Diana Ross: Celebrating Motown's supreme talent



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Today & # 39; hui, Diana Ross 75 years old. But many people are 75 years old. What many people do not do is boast singing careers that cover 60 of those 75 years. But it's Diana Ross that we're talking about – Motown's signature agitator, whose silky soprano voice has given us a plethora of successes and underrated jewels.

Listen to the best of Diana Ross on Apple Music and Spotify.

Diana began her career as a singer in The Primettes, which recorded a single, "Tears Of Sorrow" / "Pretty Baby", very heavy in Doo-wop, in 1960, with Diana singing. It's still unclear if the single was released in 1960 or s? It was set aside a few years later when The Primettes – which currently records for Motown The supremes – had the success of the card. In any case, it was not a commercial success.

Set Motown

The commercial failure would weigh on Supremes' early years, rumors suggesting they were known internally as the "supreme non-hit", after seven of their singles had no real impact on the charts. But when the glory came, it was so fast and so fast. "Where Did Our Love Go" was ranked # 1 in the US and was followed by 11 other # 1 in their careers, including "Baby Love", "Stop! In Love's Name," J ' hear a symphony "and" You keep me Hangin ".

In 1967, The Supremes had a reshuffle and a name change. Diana Ross was alone at the head of the group and presented herself as the star. The band's final number 1 would be "Someday Will Be Together" in 1969, although the song is probably the first solo release of Diana Ross, none of her compatriots supremes, Mary Wilson and Cindy Birdsong, having appeared in face A, recording only vocals for side B, "He's My Sunny Boy".

All of these successes have come to define Motown, but Motown's picture is almost as legendary as the Motown sound, and no one has presented it better than Diana Ross & The Supremes. The founder of Motown, Berry Gordy, was anxious to make sure that his artists are watching the party, that they would appeal to a black and white audience and stand out as clbad acts.

Embody everything

Motown artists have all attended a school of completion where the instructor and the wise behavior taught them etiquette and behavior. Maxine Powell. This extended to the clothes worn by the artists – and no group matched the glamor of Diana Ross & The Supremes; they had dresses galore, glitter of all the colors of the rainbow. Azure glittering blue, silver disco-ball, rich pink raspberry – you name it, they wore it. Their wardrobes boasted an abundance of riches: frothy and pink dresses on several levels; suits perfectly matched to Crayola primary colors; Organza green column is dressed with thigh slits and crystal embellishment. It was very different from the beginning of their career when Diana loved to make her own clothes as well as those for the band's concerts. Even when the situation changed and the glamor seemed excessive, Ross and The Supremes dressed to make a good impression – take, for example, the iconic yellow canary sweatshirt that Diana wears while leaning over her body. interior of a brick door. The years 1968 Natural child album.

In 1970, Diana had embarked on a solo career and had released two albums that showed the extent of her abilities as a star. Diana Ross was produced by the legendary married couple Ashford & Simpson, and includes the single "Reach Out And Touch", as well as a pair of blankets that Diana performed herself, including the magnificent "You" All that I need to pbad "and" is not mountainous enough ", which turned out to be the # 1 Display panel Hot 100 smash hit. The album cover showed Diana with cut hair, dressed in a simple t-shirt and denim shorts. By his second album, Everything is everything, released at the end of this year, Diana would appear on the front cover, dripping with diamonds. The contrast may suggest that Diana and Motown were not some of the best solutions to launch his solo career. Should she be the accessible and laid-back soul singer portrayed on Diana Ross or the glamorous diva of "Everything is everything?" What was sure – and remains clear to this day – is that Diana could, in fact, embody everything.

Give love instinctively

The 70s and 80s would be the best to prove it. In 1972, Diana was playing Billie Holiday in the movie Lady sings the blues, for which she received an Oscar nomination for Best Actress, a particularly outstanding achievement given that it was her Hollywood debut. The accompanying music album that accompanies it has also been ranked # 1 in the United States. 1973 was just as busy, with Diana releasing Touch me in the morning, whose title song was a hit. She has also begun to badume production responsibilities for some of the songs.

In October of the same year, a duet album was released with the other big soul star of the day, Motown. Marvin Gaye. Simply titled Diana & Marvin, this is a beautiful album that both highlights their amazing voice and reminds you how much Diana could share singing tasks: she was not for nothing in a group girls extremely successful. The real stars are the covers of '(Stop, Look, Listen) To Your Heart' and 'You Are Everything', written by Thom Bell and Linda Creed, and originally recorded by The Stylistics, one of the stars of the Philly soul. The rest of the 1970s produced other hit records, including the delicate "Theme From Mahogany" of 1975 and the superb disco number "Love Hangover" (1976).

In 1980, the music changed, but Diana was ready and would release her most successful album to date, Diana. Originally released without a single lead, the album was so successful that Motown quickly picked up records of "Upside Down," which made it into the top charts, followed by "I'm Coming Out" , a song has become a huge LGBT anthem after its release.

Define the model

Whether with Chic, Michael Jackson or Bee Gees, Diana recognized the interest of recording cool and interesting material during the 80s. Her ability to adapt her voice to a range of styles, whether two minutes group of girls hits, great soul ballads with spoken word interludes, energetic disco numbers or even blues standards, have not only demonstrated the incredible versatility of Diana Ross as an interpreter, but have also opened up the way for future singers who could recognize the value of flexibility. From vocals in a vocal group to duets to movie soundtracks, actor roles and huge headline concerts, Diana Ross's career has created a rugged model for future stars, including Beyoncé.

And how does a musical icon celebrate its 75th birthday? By winning the 2019 Grammy Awards in an enormous red dress and performing 'Best Years of My Life', followed by an interpretation of the single that launched his solo career: 'Reach Out And Touch' (The Hand of Someone ) & # 39;

Ross the boss? We think it

Follow the Strength, Courage & Wisdom playlist on Apple Music and Spotify for more clbadic songs of Motown's essential icons.

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