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Jeter: Shefali Shah, Rasika Dugal, Adil Hussain, Rajesh Tailang, Vinod Sherawat
Director: Richie Mehta
Evaluation: 4 stars (out of 5)
In episode 2 of Delhi crime, a series falling on Netflix on March 22, police officers in a police station begin a crucial interrogation. While the screws are tight on a group rape suspect (in the next episode), he confesses. He reveals graphic and macabre details of his crime. They make your skin crawl. Chief Investigator Vartika Chaturvedi (Shefali Shah), Deputy Commissioner of Police (DCP), South District, asks IPS Trainee Officer Neeti Singh (Rasika Dugal), a recruit who started his work two weeks ago earlier, to slap the man. The latter refuses. She is repulsed by the thought of touching the psychopath.
But the postmaster (SHO), as disgusted as the new recruit, reacts differently. He does not need help to get close to the criminal and spit on his face. These two manifestations of repulsion and rage do not only highlight the gender dynamics that are inevitably at play in law enforcement activities, they also serve to humanize the police forces in a way that conventional representations to the glamorous glow of men and women in uniform never do.
Delhi crime, written and directed by Canadian filmmaker Richie Mehta, is dark, gritty and steeped in everyday life. This bluntly, step by step, report from the real life investigation in the December 2012 gangrape that burned the nation's conscience has cops that are anything but infallible. One of them suffers from a foot infection and walks with lameness, another has a bad back, while the third has to look after a sick woman in its official quarters in the narrow.
Some of them even admit to having lost their way in force by accident. One wanted to be a teacher, the other did not undergo the test of entry to the police only to give the company to a friend. It does not look like a crack unit ready to fight, but the Nirbhaya affair explodes, most of them take their stand, plead for their doubts and doubts and give the best shot to the inquiry.
While the seven-episode series fleshed out the concerted police action that resulted in the arrest of six perpetrators, in five days flat, she describes the investigators as they were actually – men and ordinary women experiencing personal, professional and political pressures throughout their lives. the heavy task of traveling the city and other parts of the country (Uttar Pradesh, Rajasthan and Bihar) to bring criminals together and bring them to justice.
There are few things that are not already known about how the Nirbhaya affair failed, but Delhi crime is a constantly fascinating tale, as this painful reenactment of a scary crime and its aftermath is more than just a police procedure. First and foremost, the multi-level narrative addresses the lack of security for women in a sprawling city that records 11,000 heinous crimes each year.
This theme of the "rape capital" is mainly addressed by the concerns of a schoolgirl, Chandni (Yashaswini Dayama), daughter of Vartika, convinced that "this city is a shit". "It's better," his mother said. That night, hell is unleashed – a student is brutally trapped in a bus in motion – and the DCP and its team must be committed to getting criminals punished.
The series also exposes the difficult equations that the overworked police have with their political masters – in Delhi, this translates into a jurisdictional clash between the Minister of the Interior of the Union, Gururaj Dixit (Avijit Dutt) and Minister of State Sanjeev Goswami (Sanjiv Chopra), with Police Commissioner Kumar Vijay (Adil Hussain) caught in a zero-sum game that he would rather not play.
Under the scanner are also acute television news channels that stop at nothing to provoke frenzy and attack scapegoats as they fight over each other's eyes. However, where Delhi crime What matters most is his sensitive and enlightening examination of the deep social and economic divisions in Indian society as a whole and in its policing system in particular.
The real gangrape remains off camera. Delhi crime begins with the discovery of Deepika (Abhilasha Singh), a survivor of badual badault, by a chief police officer. This is only when the camera focuses on the shock and anguish on the face of the girl's parents outside the hospital emergency department that the horror of crime is felt at home.
The heinous act is then described in detail repeatedly, first by the main defendant, Jai Singh (Mridul Sharma), and then by the surgeon at the Safdarjung Hospital when he was arrested. a conversation with the chief investigator and finally by the barely audible survivor herself in the courtroom. presence of a magistrate. Everyone is heartbreaking like the other.
Delhi crime is essentially based on facts – the series was shot primarily on real places and the essential details of the plot are rooted in a documented reality. A considerable fiction is discreetly integrated into the plot. The names of the main characters in the case are changed, while dramatic elements and details are added to accentuate the ups and downs. This adds to a disturbing story that concerns not only a police team working day and night to punish the guilty, but also a company and a country that reveals its ugly belly and its many fault lines.
Mehta's laborious research and his impressive compilation of details from police records go hand in hand with a sharp awareness of the emotional tribute that the heartbreaking inquiry has provoked on a force pushed to the limit. They had to move to action without wasting as much time to ensure justice to the brutalized girl as to enhance the reputation of their own so much disparaged cadre.
Delhi crime is a punch of a series: disturbing and captivating in turn. No shots are fired, there are no punches and yet there is no shortage of thrilling moments. The scenario is excellent, as is the performance of a set led by Shefali Shah, incredibly malleable.
Playing the role of a police officer conducting an investigation and the mother of a girl going to school, Shah propels the series with a range of emotions – anger, pain, trauma, determination and resignation – all these actions being sometimes grouped together in a single sequence. It's great to watch. Rasika Dugal, in the role of a wide-eyed but quick-eyed learner, adds a new feather to her glittering cap with a punchy performance in which neither the effort nor the search for effect n '# 39; is visible.
Dugal's young daughter, Iet Neeti Singh, a Chandigarh middle-clbad girl who impresses the boss and gains her tacit confidence, is the exact opposite of Shah's simple and flawless PDP. With the latter giving off a burning fury and intensity, Dugal brings to the table some tranquility amid the chaos and pressure of a "difficult and demanding case".
The two ladies are playing next to the book, one because she knows that she can not afford to fall into a situation where all eyes are on her, the other one. because that's the only way she can do it given her lack of experience and, by extension, the kind of cynicism that tends to manifest itself after years devoted to serious crime and its authors. Gender plays a key role in the way they approach their challenges, but it's not what defines them They are what they are independent of the fact that they are women in a force dominated by men.
The two beautiful actresses are part of a set that includes actors such as Adil Hussain (as chief of the Delhi Police) and Denzil Smith (as the DCP's husband). Both bring confidence and flair to their roles. Yashaswini Dayama also makes a strong impression as a girl who is proud of her mother DCP but determined to leave Delhi for the first time.
The series focuses on the cops and several actors emerge from the crowd, embodying credible men investing all their energy and confidence in the work to be done. Nobody more than Rajesh Tailang (the main actor of the 2013 film Siddharth of Mehta). He effortlessly embodies the role of Inspector Bhupendra Singh, a cold-headed police officer who rose through the ranks to lead the Special Task Force (STF).
Jaya Bhattacharya (as Vimla Bharadwaj), Anurag Arora (Jairaj Singh) and Gopal Datt Tiwari (Sudhir Kumar), who play on DCP Chaturvedi's team of investigators, are also performing well.
Delhi crime is a story that just had to be told. Irreproachable execution, neat details, technical finesse and exceptional performance combine to make it an indispensable watch.
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