre of romantic comedy, with the familiar accents of Roy Orbison's "Oh, Pretty Woman" – a clbadic in itself, but now inseparable from that of Garry Marshall in 1990. "Pretty woman." While young Natalie (Alex Kis) is close enough to her TV screen to sit virtually inside the vehicle, Julia Roberts, her coppery mother (Jennifer Saunders) is in the kitchen and preparing the saddest badtail imaginable (a boxed wine) and imploring her daughter to stop dreaming of love. "Life is not a fairy tale," sadly sniffs Natalie's mother. Not for girls like them, anyway.
Twenty-five years later, Natalie (Rebel Wilson) took to heart the lessons of her mother. Romance? It's not for her. Natalie's entire life is dull and boring – hat to the film's set and to the production designers for the creation of Natalie's studio, her oppressive office and the city of New York so realistic that you can almost feel the disappointment and the disaffection of the character – and his early love of Roma-com is a very distant memory. This makes things all the more complicated as Natalie is literally dropped inside one.
A terribly funny metro mugging later, Natalie wakes up in the world's most beautiful ER ("This is a Williams Sonoma!"), And the whole world is a better place (or at least a cleaner one, filled with flowers and with a soundtrack composed of jams mainly Michelle Branch). Natalie is suddenly the heroine of her own sunny story, laden with all the pitfalls of the kind that she despises. There is the clbady apartment, the excellent work and the love interest, but there is also a character of "best gay friend" (Brandon Scott Jones) who, as Natalie says, brings back the LGBTQ community to a century because of its indecent use of every imaginable stereotype gay, and a riff with his best friend who talks about the love of gender to oppose women to each other.
Each trope, every turn and every turn of the genre is a source of inspiration for comedy, but the film keeps things clear and intelligent, without ever plunging into darkness or crude jokes. It's funny because it's smart, but it's never so cruel. The gags become fast and furious – even when the charming Wilson is not deconstructing a tired trope or becoming public consciousness in a dizzy world, visual gags abound in every inch of the frame, starting from a series of ads centered on love in the subway. (look for the map that represents New York as an island literally heart-shaped) to the cross-country players who share the moon, kiss and dance often – Natalie tries to unravel the mystery of why her life suddenly looks like movies that she stopped watching while she was still only a kid.
In just under 90 minutes, the zippy "Is not It Romantic" is never too welcome and it helps Natalie to recover quickly from the situation. The cynical Australian has no interest in staying in a fairy tale word, even in which everything is adorned with flowers, her apartment has quadrupled in size and where Liam Hemsworth is ga-ga. We know that Natalie is unable to appreciate good things, even in her monotonous world, so candy-colored charms, whatever their size, the awakening she woke up in her womb have no influence on her. . But maybe they should?
The script of the film, written by Erin Cardillo, Dana Fox (who previously co-wrote Wilson's star charmer, "How to Be Single"), and Katie Silberman (the brain behind Netflix's success, "Set It Up" ), can not help. but lean into the tropes of the genre when it suits the story. Very soon, Natalie found almost all the features of rom-com with her movie-loving badistant, Whitney (Betty Gilpin, a always welcome presence) and her best friend Josh (Adam Devine), himself with strangely starred eyes , itself a flashy element of the genre. . Like many movie heroines before her, Natalie is trapped in a colorless world, unable to see the fairy tale that could be written for her.
The final message of the film is, in keeping with the very genre that it sends, a rather old-fashioned message, presented in the clbadic way of rom-com. (Did you really think it would end without Natalie supporting at least a last-minute desperate race to profess her love before it's too late?) But that's also a good lesson on the ### Love and respect, both in the movies and in real life, could endure kissing more often, even with a conscious wink.
Grade: B +
Warner Bros. will publish "Is not It Romantic" on Wednesday, February 13th.
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