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Martin scorsese is arguably America’s greatest director alive, and from the very start of his decades-long career, he’s used to appearing in his films in small cameo roles. Drawing inspiration from filmmakers like Alfred Hitchcock, who never hesitated to make an appearance, his on-screen roles have been legion. Sometimes they are a fully realized character, like her scary ride as a taxi passenger in Taxi driver. For others, he’s more content with a blinking role and you’ll miss him, or even a voiceover.
Scorsese’s career began in 1967, with his first film Who is knocking on my door? A small-scale film that received respectable critical appreciation at the time, it set the director on a path to explore the Italian-American experience, as well as questions of guilt and faith. His visionary leadership, however, did not fully crystallize until 1973. Wicked streets, which kicked off his relationship with Robert De Niro and put him on the map as a director to watch. Over the years he has created a whole litany of various classics, from gangster movies like Goodfellas and The missing, to religious epics like Silence and The last temptation of Christ. More than five decades later, his career shows no signs of stopping, with his latest film Irish receive some of the best reviews of his career and upcoming Moon Flower Killers is expected to be a major release in 2022.
Throughout these films he has been a constant presence both behind and in front of the camera. Sometimes a divine offscreen voice, sometimes a literal cameraman framing the onscreen action, Marty embraced the art of the cameo. Here are all of her roles in her own films, explained.
Who is knocking on my door? (1967)
The world was introduced to Martin Scorsese in 1967 with his first film, Who is knocking on my door? A small bedroom play about a young Italian-American confronted with Catholic guilt and some unspoken secrets of his relationship, the film premiered at the Chicago International Film Festival, thus kicking off the career of the film. one of the most important directors of American cinema. This also started his penchant for cameos, as he appears uncredited as a gangster in the film.
Bertha covered wagon (1972)
The second characteristic of Scorsese is a Bonnie and Clyde-Esque tale of two train thieves and lovers who become fugitives after the titular Bertha assassinates a wealthy gamer. Marty’s cameo here is as a brothel shopper calling Bertha during her stint as a prostitute.
Middle Streets (1973)
Scorsese’s real big breakthrough came with the 1973 semi-autobiography Wicked streets, which also features a slightly larger cameo for the director. He’s actually credited this time around as gangster henchman Jimmy Shorts. In the final moments of the film, he saw Charlie Cappa (Harvey Keitel) and Johnny Boy (Robert DeNiro) shooting in the backseat of a car, dealing the latter with the fatal blow. Interestingly enough, Marty appears twice more in the film, first in a still image with Harvey Keitel in the main sequence, and another time as the film’s opening voiceover.
Alice doesn’t live here anymore (1974)
Another flashing cameo and you will miss it from the director is happening in Alice doesn’t live here anymore. Alice of Ellen Burstyn, a widow traveling across the southwestern United States with her son in search of a better life, ends up taking a job as a waitress at a restaurant in Tucson. Scorsese can be spotted at a table in the back, having coffee and chatting.
Taxi Driver (1976)
Certainly his greatest cameo to date, Martin Scorsese plays a pivotal role around the 40-minute mark, the second of his two cameos in Taxi driver. Credited as “Passenger Watching Silhouette,” Scorsese asks De Niro’s Travis Bickle, the titular taxi driver, to stroll in his cab outside a building where his wife is cheating on him with another man. In one of the spookiest moments in an iconic movie, the character calmly tells Bickle how he’s going to kill his wife with a .44 Magnum, thus planting the idea of gun violence in Bickle’s head for later. in the movie. Scorsese replaced an actor who dropped out at the last minute due to injury but is holding his own beautifully against one of De Niro’s greatest performances. Oddly enough, Marty also appears at the start of the film as a Man in the Street.
Raging Bull (1980)
Robert De Niro arguably gives his best performance in Scorsese’s masterpiece in 1980, Angry bull. Playing emotionally retarded middleweight boxer Jake LaMotta, he packed a whole load of weight for the film’s final scenes, where LaMotta switched to performing comedy shows and reciting Shakespeare monologues and At the water’s edge. Scorsese can be vaguely seen in the mirror in the last shot of the film, informing LaMotta that the auditorium he’s about to perform is packed. The director steps out of the frame, leaving La Motta in the shadowbox before heading to the stage, swelling with chants of “I am the boss”.
The King of Comedy (1982)
Scorsese teamed up with De Niro again for 1982 black satire The king of comedy, one of the most “inspired” films of 2019 Joker. De Niro plays Rupert Pupkin, a wacky stand-up comedian who goes to great lengths to become famous. Meanwhile, Scorsese briefly introduces himself as a TV director prepping Tony Randall for a guest host stint on a talk show typically titled by Jerry Langford’s Jerry Lewis.
After Hours (1985)
Martin Scorsese won the Cannes Film Festival and the Independent Spirit Award for Best Director for his work on black comedy After hours. While his steering is still as kinetic and dynamic as ever, he’s a little harder to spot in his cameo. While browsing a club in Berlin, the camera surprises him for a second as a spot operator lighting up the dance floor.
The Color of Money (1986)
The color of silver stars Paul Newman and Tom Cruise, but it also features two cameos from its director. About an hour and a half after the movie starts, there is a brief shot of a man breaking the rack in a pool hall. An opportune moment of the pause button reveals that the man is none other than Marty. Perhaps more endearing, he saw his own dog Zoe walking in another scene set at an Atlantic City casino.
New York Stories (1989)
Scorsese only directed one of the segments of the anthology film New York Stories, with The Godfather and Apocalypse nowFrancis Ford Coppola and Woody Allen lead the other two. This segment, titled “Life Lessons”, features Nick Nolte as an abstract artist named Lionel Dobie. For a brief moment, Marty is seen as a man holding a dog having his picture taken with Dobie.
Age of Innocence (1993)
The age of innocence, an adaptation of the novel of the same name by Edith Wharton, is quietly one of Scorsese’s most lavish offerings. With performances by Daniel Day-Lewis, Winona Ryder and Michelle Pfeiffer, the film is about the romantic entanglements of Newland Archer, a wealthy New York lawyer. Prior to Archer’s wedding to Ryder’s May, the director is considered the picky wedding photographer.
Bringing out the Dead (1999)
In the latter part of his career, Martin Scorsese was happy to be heard and not seen in his cameos. In the years 1999 Bring out the dead, his voice is audible as the dispatcher radio communicates with John Goodman’s Larry, an ambulance driver at the cemetery.
New York Gangs (2002)
New York gangs is one of Scorsese’s most polarizing (and longest) works. Even buried amid his immense runtime, however, the director is unmistakable in his cameo. Playing a wealthy landowner sitting at the head of the table, he is one of the targets that Cameron Diaz pickpockets Jenny.
The Aviator (2004)
In the case of The aviator, Marty took on two small roles. One is visible, as a man with slicked back hair pulling a woman away from Leonardo DiCaprio’s Howard Hughes as he walks the red carpet with Cate Blanchett’s Katharine Hepburn. The other is a brief vocal tour as a projectionist for Angels of Hell, who communicates with Hughes from the booth in his screening room.
Hugo (2011)
No Marty is missing in his 2011 family movie Hugo. While he won the Golden Globe Award for Best Director for the film, he also dons a top hat as a photographer taking pictures of a young George Melies outside his new studio. Soon after, his voice can be heard inside the studio saying: “Okay, that’s good, yes.“
The Wolf of Wall Street (2013)
Here is another audio-only performance from the maestro himself. Featured as John, he is the first client of Leo’s dupes Jordan Belfort to sell Aerotyne IND penny stocks. The film itself is an excessive portrayal of greed and corruption, with Scorsese pulling the strings in his most kinetic film since Goodfellas, so it’s interesting to see him come forward as the titular wolf’s first victim.
Silence (2016)
Silence is one of Scorsese’s newer and underrated gems. This is also perhaps his flashiest cameo and you will miss him. Towards the end of the film, when Ferreira and Rodrigues are in Nagasaki, Martin can be seen in the courtyard, sitting to the left. Disguised in a traditional missionary cloak and large black hat, her most recent cameo shows that Martin scorsese will always be there hidden in his films for eagle-eyed fans.
Next: Every Martin Scorsese Movie, Ranked Worst To Best
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